The first major comedy series filmed in Nunavut, a sci-fi suspense right out of Sinners<\/em>, a time-travel mockumentary in the style of Back to the Future<\/em> and the world’s favourite queer hockey drama all top this year’s Canadian Screen Award nomination rolls.\u00a0<\/p>\n Announced Wednesday, the 2026 CSA nominees were led by the CBC, Netflix and APTN production North of North<\/em>, garnering 20 nods for the Anna Lambe-starring sitcom about a young Inuk mother who spontaneously \u2014 and publicly \u2014 ends her marriage.\u00a0<\/p>\n That collection of honours for North of North<\/em> in everything from best comedy series to best lead performer in a comedy (Anna Lambe) to two best supporting performances in a comedy (Braeden Clarke and Maika Harper) and best comedy ensemble put it alongside Law & Order: Criminal Intent<\/em> and Schitt’s Creek<\/em> as the only titles to ever earn 20 or more nominations at the awards.\u00a0<\/p>\n Best motion picture:<\/strong><\/p>\n Achievement in direction, film:<\/strong><\/p>\n But trailing just behind is no slouch, either: the worldwide phenom Heated Rivalry<\/em> scored an impressive 18 nods, including best drama series and best lead performer nominations for both Fran\u00e7ois Arnaud and Hudson Williams. <\/p>\n Why Heated Rivalry is hopecore coded<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Heated Rivalry creator Jacob Tierney tells The National’s Ian Hanomansing he wanted the show to be a celebration of queer joy when audiences are more used to seeing punishment in storylines involving queer love and sex.<\/span><\/span><\/span><\/div>\n Given a rule-change taking effect for the first time this year \u2014 after three of the top acting prizes went to non-Canadian actors in 2025 \u2014 only Canadian citizens and permanent residents can be considered for the country’s top film and television awards. That meant Williams’s American co-star Connor Storrie was not eligible for a nomination.<\/p>\n In the film category, a slate of strong performers and critical darlings divvied up the categories. R.T. Thorne’s sci-fi 40 Acres<\/em>, a post-apocalyptic thriller about a Black and Indigenous family of farmers fending off cannibals, pulled in 10 nods \u2014 including best motion picture and both a directing and a first feature nomination for R.T. Thorne.\u00a0<\/p>\n Just slightly behind was Nirvanna the Band the Show the Movie<\/em>, the sleeper hit from Jay McCarrol and Matt Johnson. That Jackass<\/em>-adjacent film \u2014 a half-scripted, half-improvised story about two desperate musicians accidentally travelling back in time \u2014 proved a surprise success after its release in February.\u00a0<\/p>\n According to distributor Elevation Pictures, that film’s debut weekend earnings of $350,000 was the best for any English-language live-action Canadian film since 2023’s Blackberry<\/em>. That film, also directed by Johnson, earned 17 CSA nominations; its eventual 14 wins were the most for any film in the awards’ history<\/u><\/a>. Nirvanna the Band the Show the Movie’s<\/em> eight nominations put it alongside Follies<\/em> and Honey Bunch<\/em> as the second-most nominated films for 2026.<\/p>\n Best comedy series:<\/strong><\/p>\n Best drama series:<\/strong><\/p>\n This year, Johnson is up for best performance in a supporting comedy role, while McCarroll is nominated for lead in a comedy. The film itself is up for best motion picture, alongside other top performer Blue Heron<\/em>.\u00a0<\/p>\n Already a winner of the $50,000 Rogers Best Canadian Film Award, that contemplative drama from first-time feature film director Sophy Romvari is also nominated for best original screenplay, supporting performance in a drama (Edik Beddoes), best directing and the John Dunning best first feature film award.\u00a0<\/p>\n And up for seven nominations is Mile End Kicks<\/em>, the semi-autobiographical sophomore feature from I Like Movies <\/em>writer-director Chandler Levack. Fielding consideration for original screenplay, supporting role in a comedy (Devon Bostick) and a number of craft categories, Levack is also set to receive the sustainable production award<\/a> for the film serving as a model of “meaningful environmental leadership,” both in its production and depictions of sustainability.<\/p>\n Also set to receive special awards this year are Mike Myers (Academy Icon award), Hazel Mae (Gordon Sinclair award for broadcast journalist) and maxine bailey (Changemaker award). <\/p>\n Best feature-length documentary:<\/strong><\/p>\n Best factual series:<\/strong><\/p>\n For digital media series, Alexander Nunez’s Settle Down<\/em> leads nominees with nine, including best writing and best lead performance in a web program or series, both for Nunez. He’s also nominated for best ensemble in a comedy and best supporting performer in a comedy for Small Achievable Goals<\/em>, which is the third highest nominated TV series of the year with 12 nods.<\/p>\n Canada’s Drag Race<\/em>, which won the most trophies of any title last year and has picked up best reality\/competition every year but one over its broadcast run, led unscripted nominees with 11. It is once again up for best reality\/competition program or series. <\/p>\n The awards themselves come after another difficult year for the Canadian screen industry. According to a recent report from Telefilm Canada, Canadian films’ cumulative box office revenue dipped nearly 41 per cent from 2024 to 2025.\u00a0\u00a0<\/p>\n That follows similar reports showing English-language Canadian films made up just 1.4 per cent of the national box office in 2023<\/u><\/a> \u2014 largely shored up by the outsized success of animated behemoth Paw Patrol<\/em>. An aberrant high watermark in 2021<\/u><\/a> saw Canadian films make up only five per cent of the country’s box office.\u00a0<\/p>\n The recent dip was largely caused by a precipitous decline in the success of French-language Canadian films, which otherwise often support the country’s box-office numbers. English-language Canadian films had a much less serious drop, and Telefilm’s chief program officer cautioned that the recent decline comes after a uniquely successful year in 2024, and doesn’t necessarily foretell a sustained, long-term pattern.<\/u><\/a>\u00a0<\/p>\n At the same time, Canadian television programming’s worldwide success \u2014 from Schitt’s Creek<\/em> to last year’s Heated Rivalry<\/em> \u2014 has put wind in the sails of Canada’s cultural exports. Whether that will change the tenor of the Canadian Screen Awards’ live show itself \u2014 which for the last two years has featured a number of self-deprecating jokes at the state of the Canadian entertainment industry \u2014 is still to be seen.<\/p>\n But after an over 40 per cent ratings bump for the CSAs last year, there’s other reasons for optimism. Hosted by eight-time CSA winner Andrew Phung, the final night of the 2026 Canadian Screen Awards will take place May 31 at 8:00 pm ET. <\/p>\n And in a landmark co-operative move that the Globe and Mail’s Barry Hertz said<\/a> underlines the industry’s current “elbows up” sentiments, the ceremony will simultaneously broadcast and stream on CBC, Bell Media and Corus platforms. For the past 13 years, it aired solely on CBC. You can find the full list of nominees here<\/a>. <\/p>\n Other nominees include:<\/p>\n John Dunning best first feature film award:<\/strong><\/em><\/p>\n Performance in a leading role (film, drama):<\/strong><\/em><\/p>\n\n
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A difficult year for Canadian entertainment<\/h2>\n
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