{"id":2391380,"date":"2026-04-27T13:44:15","date_gmt":"2026-04-27T13:44:15","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2391380"},"modified":"2026-04-27T13:44:15","modified_gmt":"2026-04-27T13:44:15","slug":"static-x-push-it-the-story-of-the-song-and-its-meaning","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/static-x-push-it-the-story-of-the-song-and-its-meaning\/","title":{"rendered":"Static-X &#8211; Push It: the story of the song and its meaning"},"content":{"rendered":"<p><\/p>\n<div id=\"article-body\">\n<p id=\"elk-fef1f14a-2736-4750-8349-bd258e1b55b6\">On May 14, 1996, an aspiring industrial metal three-piece took to the stage of Bar Deluxe, a two-floor club in a grotty area of Hollywood known as Crack Central. Someone captured grainy footage of the band, which has inevitably found its way to YouTube.<\/p>\n<p>The short clip focuses on their frontman, a skinny dude with black hair shaved close to the skull, mechanically attacking his guitar. The band\u2019s name was Static, and the singer was Wayne Wells. The two other people onstage with him were bassist Tony Campos and drummer Ken Jay. They had been kicking around the bottom level of the club scene without much success, as indicated by the sparse crowd that night.<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" id=\"elk-seasonal\"\/><\/p>\n<aside data-block-type=\"embed\" data-render-type=\"fte\" data-skip=\"dealsy\" data-widget-type=\"seasonal\" class=\"hawk-root\"\/>\n<p id=\"elk-fef1f14a-2736-4750-8349-bd258e1b55b6-2\">\u201cThere were maybe 15 people,\u201d says Tony Campos today. \u201cBut two of the people happened to be Dez [Fafara] and Meegs from Coal Chamber. They said, \u2018You guys are cool, here\u2019s the number for the promoter at [Sunset Strip club] The Roxy.\u201d<\/p>\n<p><span class=\"article-continues-below block py-2 text-sm\">Article continues below <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" class=\"inline-block w-2.5 h-2.5 ml-2\" fill=\"currentColor\" preserveaspectratio=\"xMidYMid meet\" viewbox=\"0 0 1000 1000\"><path d=\"M1000 100L500 900 0 100h1000z\"\/><\/svg><\/span><\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-recirculation-type=\"inline\" data-mrf-recirculation=\"Trending Bar\" data-nosnippet=\"\" class=\"clear-both pb-0 pt-2 mb-4\">\n        <span class=\"&#10;            flex&#10;            after:content-[''] after:flex-1 after:ml-4 after:my-[0.7rem] after:border-t after:border-solid after:border-t-[#ccc]&#10;            before:content-[''] before:flex-1 before:mr-4 before:my-[0.7rem] before:border-t before:border-solid before:border-t-[#ccc]&#10;            font-article-heading pb-0 !text-base uppercase sm:text-sm font-bold&#10;        \"><br \/>\n            You may like<br \/>\n        <\/span><\/p>\n<\/aside>\n<p id=\"elk-ce684598-baa0-4854-b0e6-0eec5ff02a84\">Within three years of that fortuitous meeting, things had changed for Static. The band\u2019s name, for one \u2013 they added an \u2018X\u2019 to the end, becoming <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/artist\/static-x\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/artist\/static-x\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/artist\/static-x\">Static-X<\/a>. They recruited a second guitarist, Koichi Fukuda. And then there was their frontman \u2013 crop-haired Wayne Wells became Wayne Static, a juddering, grimacing figure with a gravity-defying tower of hair styled like a man who had rammed his fingers into a live socket. But the biggest thing of all that happened to Static-X was success.<\/p>\n<p>Their debut album, 1999\u2019s <em>Wisconsin Death Trip<\/em>, placed the band in the centre of <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/features\/the-50-best-nu-metal-albums-of-all-time\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/features\/the-50-best-nu-metal-albums-of-all-time\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/features\/the-50-best-nu-metal-albums-of-all-time\">nu metal<\/a>\u2019s second wave. It opened with one of the era\u2019s great singles \u2013 a pulsing, pulverising slab of malevolent disco-metal titled <em>Push It<\/em> that would take the band a long way from Crack Central.<\/p>\n<p>\u201cDid we realise how important it would be for us? Oh, hell no,\u201d says Tony. \u201cWe just wanted to write a song to make people dance.