{"id":2333083,"date":"2026-03-17T13:39:45","date_gmt":"2026-03-17T13:39:45","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2333083"},"modified":"2026-03-17T13:39:45","modified_gmt":"2026-03-17T13:39:45","slug":"geffen-playhouse-2026-27-season-world-and-l-a-premieres","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/geffen-playhouse-2026-27-season-world-and-l-a-premieres\/","title":{"rendered":"Geffen Playhouse 2026-27 season: world and L.A. premieres"},"content":{"rendered":"<p><\/p>\n<div data-element=\"story-body\" data-subscriber-content=\"\">\n<p>When Times theater critic Charles McNulty declared Branden Jacobs-Jenkins\u2019 Tony Award-winning play \u201cPurpose\u201d the best new drama of 2025, he <a rel=\"nofollow\" target=\"_blank\" class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2025-12-09\/best-theater-2025-jesus-christ-superstar-hollywood-bowl-furloughs-paradise-paranormal-activity\">wrote<\/a>, \u201cI won\u2019t hold my breath for an L.A. production.\u201d <\/p>\n<p>As it turns out, he didn\u2019t have to. <\/p>\n<p>The L.A. premiere of \u201cPurpose,\u201d featuring its original Broadway cast, will lead Geffen Playhouse\u2019s 2026-27 season with a batch of performances beginning in November. The Geffen\u2019s artistic director, Tarell Alvin McCraney, has been striving to get the dramatic satire about a prestigious Chicago Black political dynasty to L.A. since he saw it in previews at Chicago\u2019s Steppenwolf Theatre, where he is an ensemble member. <\/p>\n<p>\u201cIt\u2019s had a meteoric ride, and we\u2019re very fortunate to be able to get it to come to us after Broadway,\u201d McCraney said. <\/p>\n<p>The Geffen\u2019s upcoming season continues with the West Coast premiere of Bess Wohl\u2019s Ms. Magazine-inspired \u201cLiberation\u201d and the L.A. premiere of Ngozi Anyanwu\u2019s sibling saga \u201cThe Monsters,\u201d along with the first-ever staging of L.A. playwright Grace McLeod\u2019s real estate comedy \u201cClosing Costs.\u201d <\/p>\n<p>Capping off the year is a production of Alice Childress\u2019 modern classic, \u201cWine in the Wilderness,\u201d set amid the Harlem Uprising of 1964. Broadway icon LaChanze Sapp-Gooding is set to direct. <\/p>\n<p>With this lineup, McCraney said he aimed to \u201cengage us in tough questions that are facing our communities, but in the most joyous or innovative ways possible.\u201d <\/p>\n<p>\u201cAs a person who is newer to the L.A. community, I recognize that there\u2019s so much facing us in terms of economics to housing to wars and violence near and far,\u201d he said, adding that with such serious issues in mind, people need spaces for fun and excitement, and also to \u201ctalk about those things and engage in those things.\u201d<\/p>\n<p>So how, he asked, can that be done, \u201cin a way that feels invigorating and hopeful?\u201d<\/p>\n<p>The <a rel=\"nofollow\" target=\"_blank\" class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment\/movies\/la-et-mn-moonlight-playwright-tarell-mccraney-20161017-snap-story.html\">Academy Award-winning<\/a> screenwriter added that he intentionally chose productions that address the current political landscape without waxing \u201cdidactic.\u201d <\/p>\n<p>\u201cThey also have an element that\u2019s spiritual, that catches you off guard,\u201d he said, \u201cand I think that\u2019s really important, you know \u2014 the space in between where we are all trying to dream is such a vulnerable and necessary space when so much is coming at us so fast.\u201d<\/p>\n<div class=\"enhancement\" data-click=\"enhancement\" data-align-center=\"\">\n<figure class=\"figure m-0\"> <picture><source type=\"image\/webp\" srcset=\"https:\/\/ca-times.brightspotcdn.com\/dims4\/default\/4127507\/2147483647\/strip\/true\/crop\/5998x4001+0+0\/resize\/320x213!\/format\/webp\/quality\/75\/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1d%2F1c%2F9d03567b4ab286b1677cc0bf7397%2F1340103-et-geffen-playhouse-tarell-alvin-mccraney-jlc-0901-18202.jpg 320w,https:\/\/ca-times.brightspotcdn.com\/dims4\/default\/c8d97f0\/2147483647\/strip\/true\/crop\/5998x4001+0+0\/resize\/568x379!\/format\/webp\/quality\/75\/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1d%2F1c%2F9d03567b4ab286b1677cc0bf7397%2F1340103-et-geffen-playhouse-tarell-alvin-mccraney-jlc-0901-18202.jpg 568w,https:\/\/ca-times.brightspotcdn.com\/dims4\/default\/b61fbe8\/2147483647\/strip\/true\/crop\/5998x4001+0+0\/resize\/768x512!\/format\/webp\/quality\/75\/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1d%2F1c%2F9d03567b4ab286b1677cc0bf7397%2F1340103-et-geffen-playhouse-tarell-alvin-mccraney-jlc-0901-18202.jpg 768w,https:\/\/ca-times.brightspotcdn.com\/dims4\/default\/faf0e8b\/2147483647\/strip\/true\/crop\/5998x4001+0+0\/resize\/1024x683!