{"id":2400310,"date":"2026-05-03T16:13:19","date_gmt":"2026-05-03T16:13:19","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2400310"},"modified":"2026-05-03T16:13:19","modified_gmt":"2026-05-03T16:13:19","slug":"new-met-gala-fashion-exhibit-seeks-to-reclaim-body-types-that-art-history-has-ignored","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/new-met-gala-fashion-exhibit-seeks-to-reclaim-body-types-that-art-history-has-ignored\/","title":{"rendered":"New Met Gala fashion exhibit seeks to \u2018reclaim\u2019 body types that art history has ignored"},"content":{"rendered":"<p><\/p>\n<div id=\"\">\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\"><strong>NEW YORK<\/strong> \u2013 One of the first sights we see in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/apnews.com\/article\/met-gala-fashion-8a13bc6002214c671e888246d3077e1e\">\u201cCostume Art,\u201d the new fashion exhibit<\/a> to be launched at Monday\u2019s Met Gala, is a glittering column gown by Dolce &amp; Gabbana, its shimmering gold sequins surrounding an image of Aphrodite.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The Greek goddess stands on a pedestal, holding a golden apple bestowed on her for her beauty \u2014 a classic ideal of beauty as old as, well, ancient Greece.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">But the idea of \u201cCostume Art,\u201d which examines the dressed body through centuries of art history, is not to celebrate the classical form. It is rather, says Andrew Bolton, longtime curator at the Metropolitan Museum of Art\u2019s Costume Institute, to use that form as a launch pad.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">\u201cNow, we go through and reclaim the body,\u201d he says, leading a reporter through the gleaming new Conde M. Nast galleries that the show will inaugurate.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The corpulent body. The disabled body. The pregnant body. The aging body. The new show, which gala guests will view before it opens to the public May 10, is the most consciously body-positive show the museum has attempted. Perhaps its most prominent feature is a group of new mannequins, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/apnews.com\/article\/met-gala-mannequins-costume-art-body-positivity-832682a0821a15abf314f6a721ac9b68\">based on real people with a wide variety of body types. <\/a><\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">There is even, in the \u201caging body\u201d section, an enormous gray hoodie, emblazoned with the phrase: \u201cI\u2019M RETIRED. (This is as dressed up as I get.)\u201d Just in case you\u2019re tired of the whole glittery glamour thing.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Bolton took The Associated Press through the exhibit late last week as a huge team of installers was busy hammering, nailing, posing and otherwise adjusting the 400 items on display. Here are some of the highlights.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">A new space, giving fashion its due <\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Last year, the Met Gala, a fundraiser for the Costume Institute, brought in a record $31 million. That gargantuan sum alone \u2014 it grows every year \u2014 can explain why the museum has granted its only self-funding department some prominent new digs, fashioned from former retail space on the museum\u2019s main floor, right off the Great Hall. \u201cWe&#8217;re in the epicenter of the museum,\u201d notes Bolton, with evident pride. It will house all future fashion exhibits, making them easier to reach for guests and enabling shows to last longer; \u201cCostume Art\u201d will be up for 8 months.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The universality of \u2026 diversity<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The show travels through centuries of art history by pairing art objects with fashion garments, making the argument that not only is fashion art \u2014 that&#8217;s indeed the gala dress code \u2014 but more profoundly, art is fashion. Its first main gallery bears the title \u201cBodily Being in its Diversity,\u201d and begins with flowing Grecian-style gowns, paired with images on Greek vases or flasks. But the display soon veers from classic forms into those that fashion has traditionally ignored. <\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The pregnant body, unhidden<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Bolton argues that the pregnant body has either been ignored or stereotyped in art. Here, he presents designers \u2014 often female, working in the late 20th century or later \u2014 who have explored and accentuated the expectant form. The so-called \u201cpregnancy dress\u201d from British designer Georgina Godley, which appeared in her 1986 \u201cBump and Lump\u201d collection, is a straightforward celebration of the extended pregnant belly. It is paired with a rare (for the time) 1920 sculpture by French artist Edgar Degas, \u201cPregnant Woman\u201d \u2014 a nude figure holding her belly and seeming to reflect on what&#8217;s to come.