&#8221;<\/p>\n<figure id=\"elk-1a7eb286-fa2d-48f0-ad37-84998b9a4b07\">\n<blockquote class=\"vanilla-quoteblock\">\n<p>Wayne wasn\u2019t what I expected<\/p><figcaption><cite>Tony Campos<\/cite><\/figcaption><\/blockquote>\n<\/figure>\n<p id=\"elk-4c34d25b-78a5-47b3-9868-768e748ae263\">Wayne Wells and Ken Jay had been introduced to each other in the late 80s in their hometown of Chicago by a mutual friend, <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/artist\/the-smashing-pumpkins\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/artist\/the-smashing-pumpkins\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/artist\/the-smashing-pumpkins\">Smashing Pumpkins<\/a> frontman <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/artist\/billy-corgan\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/artist\/billy-corgan\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/artist\/billy-corgan\">Billy Corgan<\/a>, who sometimes played with Wayne\u2019s band Deep Blue Dream. By the early 90s, they\u2019d swapped the Windy City\u2019s hipper-than-thou music scene for the blazing sunshine and fuel-injected dreams of LA.<\/p>\n<div id=\"slice-container-newsletterForm-articleInbodyContent-BMmWthGaarukzpTLE4RqAQ\" class=\"slice-container newsletter-inbodyContent-slice newsletterForm-articleInbodyContent-BMmWthGaarukzpTLE4RqAQ slice-container-newsletterForm\">\n<div data-hydrate=\"true\" class=\"newsletter-form__wrapper newsletter-form__wrapper--inbodyContent\">\n<div class=\"newsletter-form__container\">\n<section class=\"newsletter-form__top-bar\"\/>\n<section class=\"newsletter-form__main-section\">\n<p class=\"newsletter-form__strapline\">Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!<\/p>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<p>\u201cI met Ken when we both worked at Ticketmaster, taking orders for tickets on the phone,\u201d says Tony, a native Angeleno. \u201cHe said, \u2018You should come and try out for my band.&#8217; I was in a death metal band, so I wasn\u2019t keen. But after a week of just sitting round with no gigs, I said, \u2018OK, I\u2019ll jam with you guys.\u2019\u201d<\/p>\n<p>Ken and Wayne\u2019s band were a grunge-knock off named Drill. Wayne himself looked less like the striking figure he would become and more like a thrift shop version of <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/artist\/the-cult\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/artist\/the-cult\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/artist\/the-cult\">The Cult<\/a>\u2019s hippie-goth frontman Ian Astbury.<\/p>\n<p>\u201cLong, straight, black hair, bell-bottom corduroy pants, flowery shirt,\u2019 says Tony. \u201cHe wasn\u2019t what I expected. He was a quiet-spoken dude. But he had a dry sense of humour.\u201d<\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-recirculation-type=\"inline\" data-mrf-recirculation=\"Trending Bar\" data-nosnippet=\"\" class=\"clear-both pb-0 pt-2 mb-4\">\n        <span class=\"&#10;            flex&#10;            after:content-[''] after:flex-1 after:ml-4 after:my-[0.7rem] after:border-t after:border-solid after:border-t-[#ccc]&#10;            before:content-[''] before:flex-1 before:mr-4 before:my-[0.7rem] before:border-t before:border-solid before:border-t-[#ccc]&#10;            font-article-heading pb-0 !text-base uppercase sm:text-sm font-bold&#10;        \"><br \/>\n            What to read next<br \/>\n        <\/span><\/p>\n<\/aside>\n<p>With Tony onboard, Drill began searching for a sound. They dispensed with grunge and began dabbling with punk, with just as little success. The lightbulb moment came when Wayne picked up a drum machine and brought it into their dingy Downtown LA rehearsal room.<\/p>\n<p>\u201cHe hit play and started playing a riff over it,\u201d says Tony. \u201cWe were all, like, \u2018Yeah, let\u2019s rip off Ministry!\u2019\u201d<\/p>\n<p>He laughs about it now, but it wasn\u2019t as cynical as it sounds. Chicago was the home of Wax Trax! Records, the pioneering industrial\/dance label that had given Ministry their first break, and that scene\u2019s jackhammer noise was part of Wayne and Ken\u2019s musical DNA. They had a more legitimate claim to that sound than most bands in their adopted hometown.