{"id":2411208,"date":"2026-05-11T09:44:06","date_gmt":"2026-05-11T09:44:06","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2411208"},"modified":"2026-05-11T09:44:06","modified_gmt":"2026-05-11T09:44:06","slug":"cannes-fantastic-pavilion-readies-for-seven-gala-screenings-these-are-films-built-to-travel-exclusive","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/cannes-fantastic-pavilion-readies-for-seven-gala-screenings-these-are-films-built-to-travel-exclusive\/","title":{"rendered":"Cannes\u2019 Fantastic Pavilion Readies for Seven Gala Screenings: \u2018These Are Films Built to Travel\u2019 (EXCLUSIVE)"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Cannes is ready to welcome some scream-worthy titles to the Fantastic Pavilion Gala Screenings, which are set to take place over May 12-18 at Cannes\u2019 March\u00e9 du Film.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The section, spotlighting international genre filmmaking, will feature an abundance of \u201chorror, elevated thrillers and dystopian narratives,\u201d promised the organizers. It will open with \u201cEl Convento\u201d and close with the psychological horror \u201cHouse of Atreus.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>More from Variety<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWith its 2026 edition, the section continues to position itself as a focused platform for elevated genre cinema, balancing arthouse sensibilities with clear commercial potential across global markets,\u201d said Pablo Guisa Koestinger, executive director of the Fantastic Pavilion which is partnered by the Cannes Festival\u2019s March\u00e9 du Film .<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He noted that this year\u2019s selection \u201cleans heavily into psychological and atmospheric horror,\u201d with multiple projects exploring \u201cgrief, isolation and belief systems through high-concept frameworks.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">That includes \u201cHinter,\u201d \u201cThe Endless,\u201d \u201cThe Trail of the Wolf,\u201d \u201cKey of Bones\u201d and \u201cLast Chance Motel.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Fantastic Galas have evolved into a space \u201cwhere emerging filmmakers stand alongside established voices, presenting work that balances artistic ambition with real market viability,\u201d he added.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cThese are films built to travel, to connect with audiences across territories and platforms, and to keep the conversation and the business around genre cinema growing and feeding each other.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWhat excites me most is what\u2019s coming. The Fantastic Pavilion is already a place where projects are born, developed and pushed forward. Next year, I expect we\u2019ll see several of them to make their way to the Galas. Last year we presented \u2018The Turkish Coffee Table,\u2019 the first true child of the Pavilion, and that\u2019s just the beginning.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Galas are also, he stressed, \u201ca product presented inside one of the world\u2019s top film markets.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cEvery year, without exception, films that screen at the Fantastic Galas go on to sell better. That\u2019s not a coincidence \u2013 it\u2019s the ecosystem working exactly as it should,\u201d said Pablo Guisa Koestinger.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">A closer look at the titles:<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 12<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cEl Convento\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(Spain, Italy, Uruguay)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by \u00c1ngel Manuel Chivite and Luis Galindo<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Claiming the Opening Gala spot, this Spanish period horror-thriller follows two young women who enter a cloistered religious institution in 1750 and discover a dark secret connected to its leadership. Inspired by historical accounts and represented by Film Sharks, it creates \u201ca tense, confined atmosphere focusing on themes of faith, imprisonment, and concealed identities.\u201d Starring Ana \u00c1lvarez and Alfonsina Carrocio.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 13<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cHinter\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(U.S.)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by Britt Falardeau<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Led by Deaf actor and comedian Harold Foxx and directed by Britt Falardeau, this horror blends \u201catmospheric genre elements with a character-driven approach, continuing the filmmaker\u2019s exploration of psychological tension within contained environments.\u201d Produced by Sostis Productions and Rocket Soul Studios.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 14<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cThe Endless\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(Mexico)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by Fabi\u00e1n Archondo<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sold by AltaTensi\u00f3n, it shows a woman spiraling after personal loss who is admitted to a remote desert retreat that promises transformation, only for it to reveal ties to a secret cult. While it\u2019s positioned as an elevated horror, the project combines \u201cpsychological breakdown with supernatural undertones.\u201d<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/rBn7mt0joEy.tyHsnL2Tjw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/variety.com\/821506162bbb29622576bf75bd8a95c8\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 15<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cThe Trail of the Wolf\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(Spain, Argentina)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by M\u00aa \u00c1ngeles Hern\u00e1ndez<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Set in a dystopian future shaped by climate collapse and authoritarian policies, the story follows a woman navigating familial trauma and societal decay, while a controversial vaccine begins to show lethal side effects decades after its rollout. The film is produced by Barcelona\u2019s Mr. Miyagi Films.