{"id":2317203,"date":"2026-03-07T14:42:31","date_gmt":"2026-03-07T14:42:31","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2317203"},"modified":"2026-03-07T14:42:31","modified_gmt":"2026-03-07T14:42:31","slug":"ella-langleys-billboard-no-1-song-just-did-what-even-taylor-swift-couldnt","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/ella-langleys-billboard-no-1-song-just-did-what-even-taylor-swift-couldnt\/","title":{"rendered":"Ella Langley\u2019s Billboard No. 1 song just did what even Taylor Swift couldn\u2019t."},"content":{"rendered":"<p><\/p>\n<div itemprop=\"mainEntityOfPage\">\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"139\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfglswa002084kp9ig4h6q4@published\">In the fall of 1968, Texas-born Jeannie C. Riley became the first woman to get a single to the top of both the Hot\u00a0100 pop chart and the Hot Country Singles chart: \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/stereogum.com\/2022322\/the-number-ones-jeannie-c-rileys-harper-valley-p-t-a\/columns\/the-number-ones\">Harper Valley PTA<\/a>,\u201d a sassy story-song about a widowed mother feeling herself\u2014scandalizing her hometown in miniskirts and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/genius.com\/1747681\">clapping back at her detractors<\/a>, the \u201cHarper Valley hypocrites.\u201d While it\u2019s tempting to call Riley\u2019s debut single and biggest hit a country \u201ccrossover,\u201d it didn\u2019t really cross over. It broke at pop and country radio stations virtually simultaneously\u2014in fact, it got to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/hot-100\/1968-09-21\/\">No.\u00a01 on the Hot\u00a0100<\/a> a little faster than the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/books.google.com\/books?id=xQoEAAAAMBAJ&amp;lpg=PA1&amp;pg=PA37#v=onepage&amp;q&amp;f=false\">Country chart<\/a> and even held off the Beatles\u2019 \u201cHey Jude\u201d from No.\u00a01 for a week. \u201cHarper Valley PTA\u201d was a cross-cultural sensation, a twangy Southern take on the counterculture. From the jump, it was as much pop as country.<\/p>\n<aside class=\"slate-external-video slate-external-video--default\" data-uri=\"slate.com\/_components\/slate-external-video\/instances\/cmmfgn4ra001e357d3vwppbaf@published\">\n<p><noscript><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Harper Valley P.T.A. (Remastered 2022)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/o_sfYqVzUZU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><\/noscript><\/p>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"50\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn4r1001d357deftpajjv@published\">Here\u2019s the thing: When you walk through <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/lists\/country-number-ones-hot-100-country-chart\/\">the history of pop-and-country double\u2013No. 1s<\/a>, and focus on the tiny handful of these hits by women, there are similar asterisks on pretty much all of them. Almost none could be called straight-up country records, and the ones that do qualify are duets.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"262\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn4ts001f357db0rpto8r@published\">The list is so short, I can run it down here. After \u201cHarper Valley PTA,\u201d it took more than a decade for another country woman to top the Hot 100, when Dolly Parton\u2019s \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/lists\/country-number-ones-hot-100-country-chart\/\">9 to 5<\/a>\u201d rang the bell in early 1981. As great as that song is, \u201c9 to 5\u201d was the theme to a <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2015\/02\/lily-tomlin-on-9-to-5-and-the-rarity-of-female-driven-studio-movies-video.html\">blockbuster 1980 movie co-starring Parton<\/a>, and it\u2019s mostly pop with a sprinkling of disco; Parton\u2019s drawl is nearly the only country thing about it. The same goes, more or less, for Parton\u2019s other pop-and-country No. 1, the 1983 Kenny Rogers duet \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/stereogum.com\/2092880\/the-number-ones-kenny-rogers-dolly-partons-islands-in-the-stream\/columns\">Islands in the Stream<\/a>,\u201d written by the Bee Gees. Taylor Swift has two Hot 100\u2013plus\u2013Hot Country toppers, but 2012\u2019s pop-rock, twang-free \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2012\/08\/taylor-swifts-we-are-never-ever-getting-back-together-is-no-1-on-the-pop-charts-is-swift-breaking-up-with-nashville.html\">We Are Never Ever Getting Back Together<\/a>\u201d really shouldn\u2019t have been on the Country chart, and her 2021 reboot of \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2021\/11\/taylor-swift-all-too-well-10-minute-billboard-hot-100-chart.html\">All Too Well<\/a>\u201d only qualified for the Country chart as a relic of Swift\u2019s earlier career, now benefiting from her subsequent pop megastardom. Kacey Musgraves\u2019 2023 ballad \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=ZVVvJjwzl6c\">I Remember Everything<\/a>\u201d is solidly country in instrumentation and lyrical approach\u2014but it only got to No.