\/format\/webp\/quality\/75\/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1d%2F1c%2F9d03567b4ab286b1677cc0bf7397%2F1340103-et-geffen-playhouse-tarell-alvin-mccraney-jlc-0901-18202.jpg 1024w,https:\/\/ca-times.brightspotcdn.com\/dims4\/default\/fb50c15\/2147483647\/strip\/true\/crop\/5998x4001+0+0\/resize\/1200x800!\/format\/webp\/quality\/75\/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1d%2F1c%2F9d03567b4ab286b1677cc0bf7397%2F1340103-et-geffen-playhouse-tarell-alvin-mccraney-jlc-0901-18202.jpg 1200w\" sizes=\"100vw\"\/>   <\/picture>\n<div class=\"figure-content\">\n<p>\u201cWe\u2019re trying to make sure that we continue to engage L.A. artists and work with other L.A. theaters to really make sure you all feel like you\u2019re coming home and having a conversation with your community when you come into the Geffen,\u201d said Geffen Playhouse Artistic Director Tarell Alvin McCraney. <\/p>\n<p>(Jay L. Clendenin \/ Los Angeles Times)<\/p>\n<\/p><\/div>\n<\/figure><\/div>\n<p> Beyond thematic inspirations, McCraney said his picks for the forthcoming season also fit the traditional Geffen season structure: one brand-new play, one classic (or a middle-aged, classic contender) and a few contemporary hits to round things out. <\/p>\n<p>\u201cWe\u2019re trying to make sure that folks are able to see plays that maybe they didn\u2019t catch in other parts of the world,\u201d he said, adding that the core concept of the Geffen is \u201cyou\u2019re getting world-class theater at your friendly neighborhood playhouse.\u201d <\/p>\n<p>This season, the shiny new thing is \u201cClosing Costs,\u201d which is being produced in association with L.A.\u2019s IAMA Theatre Company. As witty as it is wise, McLeod\u2019s play dives into  the farcical realm of L.A.\u2019s wildly overpriced  real estate market while delivering genuine commentary about the sociopolitical dynamics that made it that way. <\/p>\n<p>\u201cNothing knocked the wind out of my chest [more] than when the play started with people trying to sell or buy a house,\u201d McCraney said. \u201cAs a person who has now reached an age where I should own a home \u2014 and [with] every news article, including in the L.A. Times, telling us how perilous it is \u2014 it\u2019s one of those things where I\u2019m like, \u2018Good God, what have we done?\u2019\u201d<\/p>\n<p>\u201cThe best thing we could do is laugh about it,\u201d McCraney said. <\/p>\n<p>Since McCraney was appointed as the Geffen\u2019s artistic director in 2023, he\u2019s sought to platform timely stage productions like \u201cClosing Costs,\u201d  with themes that feel relevant to Angelenos. McCraney even picked \u201cThe Monsters,\u201d which is set in the world of local mixed martial arts, with the 2028 L.A. Olympics in mind. <\/p>\n<p>He\u2019s also had to learn to quit setting expectations for audiences, which are inherently fickle. <\/p>\n<p>\u201cIt\u2019s a bittersweet surrender that you cannot predict anything,\u201d McCraney said, adding that the best he can do is follow his instincts toward scripts that stir something within himself. <\/p>\n<p>In addition to its show programming, McCraney said the Geffen this season will also extend invitations to L.A. community members with audience-facing workshops geared toward diverse ages and demographics. <\/p>\n<p>\u201cWe have some things up our sleeves,\u201d he said, teasing the possibilities. <\/p>\n<\/p><\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.latimes.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Times theater critic Charles McNulty declared Branden Jacobs-Jenkins\u2019 Tony Award-winning play \u201cPurpose\u201d the best new drama of 2025, he wrote, \u201cI won\u2019t hold my breath for an L.A. production.\u201d As it turns out, he didn\u2019t have to. The L.A. premiere of \u201cPurpose,\u201d featuring its original Broadway cast, will lead Geffen Playhouse\u2019s 2026-27 season with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2333084,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[],"class_list":["post-2333083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/03\/Geffen-Playhouse-2026-27-season-world-and-LA-premieres.com2F1d2F1c2F9d03567b4ab286b1677cc0bf.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2333083"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333083\/revisions"}],"predecessor-version":[{"id":2333085,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333083\/revisions\/2333085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2333084"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2333083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2333083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2333083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}