{"id":2334216,"date":"2026-03-18T02:07:23","date_gmt":"2026-03-18T02:07:23","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2334216"},"modified":"2026-03-18T02:07:23","modified_gmt":"2026-03-18T02:07:23","slug":"tencent-music-now-has-20m-super-vip-subscribers-heres-what-that-means-for-chinas-largest-music-streamer","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/tencent-music-now-has-20m-super-vip-subscribers-heres-what-that-means-for-chinas-largest-music-streamer\/","title":{"rendered":"Tencent Music now has 20M+ \u2018Super VIP\u2019 subscribers. Here\u2019s what that means for China\u2019s largest music streamer."},"content":{"rendered":"<p><\/p>\n<div> <em>MBW Explains is a series in which we dig behind the headlines, via data and context, to improve your understanding of key stories. Only <a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/mbw-plus\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ff6600;\">MBW+ subscribers<\/span><\/a> have unlimited access to these articles. MBW Explains is supported by <span style=\"color: #ff6600;\"><a rel=\"nofollow\" target=\"_blank\" class=\"link-external\" style=\"color: #ff6600;\" href=\"https:\/\/www.reservoir-media.com\/\" target=\"_blank\" rel=\"noopener\">Reservoir<\/a>.<\/span><\/em><\/p>\n<div class=\"mb-advert__uber\">\n<div id=\"uberad\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/onerpm.com\/\" target=\"_blank\" rel=\"noopener\"><\/a><\/div>\n<\/div>\n<hr\/>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Higher-priced \u2018super premium\u2019 music streaming tiers remain one of the biggest revenue opportunities in the music industry.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><a rel=\"nofollow\" target=\"_blank\" target=\"_blank\" class=\"link-relationship\" title=\"Companies &gt; Universal Music Group [4,506 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/companies\/universal-music-group\/\">UMG<\/a> Chairman and CEO <a rel=\"nofollow\" target=\"_blank\" target=\"_blank\" class=\"link-relationship\" title=\"People &gt; Sir Lucian Grainge [785 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/people\/sir-lucian-grainge\/\">Sir Lucian Grainge<\/a> said in his <a rel=\"nofollow\" target=\"_blank\" class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.musicbusinessworldwide.com\/sir-lucian-grainge-talks-ai-music-superfans-in-2026-memo-taking-swipe-at-firms-validating-business-models-that-fail-to-respect-artists-work\/\" target=\"_blank\" rel=\"noopener\">2026 new year memo<\/a> that UMG will work with DSP partners on \u201cenhanced premium tiers for superfans,\u201d and on UMG\u2019s <a rel=\"nofollow\" target=\"_blank\" class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.musicbusinessworldwide.com\/sir-lucian-grainge-talks-ai-strategy-downtown-d2c-superfans-and-more-on-umgs-q4-earnings-call\/\" target=\"_blank\" rel=\"noopener\">Q4 earnings call<\/a> earlier this month referenced \u201cpremium tiers being developed by the traditional DSPs\u201d as part of a broader superfan ecosystem.<\/p>\n<p data-pm-slice=\"1 1 []\"><a rel=\"nofollow\" target=\"_blank\" target=\"_blank\" class=\"link-relationship\" title=\"Companies &gt; Spotify [4,680 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/companies\/spotify\/\">Spotify<\/a> experimented with Premium price segmentation last November when it <a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/welcome-to-spotify-supremium-higher-priced-india\/\" target=\"_blank\" rel=\"noopener\">launched<\/a> a higher-priced \u2018Premium Platinum\u2019 tier in five emerging streaming economies \u2013 but the industry continues to watch for the arrival of a fully-fledged <a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" style=\"background-color: #ffffff;\" href=\"https:\/\/www.musicbusinessworldwide.com\/spotify-to-launch-music-pro-service-with-superfan-perks-like-early-access-tickets-and-ai-remix-tool-for-up-to-5-99-more-per-month-report\/\" target=\"_blank\" rel=\"noopener\">super premium<\/a>\u00a0offering in western markets.