{"id":2378040,"date":"2026-04-17T19:29:35","date_gmt":"2026-04-17T19:29:35","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2378040"},"modified":"2026-04-17T19:29:35","modified_gmt":"2026-04-17T19:29:35","slug":"she-broke-cinema-barriers-in-the-middle-east-then-she-had-to-evacuate","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/she-broke-cinema-barriers-in-the-middle-east-then-she-had-to-evacuate\/","title":{"rendered":"She Broke Cinema Barriers in the Middle East. Then She Had to Evacuate"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor more than a decade, the Polish-Australian filmmaker Nancy Paton has been in the thick of massive cultural shifts in the Middle East. She first moved to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/t\/saudi-arabia\/\" id=\"auto-tag_saudi-arabia_1\" data-tag=\"saudi-arabia\">Saudi Arabia<\/a> in the early 2010s, a time when \u201cI never saw men,\u201d she says, due to the strict climate of gender separation. The thought of launching a female-forward production company at the time would seem preposterous. And yet Paton noticed things changing \u2014 \u201cunderground women\u2019s movements,\u201d an evolution in the way films and series were discussed and considered. So she got in on the ground floor, founding Desert Rose Films, which prioritizes local women\u2019s stories and artistry.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tPaton has spent the last several years in Abu Dhabi, where her company is based \u2014 but on an April evening, she\u2019s zooming with <em>The Hollywood Reporter <\/em>from Cannes, France, where she and her family had to relocate due to the ongoing war in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/t\/iran\/\" id=\"auto-tag_iran_1\" data-tag=\"iran\">Iran<\/a>. We\u2019re speaking just as the ceasefire has taken effect, a tenuous sign of progress that Paton hopes holds \u2014 both for her own family\u2019s chance to go back to their lives and for the sake of the industry she\u2019s helped build up in the region. After all, shoots have been postponed; collaborators have relocated. The sense of danger that\u2019s engulfed Paton\u2019s home city and surrounding areas can easily damage the momentum that\u2019s been fueled by everything from foreign tourism to government funding.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tPaton still regularly comes up against censorship in her producing work; she\u2019s still fighting to get film to be seen as a field worth investing in. But she\u2019s seen major progress and worries about what happens next, amid all the chaos and uncertainty. Here she describes her journey from production CEO to wartime evacuee \u2014 and what she hopes for on the other side.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>To start, can you give me a broad sense of what the past few weeks have been like for you?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI live in Abu Dhabi. That\u2019s my company\u2019s base and that\u2019s where I\u2019ve been based for eight years. I\u2019ve been in the region nearly 14 years \u2014 I was in Saudi five years before, but I couldn\u2019t open up a film company in Saudi during that period \u2014 and we left on day 10 [of the war]. I had to go anyway to Vegas and New York for a conference I\u2019d been speaking at. The people that I work with were like, \u201cLook, you\u2019ve got to go, you\u2019ve already planned this.\u201d I didn\u2019t want to leave my kids in case I wasn\u2019t able to fly back. So we decided to relocate the kids the day before I had to fly. And then I flew back after 12 days in L.A. and America, and we were going to go back home, but it escalated to a point where we kind of said, \u201cLet\u2019s stay somewhere for a while until we know we can physically go back.\u201d And Abu Dhabi was hit more than Saudi Arabia. We\u2019re actually not far from the synagogue.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI\u2019m hoping the ceasefire does hold so that we can go back. But let\u2019s just see. That will really tell us what we\u2019re going to do as a family. I mean, we own a house there, we\u2019ve invested everything in there \u2014 that\u2019s our life, our kids. My kids were born in Saudi. They\u2019re blonde with blue eyes and they think they\u2019re Saudi, so they speak Arabic; their identities are a little bit confusing themselves. In that sense, it\u2019s been a little bit of an unexpected turn.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNearly 14 years ago when I moved there, I\u2019d been with the mindset that this place is changing and really moving forward \u2014 and what I\u2019ve seen happen over the 14 years and how I\u2019ve seen it grow, I didn\u2019t think this day would come.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Where were you in terms of production when this broke out? How have you gauged that initial impact?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI was meant to be shooting a film in April. We were actually going into production on a feature film, and we had two actors from the U.K. flying in \u2014 we\u2019re doing an Abu Dhabi, <em>Romeo and Juliet<\/em> love story, and we\u2019ve had to postpone that to October. Four days in, we decided as a team we couldn\u2019t bring actors from the U.K. over\u2026. I was also meant to be filming a feature with a local woman director, local story, which is what I\u2019m all about. It was part of a slate of features that we\u2019ve been putting together and that we now have interest in doing and the region\u2019s really pushing. But that\u2019s just been put on pause.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Mountain Boy (2024) | Official Movie Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/EhpJJGcOUec?