<\/p>\n
\n\tJake Shane<\/a> was one of three influencers that Vanity Fair<\/a> hired to cover the carpet at its Oscar party, the first such bash thrown under its new editor Mark Guiducci. It cannot have gone how Guiducci might have hoped.\u00a0<\/p>\n \n\tInterviewing Kris Jenner alongside fellow host Quen Blackwell, Shane seemed at a loss for words, to the point that Jenner haltingly asked the hosts \u201cHow did you get this gig?\u201d (\u201cI don\u2019t know, honestly,\u201d Shane replied.) This was perhaps a bright spot, in that it at least had some levity: Shane\u2019s repeated denigration of the film \u201cIf I Had Legs I\u2019d Kick You\u201d struck a strange and discordant note.\u00a0<\/p>\n \n\tThe Oscar-nominated movie, which depicts a mother\u2019s attempts to care for a potentially terminally ill child, came up as a favorite film for guests Julia Fox and Damson Idris, in separate interviews. Shane asked both Fox and Idris if they found the sick child \u201cso annoying.\u201d Idris<\/a>, looking abashed, remarked that he had no comment and attempted to bring up a provocative sequence of violence in the film as Shane ignored him, shouting, \u201cYou know it! Mommy, mommy, mommy! Shut the fuck up, damn!\u201d\u00a0<\/p>\n \n\tFox<\/a>, herself a single mom who had described the movie as \u201cEvery mother\u2019s story,\u201d murmured \u201cI can\u2019t say that\u201d and trailed off as Shane bellowed \u201cYou know that kid was so damn annoying!\u201d He continued to roll his eyes and pull faces as Fox gathered herself and very eloquently described the challenges working moms face. (The whole time, Blackwell was just kind of standing there.) Then, left out there on her own with hosts who seemed entirely unresponsive, Fox ended the interview herself, awkwardly noting that \u201cWe\u2019ve dragged this on a little bit.\u201d<\/p>\n \n\tIn other words, one fruitful moment \u2014 Fox, a notorious provocateur, speaking thoughtfully about her own tender experience of parenting \u2014 happened in spite of Shane, and another potentially interesting one \u2014 Idris, a rising film star, dishing on the scene where Rose Byrne\u2019s hamster explodes \u2014 got cut short by Shane\u2019s need to scream over them. It was an object lesson in the fact that, for all it gets denigrated, red-carpet reporting is journalism, and there\u2019s more to being a journalist than conducting a one-sided screaming contest.\u00a0<\/p>\n \n\tI first came across Shane in his role on the most recent season of \u201cHacks,\u201d in which he plays an influencer meant to tape clips that show Jean Smart\u2019s comedian character in a Gen Z-friendly light. She bristles at how inane they are, and at how Shane\u2019s character simply cannot hear what he doesn\u2019t care to. I had thought it a savage bit of metacommentary about the media landscape, but seeing Shane in action, I realized that perhaps he wasn\u2019t really acting.\u00a0<\/p>\n \n\tThe red carpet gets a bad rap; \u201cWho are you wearing?\u201d has been a punchline about celebrity-culture vapidity since the 1990s, and the #AskHerMore hashtag<\/a> in the mid-2010s sprung up after stars grew frustrated with questions about their gowns. But at least back then they were being asked questions at all! Shane\u2019s manic derision of a movie his guests actually wanted to talk about seemed to speak to a sort of discomfort with the setting, with the idea of asking questions, and, perhaps, with this influencer facing the danger of getting outshined.<\/p>\n \n\tVanity Fair had recently spotlit<\/a> Shane as among \u201chosts who are shattering the talk-show format,\u201d on the strength of his podcast, \u201cTherapuss,\u201d in which guests like Rachel Sennott and Hilary Duff are free to ask Shane<\/a> to edit out anything they say that they\u2019re unhappy with in retrospect. It\u2019s \u201cshattering the format\u201d in that it doesn\u2019t pretend to be journalism, which is fine as far as it goes in Shane\u2019s own lane. (Fellow occupants of said lane, like \u201cChicken Shop Date\u2019s\u201d Amelia Dimoldenberg and \u201cLas Culturistas\u2019\u201d Matt Rogers and Bowen Yang, similarly provide celebrities with a comfortable place to grant the appearance of disclosure without pushing them the way a journalist might.) The problem, as far as red-carpet reporting is concerned, is that preparation and being able to think on one\u2019s feet and respond to what\u2019s actually being said in the moment \u2014 all elements of journalistic practice \u2014 are more important than personality.<\/p>\n \n\tThis doesn\u2019t in and of itself matter much: The Vanity Fair Oscar party red carpet is not where many people turn for insights about the state of the world. But every little chip away at standards of excellence is something that our culture cannot get back. It sounds prudish and corny. But it\u2019s hard to imagine the inventor of the VF Oscar party, Graydon Carter, an editor who stress-tested every single word on his magazine\u2019s cover, would have thought that a TikTok personality and podcaster with one joke, expressed with increasing volume but no other development, was an appropriate booking. Like anything, red-carpet reporting is a craft. It ought to be practiced by people who know what they\u2019re doing.<\/p>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source variety.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Jake Shane was one of three influencers that Vanity Fair hired to cover the carpet at its Oscar party, the first such bash thrown under its new editor Mark Guiducci. It cannot have gone how Guiducci might have hoped.\u00a0 Interviewing Kris Jenner alongside fellow host Quen Blackwell, Shane seemed at a loss for words, to […]<\/p>\n","protected":false},"author":2,"featured_media":2333475,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25173],"tags":[338943,57296,409823],"class_list":["post-2333474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","tag-jake-shane","tag-vanity-fair","tag-vanity-fair-oscars-party"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/03\/Jake-Shanes-Questions-at-Vanity-Fair-Oscar-Party-Spark-Backlash.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2333474"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333474\/revisions"}],"predecessor-version":[{"id":2333476,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2333474\/revisions\/2333476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2333475"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2333474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2333474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2333474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}