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The corpulent body, unfettered<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Garments on display here include the corsetry of designer Michaela Stark, who posed herself for three of the new mannequins. One of them displays the corsetry ensemble \u201cFat Not Fertile\u201d \u2014 fighting the trope that a larger body represents reproduction and fertility. Stark uses corsets to bind the flesh and accentuate, not hide it \u2014 to \u201cbring back power to the female form.\u201d The ensemble is paired with an ancient marble statuette resembling the same body type.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The disabled body takes center stage<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">A striking subset of the Reclaimed Body section explores the disabled body, itself divided into different types of disability: physical, sensory and cognitive.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">In one ensemble, a mannequin based on Paralympian athlete, model and actor Aimee Mullins wears a pair of Victorian-esque Alexander McQueen boots, which are really prosthetic limbs. The outfit is paired with a 1965 sculpture, \u201cThe Amputee,\u201d by John Gutmann.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Irish disability activist Sin\u00e9ad Burke, who was born with dwarfism, also posed for two mannequins. One wears a Burberry trench coat, cut down for length \u2014 and including part of a discarded sleeve, refashioned into a headpiece. The other is a Vivienne Westwood and Malcolm McLaren \u201cMickey and Minnie\u201d dress, paired with an ancient Egyptian statue of a dancing dwarf.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Model and activist Aariana Rose Philip, who uses a wheelchair, also posed for a mannequin, placed in its own chair \u2014 wearing a pair of denim shorts and a shirt bearing the slogan: \u201cQueer Capital.\u201d The display is accompanied by a work from artist Lucy Jones, who, like Philip, lives with cerebral palsy.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">Exploring a less visible disability is a coat by Scottish designer Nadia Pinkney, who paid homage in her \u201cRemember Me Knot\u201d collection to both her grandmother and great-grandmother, who had Alzheimer\u2019s. The coat\u2019s pattern \u2014 derived, according to curators, from brain scans \u2014 is meant to reflect the \u201cphysiological tangles\u201d the disease inflicts on the brain\u2019s structure.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">It&#8217;s paired with a lithograph by Willem de Kooning, whose own experience with Alzheimer\u2019s affected his late-career work.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The vital body \u2014 colorful and bloody<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">The second main gallery is devoted not to diversity so much as commonality \u2014 those things that unite us all. Like aging, which the show seeks to reframe as \u201ca mode of sophistication rather than biological decline.\u201d And mortality. There\u2019s also a whole bloody section on, well, blood.<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\">This includes Westwood\u2019s \u201cMartyr to Love\u201d evening jacket where shiny beads represent a muscled torso, and deep red beading portrays blood dripping from a wound. It is paired with German painter Albrecht D\u00fcrer\u2019s \u201cMan of Sorrows with Arms Outstretched.\u201d<\/p>\n<p class=\"dist__Box-sc-1fnzlkn-0 dist__TextBase-sc-1fnzlkn-3 bYFsJw cuqaEv article-text\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.metmuseum.org\/exhibitions\/costume-art\">\u201cCostume Art\u201d<\/a> opens to the public May 10 and runs through Jan. 10, 2027. <\/p>\n<\/div>\n<p>Copyright 2026 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.<\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.click2houston.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2013 One of the first sights we see in \u201cCostume Art,\u201d the new fashion exhibit to be launched at Monday\u2019s Met Gala, is a glittering column gown by Dolce &amp; Gabbana, its shimmering gold sequins surrounding an image of Aphrodite. The Greek goddess stands on a pedestal, holding a golden apple bestowed on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2400311,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[468657,380881,444787,444786,21741,444784,468658,21818,468656,463791,463789,468655,30188,381963,468654],"class_list":["post-2400310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-albrecht-durer","tag-alexander-mcqueen","tag-andrew-bolton","tag-edgar-degas","tag-entertainment","tag-georgina-godley","tag-john-gutmann","tag-lifestyle","tag-lucy-jones","tag-malcolm-mclaren","tag-michaela-stark","tag-nadia-pinkney","tag-u-s-news","tag-vivienne-westwood","tag-willem-de-kooning"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/05\/New-Met-Gala-fashion-exhibit-seeks-to-\u2018reclaim-body-types.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2400310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2400310"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2400310\/revisions"}],"predecessor-version":[{"id":2400312,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2400310\/revisions\/2400312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2400311"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2400310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2400310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2400310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}