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Can you say a little bit more about how, when you first moved into the region, you noticed things changing? What you were noticing and what opportunity did you see see \u2014 and how has that developed over the last decade or so?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI was living in London and we got the opportunity to go to Dubai or Saudi, and I was like, I\u2019m definitely going to Saudi. It was harder to get into Riyadh, Saudi Arabia as a woman under 35, than North Korea \u2014 so I was like, oh my God, I\u2019ve got to go to a place knowing I can get to North Korea more [easily] than Riyadh. You\u2019re going back in time. This is when women couldn\u2019t drive. This is when you had the fatwa, separate times in malls for women and men. Everything was segregated. I never saw men. I wanted to write, I wanted to tell the stories of the women, and I got a job at a university lecturing. There was no filmmaking. I actually thought we were going to go temporarily. I didn\u2019t think I would fall in love with it and want to stay in the region.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI know a lot of expats maybe aren\u2019t sometimes, but I got to really get engulfed in the community and the culture. I started meeting the locals, and I think that\u2019s when I started hearing their stories and meeting a lot of talented women in their own fields. I started seeing, \u201cWow, there is going to be a change.\u201d What was happening underground, I\u2019d call it the suffragette period of the Middle East. I don\u2019t know if that\u2019s allowed, but that\u2019s what I call it. (<em>Laughs<\/em>.) Those four years I was there, there was so much underground women\u2019s movement happening. We were doing events at the embassies. We were doing filmmaking workshops at all these embassies. We knew that all these policies and changes were happening from inside.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>How did that impact filmmaking?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn Hollywood, you\u2019ve got monetizing platforms that show how this industry makes money. They don\u2019t have that [in GCC countries] and they don\u2019t know how it\u2019s possible where now they\u2019re seeing that this is an industry, this is an asset. I\u2019ve been into a few family office meetings in the last six months, and some of these people have invested in tech apps and they\u2019ve lost millions of dollars on it, but they won\u2019t invest in a film where they get an IP where they could actually monetize it. They\u2019ll invest in something like an AI product, which never monetizes in any way, but it\u2019s okay because it\u2019s \u201ctechnology.\u201d And film is an actual investment that we could be getting into. I\u2019ve been seeing that shift as well. We have a slate of films with women by women, and now we\u2019re getting proper investment, conversations and wanting to do these projects \u2014 that was never around 13 years ago.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s why this has also affected me a bit to be a part of that and then to maybe see it not continue. It would be such a hard hit if it were to go down that route, which I don\u2019t think it is. There\u2019s just been such great change in development for us as female filmmakers in the region, so hopefully that continues.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What you\u2019re describing is: You\u2019ve been on this trajectory, you\u2019ve hit these strides, and now you\u2019re in a period of great uncertainty that threatens all that. Right?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tExactly. I\u2019ve also had quite a lot of conversations with certain government entities calling, \u201cHang on, how do we get ready for when it comes back? What are the projects we\u2019ve got to be focusing on? What can we get off the ground?\u201d When you have a film, it\u2019s your event, it\u2019s your tourism, it\u2019s your museums \u2014 you\u2019re actually activating all of that on something that\u2019s authentic and can touch more people. We proved it with the last film that we did: <em>Mountain Boy<\/em>. We went to 44 festivals, and we always knew it was hard to distribute \u2014 it\u2019s an Arabic language family story \u2014 but the impact that we had from that in all these places had people coming out going, \u201cHey, I want to go to Fira [in Santorini]. Where\u2019s Abu Dhabi?\u201d A lot of these places, they didn\u2019t even know where we were on the map. My director was in a hijab as well. The impact and the storytelling and what that did is so much greater than a tourist ad that would\u2019ve cost the same amount of money. Culture and tourism is also film, and film plays such a part of that.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tEven with the last film I did, I had the censorship: \u201cI can\u2019t put this in the script. Can\u2019t do that.\u201d Which is fine. I did it. I\u2019m not going to stop. The important thing is to make the movie. You want to tell not just the stories from the region, but honest ones. That\u2019s also been a hurdle \u2014 they know internationally they\u2019ve been slandered so much as a culture, as a region, that they just don\u2019t want to add more to that. I completely understand that they have been put in a bad box for a very long time. But I think we\u2019re at that point now \u2014 and I think maybe even because of what\u2019s going on \u2014 where you want to show your real authentic relationships, your love stories, which we were going to do this Romeo and Juliet story between an Emirati girl and a British boy, which before you would never have an interracial [relationship] be allowed. But that goes on, and that\u2019s a good thing to talk about \u2014 the love between a Brit and an Emirati because that happens. These conversations, again, would not have happened six years ago.