<\/p>\n<figure class=\"van-image-figure inline-layout\" data-bordeaux-image-check=\"\" id=\"elk-36df0d43-3d21-43f3-8054-6fbcf3849fb1\">\n<div class=\"image-full-width-wrapper\">\n<div class=\"image-widthsetter\" style=\"max-width:1280px;\">\n<p class=\"vanilla-image-block\" style=\"padding-top:35.16%;\"> <picture data-new-v2-image=\"true\"><source type=\"image\/webp\" srcset=\"https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-1200-80.jpg.webp 1200w, https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-1024-80.jpg.webp 1024w, https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-970-80.jpg.webp 970w, https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-650-80.jpg.webp 650w, https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-480-80.jpg.webp 480w, https:\/\/cdn.mos.cms.futurecdn.net\/VABvhj44G8eSNXAk5guyUJ-320-80.jpg.webp 320w\" sizes=\"(min-width: 1000px) 970px, calc(100vw - 40px)\"\/>\n<\/picture><\/p>\n<\/div>\n<\/div><figcaption itemprop=\"caption description\" class=\" inline-layout\"><span class=\"credit\" itemprop=\"copyrightHolder\">(Image credit: Press)<\/span><\/figcaption><\/figure>\n<p id=\"elk-0a127d47-02ad-494a-b96e-75a8598c6ec2\">Tony can\u2019t remember exactly when Drill became Static, but it was before the Bar Deluxe gig in 1996. Wayne Wells\u2019 transformation into the uniquely coiffed Wayne Static happened a little later. The frontman had shaved his head bald before that show, but started growing it out again. One night he turned up to a gig with the beginnings of the swept-up vertical \u2019do that would become his signature.<\/p>\n<p>\u201cIt was pretty out there,\u201d says Tony of Wayne\u2019s new hairstyle, which the singer would jokingly tell journalists was kept aloft by semen (prosaically, it was just the product of time, effort and a lot of a hairspray).<\/p>\n<p>The band had been stockpiling songs while they slogged it out on the LA club circuit. The three-piece line up of Wayne, Tony and Ken recorded a three-track demo tape in 1996 featuring future Wisconsin Death Trip songs <em>Bled For Days<\/em> and <em>Love Dump<\/em>, plus <em>Structural Defect<\/em>, which would be cannibalised for the title track of their second album, 2001\u2019s <em>Machine<\/em>. A second, six-track cassette followed a year later. The new demo opened with a new track called <em>Push It<\/em>.<\/p>\n<p>\u201cThe modus operandi we had was, \u2018Let\u2019s see how goofy we can make this \u2013 let\u2019s go really goofy,\u2019\u201d says Tony of the song, which kicked off with a sample of Kiss\u2019 Paul Stanley screaming \u201cAre you ready to rock\u2019n\u2019roll?\u201d, lifted from Kiss\u2019 <em>Alive II<\/em> album. \u201cI even threw in some death metal vocals.\u201d<\/p>\n<figure id=\"elk-8526332d-9643-49be-9009-7adb32bb30c9\">\n<blockquote class=\"vanilla-quoteblock\">\n<p>The modus operandi we had was, &#8216;Let\u2019s see how goofy we can make this&#8217;<\/p><figcaption><cite>Tony Campos<\/cite><\/figcaption><\/blockquote>\n<\/figure>\n<p id=\"elk-83887f8f-0cd6-434a-9ec1-540aaffa93c7\">And the title? \u201cIt was just a straight-up rip-off of the Salt \u2019N\u2019 Pepa song,\u2019 says Tony, referring to the female rap duo\u2019s 1996 hit of the same name.<\/p>\n<p>Wayne Static memorably described his band\u2019s sound as \u201cEvil Disco\u201d, and <em>Push It<\/em> lived up to that billing even in its demo form. The relentless industrial rhythm and mechanised riff echoed Ministry and Prong, but it had a danceability too.<\/p>\n<p>\u201cWe were listening to a lot of electronic stuff like The Chemical Brothers and <a rel=\"nofollow\" target=\"_blank\" data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/artist\/the-prodigy\" target=\"_blank\" data-url=\"https:\/\/www.loudersound.com\/artist\/the-prodigy\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/artist\/the-prodigy\">Prodigy<\/a> too,\u201d says Tony.<\/p>\n<p><em>Push It <\/em>may have had the musical bounce of a classic party-starter, but Wayne piled on the dark, abstract imagery. \u201c<em>Corrosive, tainted by my sin<\/em>,\u201d he sang on the track\u2019s opening lines, while the chorus found him growling: \u201c<em>I want it<\/em> \/ <em>I need it<\/em>.\u201d Some read it as a song about addiction, a meaning given<em> <\/em>weight by the singer\u2019s subsequent struggles with drugs. A less<em> <\/em>harrowing interpretation was that it was a song about<em> <\/em>defecation.<\/p>\n<p>\u201cIt definitely wasn\u2019t about taking a shit,\u201d says Tony with a laugh. \u201cWe already had the poop song with <em>Love Dump<\/em>. When we wrote it we just thought, \u2018This sounds like a cool, fun bouncy song that girls will hopefully shake their asses to.