<\/p>\n<p data-pm-slice=\"1 1 []\">Over in China, the concept has already proven successful, and is scaling fast<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><a rel=\"nofollow\" target=\"_blank\" target=\"_blank\" class=\"link-relationship\" title=\"Companies &gt; Tencent Music Entertainment [293 articles]\" href=\"https:\/\/www.musicbusinessworldwide.com\/companies\/tencent-music-entertainment\/\">Tencent Music Entertainment<\/a>\u2018s (TME) \u2018Super VIP\u2019 tier has just hit a major new milestone.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">TME published its Q4 and full-year 2025 results today (March 17), revealing that its SVIP subscribers surpassed <strong>20 million<\/strong> by year-end \u2013\u00a0up from the <strong>15 million<\/strong> the company <a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/tencent-music-now-has-15-million-super-vip-subscribers\/\" target=\"_blank\" rel=\"noopener\">reported at the end of Q2<\/a>, and just <strong>10 million<\/strong> <a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/tencent-music-now-counts-over-10m-super-vip-subscribers-as-its-total-paid-user-base-rises-15-5-yoy-to-119m-in-q31\/\" target=\"_blank\" rel=\"noopener\">in Q3 2024<\/a>.<\/p>\n<p>That growth trajectory \u2013 doubling in barely over a year \u2013 tells us something important about the appetite for higher-priced music streaming, and offers a real-world blueprint for what higher-priced streaming tiers could deliver.<\/p>\n<p>Here\u2019s what the numbers show\u2026<\/p>\n<hr\/>\n<h6>1. SVIP penetration is accelerating \u2013 even as the wider user base shrinks<\/h6>\n<p>TME\u2019s SVIP tier now represents approximately <strong>15.7%<\/strong> of the company\u2019s <strong>127.4 million<\/strong> total paying music subscribers.<\/p>\n<hr\/>\n<figure class=\"mbw-articlepic mbw-articlepic--center\"><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1.png\"\/><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1.png\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1.png\" data-lightbox=\"image-set\" data-title=\"\"><img class=\"lazyload\" bad-src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-80x40.png\" srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-80x40.png 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-160x80.png 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-320x160.png 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-418x209.png 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-648x324.png 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-836x417.png 836w, https:\/\/www.musicbusinessworldwide.com\/files\/2024\/11\/tme-paying-music-users-quarterly-1-1-1296x647.png 1296w\" data-sizes=\"auto\"\/><i class=\"fas fa-search-plus magnifying-glass-icon\"\/><\/a><\/figure>\n<hr\/>\n<p>That\u2019s up from around <strong>12%<\/strong> at the end of Q2 2025, and just <strong>8%<\/strong> as recently as September 2024.<\/p>\n<p>What makes this particularly striking is the context in which it\u2019s happening.<\/p>\n<p>TME\u2019s total music monthly active users (MAUs) actually <em>fell<\/em> <span style=\"color: #ff0000;\"><strong>5.0% YoY<\/strong><\/span> to <strong>528 million<\/strong> in Q4 \u2013 a continuation of a long-running decline from a peak of over 650 million.<\/p>\n<p>The broader user base is contracting. But the paying user base isn\u2019t.<\/p>\n<p>TME\u2019s total number of paying music users grew <span style=\"color: #008000;\"><strong>5.3% YoY<\/strong><\/span> to <strong>127.4 million<\/strong> in Q4, while monthly ARPPU (average revenue from each paying user) climbed <span style=\"color: #008000;\"><strong>7.2% YoY<\/strong><\/span> to <strong>RMB 11.9 (around USD $1.70)<\/strong>.<\/p>\n<p>In other words: TME is losing casual listeners but converting and monetising the ones who stay at an ever-higher rate.<\/p>\n<p>SVIP is a key engine behind that monetization story.<\/p>\n<p>TME\u2019s SVIP subscribers pay approximately <strong>RMB 40 (USD $5.72)<\/strong> per month, compared to the standard <strong>RMB 8 (USD $1.14)<\/strong> subscription \u2013 roughly five times the revenue per user.<\/p>\n<p>When you consider that these<strong> 20 million<\/strong> subscribers represent less than <strong>16%<\/strong> of TME\u2019s paying base but are generating <em>five times<\/em> the ARPU, the economic weight of the tier becomes clear.<\/p>\n<h6>2. What\u2019s driving SVIP adoption?