\u00a01 on the Hot\u00a0100 because her duet partner and the song\u2019s lead artist, Zach Bryan, was then at the peak of his popularity. The same goes for Tate McRae\u2019s fluke 2025 double-topper \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Y6jyPJ8QJK8\">What I Want<\/a>,\u201d on which she was the featured artist to country kingpin Morgan Wallen. In between those duets, Beyonc\u00e9\u2019s superlative two-step \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=238Z4YaAr1g\">Texas Hold \u2019Em<\/a>\u201d topped both charts because she\u2019s Beyonc\u00e9, full stop; and I\u2019ve already <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2024\/02\/beyonce-texas-hold-em-country-song-billboard-hot-100.html\">explained the strange data circumstances<\/a> that made Bey\u2019s hit a fluke Country No. 1.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"139\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn4wk001h357dk9m5wz4p@published\">I\u2019m walking through all this female country-pop chart history to paint a stark picture of just how exceptional and rare our current No.\u00a01 song on the Hot\u00a0100 is. It\u2019s by an artist, Ella Langley, who is country to the core. It\u2019s a story-song, like \u201cHarper Valley PTA,\u201d but unlike Jeannie Riley, Langley is not a country newbie. She\u2019s also not dabbling in Hollywood, like Parton in 1980, or transitioning out of country music, like Swift in 2012. Sure, Langley has recorded her share of male-female duets, like Musgraves and McRae, but her current smash, the biggest hit in her young career to date, is credited to Langley alone. And finally \u2026 I mean, just listen to the track\u2014or heck, just look at the title. The song is called \u201cChoosin\u2019 Texas.\u201d To which I say, with admiration and respect: Yeehaw.<\/p>\n<aside class=\"slate-external-video slate-external-video--default\" data-uri=\"slate.com\/_components\/slate-external-video\/instances\/cmmfgn4tv001g357dyw7b4lxw@published\">\n<p><noscript><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Ella Langley - Choosin&#039; Texas (Official Lyric Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hLOheGDwD_0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><\/noscript><\/p>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"167\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn4yo001j357dku6is8ad@published\">\u201cChoosin\u2019 Texas\u201d is a heartbreak song, the kind country music does best. Built out of a midtempo two-step rhythm and a sparkling steel guitar melody, the song paints a vivid tableau of a solitary woman at a honky-tonk ruing her chances at dancing with the cutest guy on the floor. Co-written by Langley herself with her mentor, country veteran Miranda Lambert, along with well-traveled songsmiths Joybeth Taylor and Luke Dick (the only dude in an otherwise all-women songwriting team), \u201cTexas\u201d revolves around an ingenious metaphor of home state as romantic destiny: \u201cJust when I thought I got him to fall in love with Tennessee,\u201d she begins, already defeated, \u201cI should\u2019ve known better than to take him back to Abilene \/ I put him right back into her arms \/ I wasn\u2019t a match for that kind of spark.\u201d It builds to a swaying singalong chorus that climaxes with a morose acceptance of her lonely fate: \u201cDrinkin\u2019 Jack all by myself \/ He\u2019s choosin\u2019 Texas, I can tell.\u201d<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"148\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn51d001l357dw0mdffbd@published\">Nothing on current pop radio sounds like this trad-country song\u2014not even Morgan Wallen\u2019s latest hits, suffused as they are with <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=EJIwNQb6tWA\">synths<\/a> and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=cLnl73R9gMc\">trap beats<\/a>\u2014and yet \u201cChoosin\u2019 Texas\u201d is making inroads with listeners who would never touch the country station on their radio dial. In a way, \u201cTexas\u201d is the purest kind of crossover hit: It\u2019s not trying to meet pop halfway at all. It has made