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/issCIMGwgYqgaDWQZUQpeg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/variety.com\/dd88863f5da10cf3961be64c693a9945\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 16<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cKey of Bones\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(U.S.)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by Tony Armer<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">When a waitress, a ghost tour guide and a tourist accidentally awaken a curse, the consequences are dire. Produced and directed by Tony Armer, this supernatural pirate horror merges maritime mythology with ghost-story elements, \u201ctargeting genre audiences with a more overtly commercial hook.\u201d Also written by Armer.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/dFZExBQQtVDJ5GMHfyONyQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/variety.com\/1b398ada9a603f7d42feba3a51d1ddc3\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 17<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cLast Chance Motel\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(U.S.)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Directed by Danielle Harris and Scout Taylor-Compton<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Shifting into neo-noir territory, it follows a newlywed couple whose dream wedding turns into a nightmare. It\u2019s a contained thriller set against \u201ca transient roadside backdrop, while maintaining the section\u2019s emphasis on character-driven suspense.\u201d Harris and Taylor-Compton also star.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/l07ic057dRs7RWXwZ1Pspg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/variety.com\/abbaffea5207448a2c49aba3d142cbe5\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">May 18<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cHouse of Atreus\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">(Spain)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">After years away, Goio returns home for one night to care for his sick father \u2013 but this is no ordinary family reunion. Leaning into creature-driven horror, the film offers a \u201cmore traditional but visually stylized take on the genre.\u201d Directed by David Hebrero (\u201cEveryone Will Burn\u201d) and produced by Garajonay Producciones, it\u2019s represented in Cannes by Raabta International.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/rv772f50kVPnkN6nAoJMIw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/variety.com\/49d3034a4d846db6030ca9edf53d9065\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-0 size-full\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-3 right-3 rounded-full bg-primary p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-primary\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\" class=\"flex-none size-4 -scale-x-100 text-primary lg:size-6 [&amp;_path]:fill-current\"><path fill=\"currentColor\" d=\"M3.1 3.1V11h1.8V6.314l5.392 5.393 1.415-1.414L6.313 4.9H11V3.1zm17.8 17.8V13h-1.8v4.686l-5.393-5.393-1.415 1.414 5.393 5.393H13v1.8z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed bottom-0 left-0 right-0 top-0 z-4 size-full max-h-none max-w-none bg-primary hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Best of Variety<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sign up for <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/cloud.email.variety.com\/signup\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"elm:link;elmt:article_link;slk:Variety's Newsletter;itc:0;sec:content-canvas\" data-yga=\"{&quot;yLinkElement&quot;:&quot;context_link&quot;,&quot;yModuleName&quot;:&quot;content-canvas&quot;,&quot;yLinkText&quot;:&quot;Variety's Newsletter&quot;}\" class=\"link \">Variety&#8217;s Newsletter<\/a>. For the latest news, follow us on <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/31XsHSx\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"elm:link;elmt:article_link;slk:Facebook;itc:0;sec:content-canvas\" data-yga=\"{&quot;yLinkElement&quot;:&quot;context_link&quot;,&quot;yModuleName&quot;:&quot;content-canvas&quot;,&quot;yLinkText&quot;:&quot;Facebook&quot;}\" class=\"link \">Facebook<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/2TkcoeG\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"elm:link;elmt:article_link;slk:Twitter;itc:0;sec:content-canvas\" data-yga=\"{&quot;yLinkElement&quot;:&quot;context_link&quot;,&quot;yModuleName&quot;:&quot;content-canvas&quot;,&quot;yLinkText&quot;:&quot;Twitter&quot;}\" class=\"link \">Twitter<\/a>, and <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/2TntOHq\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"elm:link;elmt:article_link;slk:Instagram;itc:0;sec:content-canvas\" data-yga=\"{&quot;yLinkElement&quot;:&quot;context_link&quot;,&quot;yModuleName&quot;:&quot;content-canvas&quot;,&quot;yLinkText&quot;:&quot;Instagram&quot;}\" class=\"link \">Instagram<\/a>.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cannes is ready to welcome some scream-worthy titles to the Fantastic Pavilion Gala Screenings, which are set to take place over May 12-18 at Cannes\u2019 March\u00e9 du Film. The section, spotlighting international genre filmmaking, will feature an abundance of \u201chorror, elevated thrillers and dystopian narratives,\u201d promised the organizers. It will open with \u201cEl Convento\u201d and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2411209,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[40015,471625,471630,471629,471626,471628,471627,402609],"class_list":["post-2411208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-cannes","tag-cannes-festival","tag-gala-screenings","tag-genre-cinema","tag-house-of-atreus","tag-marche-du-film","tag-pablo-guisa-koestinger","tag-psychological-horror"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/05\/Cannes-Fantastic-Pavilion-Readies-for-Seven-Gala-Screenings-\u2018These-Are.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2411208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2411208"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2411208\/revisions"}],"predecessor-version":[{"id":2411210,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2411208\/revisions\/2411210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2411209"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2411208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2411208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2411208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}