<\/h6>\n<p>TME attributed the SVIP milestone to \u201cdeepened collaborations with music labels, artists and the rollout of new, high-valued benefits.\u201d<\/p>\n<p>According to TME, premium sound quality \u2013 including Dolby Atmos support and advanced audio technologies \u2013 remains a key SVIP draw. That should be noted by anyone tracking the Spotify lossless\/super-premium debate: in the one major market where HD audio <em>is<\/em> gated behind a higher-priced tier, it\u2019s working.<\/p>\n<p>But audio quality is only part of the picture. In Q4, TME appointed brand ambassadors for its SVIP program \u2013 including Ryan Ding, Ju Jingyi, and Karry Wang for QQ Music, and Liu Yuning for Kugou Music (pictured below) \u2013 and launched prioritized ticketing packages for flagship events including QQ Music\u2019s Top Music Night 2026 and the annual gala of Melody Journey 2. Both, the company said, resulted in \u201ceffective SVIP adoption.\u201d<\/p>\n<hr\/>\n<figure class=\"mbw-articlepic mbw-articlepic--center\"><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02.jpg\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02.jpg\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02.jpg\" data-lightbox=\"image-set\" data-title=\"\"><img class=\"lazyload\" bad-src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-80x45.jpg\" srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-80x45.jpg 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-160x90.jpg 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-320x179.jpg 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-418x234.jpg 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-648x363.jpg 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-836x469.jpg 836w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/Screenshot-2026-03-17-at-16.00.02-1296x727.jpg 1296w\" data-sizes=\"auto\"\/><i class=\"fas fa-search-plus magnifying-glass-icon\"\/><\/a><\/figure>\n<hr\/>\n<p>Other SVIP benefits such as premium audio effects, personalized avatar outfits and feature-related perks also contributed to acquisition and retention, TME said.<\/p>\n<p>The company has also leaned heavily into what it calls \u201cartist-centric privileges\u201d more broadly: exclusive and timed-exclusive digital album releases, priority access to concert tickets for in-demand shows, and collectible \u2018star card\u2019 series tied to popular artists.<\/p>\n<p>TME CEO <strong>Ross Liang<\/strong> framed the milestone in the context of a broader strategic shift: \u201cDriven by differentiated, expansive content privileges and immersive experiences, our SVIP user base surpassed 20 million, with ARPPU continuing to trend upward. Our newly launched ad-supported subscription plan is gaining initial progress and will, over time, allow us to broaden user access and attract new audiences.\u201d<\/p>\n<p>That last point is notable: TME is now operating a <strong>three-tier model<\/strong> \u2013 ad-supported, standard, and SVIP \u2013 similar to what Spotify is piloting with its Lite\/Standard\/Platinum structure in India and elsewhere.<\/p>\n<hr\/>\n<h6>3. The subscription revenue picture<\/h6>\n<p>TME\u2019s music subscription revenues reached <strong>RMB 4.56 billion (USD $653 million)<\/strong> in Q4, representing <span style=\"color: #008000;\"><strong>13.2% YoY<\/strong><\/span> growth. That was a deceleration from the <span style=\"color: #008000;\"><strong>17.2%<\/strong><\/span> posted in Q3 and <span style=\"color: #008000;\"><strong>17.1%<\/strong><\/span> in Q2 \u2013 though still robust.<\/p>\n<p>For the full year, music subscription revenue hit <strong>RMB 17.66 billion (USD $2.53 billion)<\/strong>, up <span style=\"color: #008000;\"><strong>16.0% YoY<\/strong><\/span> from RMB 15.23 billion in 2024.