the leap from the Country charts to the Hot\u00a0100 without a pop remix, a special guest from another genre, a star-studded music video, or any sonic sweetening that would make the song more palatable for pop fans. Frankly\u2014and I mean this as a compliment\u2014it doesn\u2019t even sound much like the 2020s. I get a strong 1980s vibe from \u201cChoosin\u2019 Texas,\u201d as it channels the big-hair era of country heartbreak from the likes of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=bQTZekXqDaw\">Rosanne Cash<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=QibW07lkIYk\">the Judds<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Es1xpUxrMhU\">Reba McEntire<\/a>, and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=tpWcNNUzBjY\">Kathy Mattea<\/a>.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"188\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn53z001m357ddp9de5fw@published\">If the song seems an unlikely crossover hit, Ella Langley is the best kind of cultural emissary: using modern tools to sell old-school country. Born in Hope Hull, Alabama, Langley moved to Nashville in 2019, around age 20, to try to make it as a singer-songwriter. During the pandemic, she <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.tiktok.com\/@ellalangleymusic1\/video\/7013878458703039749\">posted her music on TikTok<\/a>, which was just starting to blow up for country acts in the post\u2013Morgan Wallen era. Eventually, the 2022 midtempo twanger \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=46J79IBBw9M\">Country Boy\u2019s Dream Girl<\/a>,\u201d a celebration of independent-minded women who drive pickup trucks down red-dirt roads while listening to George Jones, got her signed to Sony Nashville. Her big breakthrough came more than a year later, on the cheeky \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=Dm2TSMerGPQ\">You Look Like You Love Me<\/a>,\u201d a she-said-he-said duet with witty, deliberately cornpone spoken-word verses. Langley recorded it with fellow rising country star Riley Green, and they really leaned into the kitsch. \u201cYou Look Like You Love Me\u201d reached the Top 10 on Hot Country Songs and a remarkable No.\u00a01 at country radio\u2014an all-too-rare occurrence for country records with a female voice, even if it required a second male voice to get it there.<\/p>\n<aside class=\"slate-external-video slate-external-video--default\" data-uri=\"slate.com\/_components\/slate-external-video\/instances\/cmmfgn4wk001i357dr0xgzeu9@published\">\n<p><noscript><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Ella Langley (feat. Riley Green) - you look like you love me (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Dm2TSMerGPQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><\/noscript><\/p>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"93\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn56i001n357dk34jf38s@published\">That\u2019s when Langley started scoring hits on her own, an even more remarkable feat in a genre <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/country\/ella-langley-megan-moroney-country-gender-rules-women-1236191695\/\">notorious for playing women artists rarely, and only one at a time<\/a>. In the summer of 2025, Langley\u2019s solo follow-up single \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=U4NPZi2b0aQ\">Weren\u2019t for the Wind<\/a>\u201d reached the Top 5 on Hot Country Songs and No.\u00a02 on Country Airplay. A second duet with Riley Green, the more earnest ballad \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=iiC3TZ32c2g\">Don\u2019t Mind If I Do<\/a>,\u201d kept her on DJs\u2019 radar as it reached No.\u00a01 in Country Airplay just before Christmas 2025. That\u2019s when \u201cChoosin\u2019 Texas\u201d started blowing up.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"213\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn599001o357dgjp359i3@published\">To understand how exceptional this song is, you have to understand how the Hot\u00a0100 works.<br \/>The big pop chart factors in airplay from all current radio formats and anybody\u2019s streams or downloads, so if enough country listeners are consuming a song, it will appear somewhere in the middle of the big pop chart. That\u2019s what was happening in 2024 and \u201925 to Langley\u2019s breakthrough hits, which did make modest appearances on the Hot\u00a0100\u2014her first Riley Green duet reached No.\u00a030 there, \u201cWind\u201d reached No.\u00a018, and the second Green duet hit No.