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"This Dubai Premiere Made History Mountain Boy at Reel Cinemas\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/jw18AhKX3Ng?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Given how unpopular and devastating the war has been, what kind of response from artists and filmmakers might we expect?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn these kinds of periods, you see that, right? We\u2019ve seen the great stuff that comes out of Iran. And already, I am getting a lot of calls in general just on people thinking out of the box. There\u2019s certain content that we\u2019ve been throwing around. I\u2019m looking into micro dramas \u2014 they\u2019re quick to turn around, they\u2019re not so high budget, and we can get some of the crew working. All the bigger films that were going to be shot [with] U.K. actors or\u00a0stars coming in, no one\u2019s going to fly in right now of that caliber. How to activate the local talent currently into doing something? There\u2019s a lot of acting workshops I\u2019m seeing because I head up Women in Film, and we have 1,200 women in our group across the GCC, predominantly Saudi and UAE. They\u2019re already starting to pitch ideas. There are writing labs happening; people are just connecting on Zoom or if they\u2019re in their area meeting up. There is one TV series that we\u2019ve been looking at, which should be quite interesting \u2014 it\u2019s based on what\u2019s going on.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>There\u2019s also the larger question of displacement. How are artisans and people who contribute to these films from all disciplines being impacted right now? What does that say more broadly about how the industry in the region will bounce back?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI don\u2019t think people are leaving the region as quickly as it\u2019s being advertised. The media is a little bit of propaganda: \u201cOh my God, everyone\u2019s leaving the region because of this war,\u201d Actually, surprisingly, it\u2019s how many people are staying <em>because<\/em> of it. That is what\u2019s quite amazing, the amount of people that are actually staying. A lot of these government entities pay these production houses for commercials \u2014 a lot of them are living off TV shows, other productions, not just films. Production is many things, events. And there are no events. Your commercials aren\u2019t being made now; they\u2019re being outsourced or not being done right now because that money from that budget is going into sustaining the country, which of course everyone agrees with. Everyone wants the country to sustain, but that means a lot of people are sitting around and worried about their jobs.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt\u2019s tourism. All the hotels, they pay for commercials; if all of these hotels start shutting down, who will be paying for commercials? All the events within the hotels that are being run, all the fashion shows, all these things that are entertainment-based but rely on the tourism \u2014 it\u2019s a ripple effect. I don\u2019t want to be pessimistic. I\u2019m Australian \u2014 I always try to stay optimistic. That\u2019s how I\u2019ve lived my life anywhere I go and I want to stay that way. It is a bit harder this time, to be honest. I mean, I lived in Saudi when we had more power; it was bad, right, in a sense, but I was optimistic then.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What are you struggling with most, in terms of optimism?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt would take a bit longer to bring entertainment back. I mean, it\u2019ll be the last one to come back. We have Lebanese, Jordanians, Americans, British, Australians, South African filmmakers that live in the region. Like in L.A., what if they go and they start finding Atlanta or Georgia or Kentucky and they start making home there because it\u2019s safer? They start going to different places, and why would they come back? When will they come back? I know the government doesn\u2019t want that to happen. I\u2019m having conversations with certain government entities about how to keep activating the space. If [the war] stops in the next two weeks, I think it will bounce back. Definitely by the summertime or end of summer \u2014 people will come back and people will work.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.hollywoodreporter.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For more than a decade, the Polish-Australian filmmaker Nancy Paton has been in the thick of massive cultural shifts in the Middle East. She first moved to Saudi Arabia in the early 2010s, a time when \u201cI never saw men,\u201d she says, due to the strict climate of gender separation. The thought of launching a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2378042,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[24379,364881,365927],"class_list":["post-2378040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-international","tag-iran","tag-saudi-arabia"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/04\/She-Broke-Cinema-Barriers-in-the-Middle-East-Then-She.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2378040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2378040"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2378040\/revisions"}],"predecessor-version":[{"id":2378043,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2378040\/revisions\/2378043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2378042"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2378040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2378040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2378040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}