<\/p>\n<hr\/>\n<figure class=\"mbw-articlepic mbw-articlepic--center\"><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly.png\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly.png\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly.png\" data-lightbox=\"image-set\" data-title=\"\"><img class=\"lazyload\" bad-src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-80x36.png\" srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-80x36.png 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-160x73.png 160w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-320x145.png 320w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-418x190.png 418w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-648x295.png 648w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-836x380.png 836w, https:\/\/www.musicbusinessworldwide.com\/files\/2026\/03\/tme-music-revenues-quarterly-1296x589.png 1296w\" data-sizes=\"auto\"\/><i class=\"fas fa-search-plus magnifying-glass-icon\"\/><\/a><\/figure>\n<hr\/>\n<p>Total online music services revenue (which includes advertising, artist-related merchandise, and offline performances alongside subscriptions) grew <span style=\"color: #008000;\"><strong>21.7% YoY<\/strong><\/span> to <strong>RMB 7.10 billion (USD $1.02 billion)<\/strong> in Q4. Music subscriptions accounted for around <strong>64%<\/strong> of that total; the remainder was driven by what the company described as \u201crobust\u201d growth in offline performances and concert-related revenue.<\/p>\n<p>For the full year, online music services revenue reached <strong>RMB 26.73 billion (USD $3.82 billion)<\/strong>, up <strong>22.9% YoY<\/strong> \u2013 making it the dominant driver of TME\u2019s overall business. Music operations now account for <strong>82%<\/strong> of total company revenues, up from around <strong>77%<\/strong> a year ago, as the firm\u2019s legacy \u2018social entertainment\u2019 division (karaoke and live-streaming tipping) continues to decline.<\/p>\n<hr\/>\n<p><em>Note: RMB to USD conversion for Q4\/FY 2025 carried out at the exchange rate as of December 31, 2025, as provided by TME.<\/em><\/p>\n<hr\/>\n<p><a rel=\"nofollow\" target=\"_blank\" class=\"link-external\" href=\"https:\/\/www.reservoir-media.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ff6600;\"><\/p>\n<figure class=\"mbw-articlepic mbw-articlepic--right\"><a rel=\"nofollow\" target=\"_blank\" class=\"link-internal\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2023\/08\/MPU.png\" target=\"_blank\" rel=\"noopener\"\/><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.musicbusinessworldwide.com\/files\/2023\/08\/MPU.png\" data-lightbox=\"image-set\" data-title=\"\"><img class=\"lazyload\" bad-src=\"https:\/\/www.musicbusinessworldwide.com\/files\/2023\/08\/MPU-80x67.png\" srcset=\"https:\/\/www.musicbusinessworldwide.com\/files\/2023\/08\/MPU-80x67.png 80w, https:\/\/www.musicbusinessworldwide.com\/files\/2023\/08\/MPU-160x133.png 160w\" data-sizes=\"auto\"\/><i class=\"fas fa-search-plus magnifying-glass-icon\"\/><\/a><\/figure>\n<p><b>Reservoir (Nasdaq: RSVR) is a publicly traded, global independent music company with operations across music publishing, recorded music, and artist management.<\/b> <\/span><\/a><span class=\"mb-article__stamp\">Music Business Worldwide<\/span><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.musicbusinessworldwide.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MBW Explains is a series in which we dig behind the headlines, via data and context, to improve your understanding of key stories. Only MBW+ subscribers have unlimited access to these articles. MBW Explains is supported by Reservoir. Higher-priced \u2018super premium\u2019 music streaming tiers remain one of the biggest revenue opportunities in the music industry. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2334217,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2334216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/03\/Tencent-Music-now-has-20M-\u2018Super-VIP-subscribers-Heres-what.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2334216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2334216"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2334216\/revisions"}],"predecessor-version":[{"id":2334218,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2334216\/revisions\/2334218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2334217"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2334216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2334216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2334216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}