\u00a023. But that mostly reflected popularity with country listeners, not a great deal of pop crossover. For a country song to climb all the way into the pop Top 10, either its streams have to be massive, \u00e0 la <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/chart-beat\/morgan-wallen-record-breaking-songs-hot-100-simultaneously-1235981641\/\">the tracks on Morgan Wallen\u2019s past couple of albums, which blanketed the Hot 100<\/a>, or the bizarre <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2023\/09\/oliver-anthony-rich-men-north-of-richmond-billboard.html\">one-off No.\u00a01 by Oliver Anthony<\/a>; or pop-radio listeners must be hearing it, as happened in the summer of 2023 when Luke Combs\u2019 cover of Tracy Chapman\u2019s \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/podcasts\/hit-parade\/2024\/03\/what-fast-car-by-luke-combs-tells-us-about-the-art-of-the-cover-song\">Fast Car<\/a>\u201d rode huge cross-genre radio play to No. 2. Langley\u2019s \u201cChoosin\u2019 Texas\u201d is benefiting from both: It broke big thanks to streaming, and it\u2019s not only scoring massive country airplay but even <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/pop-songs\/2026-03-07\/\">starting to pick up spins on Top 40 pop stations<\/a>.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"173\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn5c7001p357dbqytjwk8@published\">When \u201cTexas\u201d first reached No.\u00a01 on the Hot\u00a0100 three weeks ago (it returns there this week for a second cumulative week, after a two-week interruption by <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2026\/02\/bad-bunny-super-bowl-halftime-show-billboard-dtmf.html\">Bad Bunny<\/a> and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2026\/02\/taylor-swift-opalite-billboard-hot-100-song-ophelia.html\">Taylor Swift<\/a>), Billboard reported that Langley\u2019s hit became the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/lists\/ella-langley-choosin-texas-hot-100-number-one\">first song by a woman in chart history<\/a> to simultaneously top the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/hot-100\/2026-02-14\">Hot 100<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/country-songs\/2026-02-14\/\">Hot Country Songs<\/a>, and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/country-airplay\/2026-02-14\/\">Country Airplay<\/a>. Each part of that feat is remarkable. Country songs in general only occasionally top the Hot\u00a0100 (although after mid-\u201920s smashes by <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2023\/03\/morgan-wallen-last-night-billboard-hot-100.html\">Wallen<\/a> and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2024\/12\/shaboozey-billboard-bar-song-tipsy-hot-100-kendrick.html\">Shaboozey<\/a>, it is becoming more common). Country songs by women only top the Hot Country Songs chart <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/country-songs\/2025-03-29\/\">once<\/a> or <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/country-songs\/2021-01-30\/\">twice<\/a> a year, if at all. And country songs by solo, unaccompanied women almost never top country radio playlists\u2014if you\u2019ve ever heard the portmanteau \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2015\/07\/ashley-monroe-profile-the-country-singer-songwriter-on-the-life-of-a-tomato-and-her-new-album-the-blade.html\">Tomatogate<\/a>,\u201d it\u2019s shorthand for the controversy that ensued when a country-radio DJ infamously, a decade ago, declared that <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/archive.countryaircheck.com\/pdfs\/current052615.pdf\">women artists should be treated on country radio playlists as the tomatoes in a salad<\/a>, never as its base. That\u2019s the uphill battle women in country music are facing every day.<\/p>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"119\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn5ej001q357dri868wme@published\">Which makes this week even more historic\u2014as Langley <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/lists\/ella-langley-choosin-texas-hot-100-number-one-second-week\/\">returns to No.\u00a01 on the Hot\u00a0100<\/a> with \u201cChoosin\u2019 Texas,\u201d an album by fellow rising country star Megan Moroney, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/Cloud-9-Megan-Moroney\/dp\/B0G1V2FN5W\/?tag=slatmaga-20\"><em>Cloud 9<\/em><\/a>, debuts <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/chart-beat\/megan-moroney-cloud-9-first-number-one-album-billboard-200-1236189872\/\">atop the all-genre Billboard 200 album chart<\/a>. That marks the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/chart-beat\/megan-moroney-ella-langley-billboard-200-hot-100-country-1236189824\/\">first time women in country music have topped the flagship singles and albums charts<\/a> simultaneously. No seriously\u2014like, ever: Even in the 1990s, an unusually good decade for country women, there was never a week where, say, Shania Twain was tops on the album chart while the (Dixie) Chicks were atop the Hot\u00a0100. Even in the \u201900s\u2013early \u201910s country heyday of Taylor Swift, she never topped the pop album chart the same week one of her country hits topped the Hot\u00a0100.