\u2019 When you get a good response, you know you\u2019re on the right track.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\" id=\"elk-Ps0MfBG5-Uo\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-Ps0MfBG5-Uo\" data-yt-video-token=\"Ps0MfBG5-Uo\" title=\"Static-X - Push It (Official Music Video) | Warner Vault - YouTube\">\n<span class=\"youtube-video-title\">Static-X &#8211; Push It (Official Music Video) | Warner Vault &#8211; YouTube<\/span><br \/>\n<img decoding=\"async\" src=\"https:\/\/img.youtube.com\/vi\/Ps0MfBG5-Uo\/maxresdefault.jpg\" alt=\"Static-X - Push It (Official Music Video) | Warner Vault - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\"\/>\n<\/div>\n<\/div>\n<p><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"play-button\" viewbox=\"0 0 234.67 165.33\"><path fill=\"red\" d=\"M229.763 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34.23v71.007h-12.511l-1.39-8.688h-.347c-3.399 6.564-8.496 9.845-15.291 9.845-4.71 0-8.185-1.543-10.425-4.633-2.24-3.087-3.359-7.915-3.359-14.48V34.23h15.985v52.126c0 3.168.348 5.426 1.043 6.776.695 1.353 1.853 2.027 3.475 2.027 1.39 0 2.722-.423 3.996-1.275 1.274-.849 2.22-1.928 2.838-3.241V34.229h15.986m81.995.001v71.007h-12.511l-1.391-8.688h-.345c-3.402 6.564-8.498 9.845-15.292 9.845-4.711 0-8.186-1.543-10.426-4.633-2.24-3.087-3.358-7.915-3.358-14.48V34.23h15.985v52.126c0 3.168.347 5.426 1.041 6.776.696 1.353 1.855 2.027 3.476 2.027 1.391 0 2.723-.423 3.996-1.275 1.275-.849 2.22-1.928 2.839-3.241V34.229h15.985\"\/><path d=\"M365.552 20.908h-15.87v84.329h-15.637v-84.33h-15.869V8.05h47.376v12.858m76.811 53.636c0 5.174-.215 9.229-.639 12.162-.424 2.937-1.139 5.021-2.143 6.255-1.004 1.236-2.357 1.854-4.053 1.854a7.404 7.404 0 0 1-3.65-.927c-1.12-.618-2.026-1.544-2.722-2.78V50.796c.54-1.93 1.467-3.513 2.78-4.749 1.313-1.234 2.74-1.853 4.285-1.853 1.623 0 2.876.637 3.766 1.91.886 1.275 1.505 3.418 1.853 6.43.348 3.011.523 7.297.523 12.857zm14.652-28.964c-.967-4.478-2.531-7.721-4.692-9.73-2.163-2.007-5.136-3.011-8.919-3.011-2.935 0-5.676.83-8.224 2.49a16.926 16.926 0 0 0-5.908 6.545h-.117l.001-37.416h-15.405v100.777h13.204l1.622-6.717h.347c1.235 2.393 3.088 4.285 5.56 5.675 2.47 1.39 5.213 2.085 8.225 2.085 5.404 0 9.382-2.491 11.931-7.471 2.548-4.982 3.823-12.76 3.823-23.341V64.23c0-7.953-.484-14.17-1.448-18.65\"\/><\/g><\/svg><\/a>\n<\/div>\n<p id=\"elk-f598af2b-1594-4570-9db2-3ee3c4826082\">So it proved. The six-track demo headed up with <em>Push It<\/em> helped bag Static-X a deal with Warner Bros. The label bundled the band \u2013 now augmented by guitarist Koichi Fukuda \u2013 into Hollywood\u2019s Grandmaster Studio with producer Ulrich Wild to record <em>Wisconsin Death Trip<\/em>. The whole album cost $50,000 to make &#8211; peanuts in the heady days of the late 90s. There was just one catch: they wanted the band to change their name.<\/p>\n<p>\u201cThey said \u2018Static\u2019 would be too hard to market,\u201d says Tony. \u201cWe were, like, [noncommittally], \u2018Uh, OK, sure.\u2019\u201d<\/p>\n<p>The first taste the wider world got of the newly-christened Static-X came when <em>Bled For Days<\/em> appeared on the soundtrack of 1998 comedy-horror movie <em>Bride Of Chucky<\/em>. It was followed early the next year by <em>Wisconsin Death Trip<\/em>, which took its name from a book looking at a series of bizarre deaths in late 19th century Wisconsin. Their timing was impeccable. The band arrived as nu metal transitioned from buzzy scene-to-watch into all-conquering cultural force, even if it was a tag the band were unhappy with being saddled with.<\/p>\n<p><em>Push It<\/em> was the first single released from the album, accompanied by a striking part-claymation video. It reached No.57 on the US singles chart, still the band\u2019s biggest single. And it received the ultimate accolade \u2013 the stripper seal of approval.