![\"Lucky\"](\"https:\/\/www.theaureview.com\/wp-content\/uploads\/2026\/04\/lucky_landscape_web.jpg\")
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We\u2019ve added ten new tracks to our Discovery Playlist on Apple Music and Spotify this week, including three premieres (one carried over from last week). Leading the charge is our Track of the Week, Lucky<\/strong> with \u201cPerfect Pain\u201d.<\/p>\n Taken from her debut EP Biting Heels <\/em>which is also released today, \u201cPerfect Pain\u201d is a quietly devastating standout \u2014 all hazy guitars and intimate, unguarded lyricism that feels both deeply personal and instantly relatable. It sits at the emotional core of the nine-track release, which also features earlier singles \u201cLady Beetle\u201d, \u201cAdored\u201d, \u201cClover\u201d and the title track. As Lucky explains, Biting Heels<\/em> is a long time coming \u2014 a body of work that pulls together her varied sonic influences while marking an \u201cofficial introduction to the world\u201d. There\u2019s a sense of reflection and quiet confidence throughout, particularly on the title track, which became the project\u2019s anchor \u2014 exploring comfort zones, growth, and the uncertainty of stepping into something new.<\/p>\n Lucky is currently supporting MAY-A<\/strong> on her national tour, and kicks off her own solo tour in June, visiting Brisbane, Melbourne, Sydney and Adelaide. Head HERE<\/a> for all the details.<\/p>\n Evie Williams<\/strong> returns with \u201cWhat\u2019s A Girl To Do?\u201d, a delicate, slow-burning pop-folk offering that traces the quiet unraveling of a relationship with striking emotional clarity. Built on twangy guitars, soft strings and her unmistakably dulcet vocals, the track captures that liminal space where you know something is over \u2014 even if the words haven\u2019t yet been spoken, with Williams drawing on her own experience of navigating uncertainty and loss in a first serious relationship; the result is a tender, dreamlike piece that moves gently from heartbreak toward acceptance. This is one that will resonate with many.<\/p>\n \u201cSick of Love\u201d is the latest single from The Afterparty<\/i>, the forthcoming new album from Sweden\u2019s Lykke Li<\/b> \u2013 out May 8th. The song is the soundtrack to the comedown that follows the euphoric highs of the night before; subdued, hazy though uplifting, the track \u00a0in many ways works as a bit of a counterpoint to fellow album track \u201cLucky Again\u201d. The single comes ahead of her Coachella performance this weekend and the start of her 2026 tour.<\/p>\n Also added to the playlist this week is the fresh collaboration between American musician SASAMI<\/b> and Melbourne\u2019s own Angie McMahon <\/b>reworking of album single \u201cHoneycrash\u201d. The track is from the expanded version of SASAMI\u2019s 2025 album Blood On The Silver Screen<\/i>, which features a range of remixes and reimagining by friends and collaborators. \u201cHoneycrash (Angie McMahon Cut)\u201d sees McMahon bringing added emotional heft to the track and trading vocals with SASAMI. The end result is simply gorgeous; with some truly stunning vocals from the pair. Atmospheric and emotive, this one soars!<\/p>\n \u201cTwo Hands\u201d is the new single from WA\u2019s Pond<\/b> and the latest to be released from their new album Terrestrials <\/i>\u2013 out June 19th. The song is about the destruction of the Juukun Gorge, a site of cultural and spiritual significance to local Indigenous communities, by Rio Tinto. As Nicholas Allbrook explains; \u2018Its a little word of encouragement that you\u2019ve got every right to be very fucking angry about this injustice.\u2019 <\/i>There\u2019s a bit of a nod to the likes of The Triffids<\/b>, The Church <\/b>and others; but it remains quintessentially Pond. The band are about to head out on a string of dates across the US, both as headliners and supporting Djo<\/strong> \u2013 but first you can catch them at Brisbane\u2019s Against the Grain Festival in June. For more info and tour dates head to their website<\/a>.\u00a0<\/span><\/p>\n Finally, this week we also have new singles from the SF Wrens<\/b>, heirs presumptive to The Cat Empire<\/strong> (& WA\u2019s Brow Horn Orchestra<\/strong>), with their funky sophomore release \u201cThe Finish Line\u201d and \u201cCrazy Days\u201d from Melbourne stalwarts The Remotes<\/b>. And then joining them are premieres from Hannah Potter<\/strong> (\u201cSnow Day\u201d),\u00a0 Adam Gaffney<\/strong> (\u201cCome on Back For Good\u201d) and Anna Jeavons<\/strong> (\u201cSmart Casual\u201d).<\/p>\n Catch all the new music updated every Friday on Apple Music:<\/p>\n