<\/p>\n<aside class=\"slate-external-video slate-external-video--default\" data-uri=\"slate.com\/_components\/slate-external-video\/instances\/cmmfgn4yz001k357dpk9xvl8x@published\">\n<p><noscript><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Megan Moroney - 6 Months Later (Official Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/k2hlr_ddpG8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><\/noscript><\/p>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"128\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn5ha001r357d5z97fonj@published\">So, yeah\u2014what Langley and Moroney pulled off this week is pretty mind-blowing, and it\u2019s leading to chatter in country circles and on Nashville\u2019s famed Music Row about <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/savingcountrymusic.com\/country-music-now-reigns-at-1-in-all-of-music\/\">whether a breakthrough for female country artists is finally at hand<\/a>. That\u2019s a heavy burden to place on two ladies just emerging as country stars, and smart country-music pundits like Natalie Weiner are <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/country\/ella-langley-megan-moroney-country-gender-rules-women-1236191695\/\">skeptical<\/a>: \u201cIt\u2019s still hard to be too optimistic about sweeping change in Nashville,\u201d she writes this week for Billboard. \u201cBeyond these two new leading lights, there\u2019s hardly a slew of women artists on deck that have the full weight of Music Row\u2019s marketing power behind them, in contrast to the booming middle class of male country stars responsible for the majority of hits on the Country Airplay chart.\u201d<\/p>\n<aside class=\"recirc-line\" data-via=\"recirc-line\" data-uri=\"slate.com\/_components\/recirc-line\/instances\/cmmfglswa002184kpmsnyhv3e@published\">\n<p>    <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2026\/02\/taylor-swift-opalite-billboard-hot-100-song-ophelia.html\" class=\"recirc-line__content\"><\/p>\n<div class=\"recirc-line__img\">\n          \n        <\/div>\n<p><h4 class=\"recirc-line__byline\">Chris Molanphy<\/h4>\n<h3 class=\"recirc-line__promoline\">Taylor Swift Is Back to Her Old Tricks<\/h3>\n<p>        <b class=\"slate-link--bold recirc-line__read-more\">Read More<\/b>\n      <\/p>\n<p>    <\/a><br \/>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"153\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn5jy001s357du2ur7nwm@published\">I share Weiner\u2019s skepticism mixed with my own cautious optimism\u2014and it\u2019s the organic success of \u201cChoosin\u2019 Texas\u201d that gives me some measure of hope. As I\u2019ve been saying in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/tag\/why-is-this-songno1\">this No.\u00a01 hits series<\/a> a lot in the past decade, whatever its flaws, streaming music is a great chart equalizer. It is now no longer impossible for great <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2019\/12\/mariah-carey-christmas-number-1-billboard-hot-100.html\">Christmas songs<\/a>, great <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2022\/02\/encanto-bruno-song-billboard-disney-history.html\">kiddie-soundtrack songs<\/a>, great <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2022\/03\/heat-waves-glass-animals-tiktok-billboard-hot-100.html\">alt-pop songs<\/a>, great <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2022\/06\/stranger-things-4-kate-bush-running-hill-billboard.html\">recurrent oldies<\/a>, or, finally, great country songs\u2014including those by women\u2014to compete effectively with pop\u2019s regular superstars. Moreover, consider \u201cChoosin\u2019 Texas\u201d itself. It\u2019s an exceptionally good song. That core melody is an earworm, and the lyric is sharp and relatable. But it\u2019s not fundamentally an exceptional<em> country <\/em>song in terms of instrumentation or presentation. If something as center-of-the-bullseye as \u201cChoosin\u2019 Texas\u201d can top the big pop chart, it affirms that country is on a more even pop playing field than it has enjoyed <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/podcasts\/hit-parade\/2026\/02\/john-denver-and-olivia-newton-johns-crossover-from-country-to-pop\">since at least the 1970s<\/a>.