<\/p>\n<figure class=\"van-image-figure inline-layout\" data-bordeaux-image-check=\"\" id=\"elk-f0c294a2-dc43-4952-83b2-91bbc2d45428\">\n<div class=\"image-full-width-wrapper\">\n<div class=\"image-widthsetter\" style=\"max-width:1280px;\">\n<p class=\"vanilla-image-block\" style=\"padding-top:140.63%;\"> <picture data-new-v2-image=\"true\"><source type=\"image\/webp\" srcset=\"https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-1200-80.jpg.webp 1200w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-1024-80.jpg.webp 1024w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-970-80.jpg.webp 970w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-650-80.jpg.webp 650w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-480-80.jpg.webp 480w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-320-80.jpg.webp 320w\" sizes=\"(min-width: 1000px) 970px, calc(100vw - 40px)\"\/><img decoding=\"async\" src=\"https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4.jpg\" alt=\"Wayne Static\" srcset=\"https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-1200-80.jpg 1200w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-1024-80.jpg 1024w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-970-80.jpg 970w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-650-80.jpg 650w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-480-80.jpg 480w, https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4-320-80.jpg 320w\" sizes=\"(min-width: 1000px) 970px, calc(100vw - 40px)\" loading=\"lazy\" data-new-v2-image=\"true\" data-original-mos=\"https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4.jpg\" data-pin-media=\"https:\/\/cdn.mos.cms.futurecdn.net\/7rttoZcCqvXfAwm5b5m8M4.jpg\" class=\"inline\"\/>\n<\/picture><\/p>\n<\/div>\n<\/div><figcaption itemprop=\"caption description\" class=\" inline-layout\"><span class=\"caption-text\">Wayne Static: gone but definitely not forgotten <\/span><span class=\"credit\" itemprop=\"copyrightHolder\">(Image credit: Press)<\/span><\/figcaption><\/figure>\n<p id=\"elk-0682d5ee-9e00-42f3-a00b-d6284b162a75\">\u201cThe coolest moment was going into a strip club and seeing a girl dancing naked to it,\u201d says Tony. \u201cIt wasn\u2019t like we announced ourselves coming in.\u201d<\/p>\n<p>Propelled by <em>Push It<\/em>, <em>Wisconsin Death Trip<\/em> went on to sell more than a million copies in the US. Yet the years that followed were marked by line-up changes and diminishing commercial returns. By the end of the decade, insurmountable tensions between Wayne and Tony \u2013 the two remaining original members \u2013 precipitated the end of the band, bar a brief and underwhelming attempt by the singer to resurrect the band with a new line-up in the early 2010s. Wayne\u2019s drug-related death in 2014 seemingly brough the curtain down on Static-X permanently.<\/p>\n<p>But there was an unexpected twist. In 2018, Tony Campos, Ken Jay and Koichi Fukuda relaunched the band, subsequently recruiting a new singer, Xer0 (actually Dope frontman Edsel Dope in a zombie Wayne Static mask). They\u2019ve subsequently released two albums featuring music written by their late frontman, but they still close every show with the song he wrote more than a quarter of a century ago that lifted its sound from Ministry and Prong and its title from Salt \u2019N\u2019 Pepa.<\/p>\n<p>\u201c<em>Push It<\/em> is just a fun song,\u2019 says Tony Campos. \u201cEverybody can sing along to that chorus, no matter what language they speak. It just gets people dancing.\u201d<\/p>\n<p><em><strong>Wisconsin Death Trip (25th Anniversary Corrosive Edition) is out now on Otsego Entertainment Group. Static-X play Download Festival in June<\/strong><\/em><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.loudersound.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On May 14, 1996, an aspiring industrial metal three-piece took to the stage of Bar Deluxe, a two-floor club in a grotty area of Hollywood known as Crack Central. Someone captured grainy footage of the band, which has inevitably found its way to YouTube. The short clip focuses on their frontman, a skinny dude with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2391381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2391380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/04\/Static-X-Push-It-the-story-of-the-song-and.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2391380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2391380"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2391380\/revisions"}],"predecessor-version":[{"id":2391382,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2391380\/revisions\/2391382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2391381"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2391380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2391380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2391380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}