<\/p>\n<aside data-uri=\"slate.com\/_components\/in-article-recirc\/instances\/cmmfglswa002284kp06e03g9s@published\" class=\"in-article-recirc\" data-via=\"article-inline_recirc-section-culture\">\n<ol class=\"in-article-recirc__list\">\n<li class=\"in-article-recirc__item\">\n          <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2026\/03\/the-bride-movie-maggie-gyllenhaal-jake-christian-bale-review.html\" class=\"in-article-recirc__link\"><\/p>\n<p>            <em>The Bride! <\/em>Earns Its Exclamation Point Like No Movie Since <em>Moulin Rouge!<\/em><br \/>\n          <\/a>\n        <\/li>\n<li class=\"in-article-recirc__item\">\n          <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/slate.com\/culture\/2026\/03\/harry-styles-album-lyrics-kiss-all-the-time.html\" class=\"in-article-recirc__link\"><\/p>\n<p>            The Timoth\u00e9e Chalamet of Pop Is Back, With His Most Mysterious Album Yet<br \/>\n          <\/a>\n        <\/li>\n<\/ol>\n<\/aside>\n<p class=\"slate-paragraph slate-graf\" data-word-count=\"179\" data-uri=\"slate.com\/_components\/slate-paragraph\/instances\/cmmfgn5mt001t357dbw1adevw@published\">As I often say, charts are feedback loops. Radio programmers at pop stations are now giving \u201cChoosin\u2019 Texas\u201d a shot, and some country programmers are now letting a woman onto their rotations more than a couple of times a day. And now that Langley has gotten the attention of listeners who don\u2019t normally consume country, hopefully other tracks on her forthcoming, preordained blockbuster LP <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/Dandelion-Ella-Langley\/dp\/B0GK933R83\/?tag=slatmaga-20\"><em>Dandelion<\/em><\/a> will connect\u2014to say nothing of a generation of other women performers. I picture the mixed feelings Miranda\u00a0Lambert must be having right about now\u2014joy that a song she co-wrote and an artist she\u2019s mentoring is crowning the Hot\u00a0100, crossed with frustration that her own classic singles, like 2010\u2019s \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=DQYNM6SjD_o\">The\u00a0House That Built Me<\/a>,\u201d got nowhere near the top of the pops. Country was in a different place in the pop firmament in Lambert\u2019s heyday, and the forces pushing \u201cChoosin\u2019 Texas\u201d to No.\u00a01 now are technological as much as cultural. But I hope Lambert and women across country music are taking heart that Ella Langley is doing her part to break one of music\u2019s last glass <span class=\"slate-paragraph--tombstone\">ceilings.<\/span><\/p>\n<section class=\"newsletter-signup   \" data-list=\"Culture\" data-uri=\"slate.com\/_components\/newsletter-signup\/instances\/cmmfglswa002384kpj9n398kg@published\">\n<p>\n        <svg width=\"13\" height=\"20\" class=\"newsletter-signup__arrow\">\n          <use xlink:href=\"http:\/\/slate.com\/media\/components\/newsletter-signup\/sprite.svg#arrow\"\/>\n        <\/svg><\/p>\n<p>      <span class=\"newsletter-signup__description\">Get the best of movies, TV, books, music, and more.<\/span>\n    <\/p>\n<\/section>\n<\/div>\n<p><script async src=\"\/\/www.tiktok.com\/embed.js\"><\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source slate.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the fall of 1968, Texas-born Jeannie C. Riley became the first woman to get a single to the top of both the Hot\u00a0100 pop chart and the Hot Country Singles chart: \u201cHarper Valley PTA,\u201d a sassy story-song about a widowed mother feeling herself\u2014scandalizing her hometown in miniskirts and clapping back at her detractors, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2317204,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[22846,21940,22428,346901],"class_list":["post-2317203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-country-music","tag-pop","tag-texas","tag-why-is-this-songno1"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/03\/Ella-Langleys-Billboard-No-1-song-just-did-what-even.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2317203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2317203"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2317203\/revisions"}],"predecessor-version":[{"id":2317205,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2317203\/revisions\/2317205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2317204"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2317203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2317203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2317203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}