This works in three parts: (1) The top recommended albums for each release day, (2) a broader list of releases in roots music that have been pre-screened by Saving Country Music, (3) the always-juicy rumor mill where hints and allegations of new albums go. <\/p>
Hint: Bookmark this page, and come back each Friday to stay up-to-date with releases. This list will be updated regularly under the \u201cconfirmed releases\u201d heading as new albums are announced<\/strong>, though older albums won\u2019t be removed from the list so people can look back at what they might have missed.<\/p>\n\n\n\n PLEASE NOTE:<\/strong>\u00a0No artist or album was snubbed here. If there\u2019s an album to be released that you believe is of interest to country and roots music, please feel free to share the information below in the comments section for the benefit of everyone.<\/p>\n\n\n\n Braxton Keith \u2013 Real Damn Deal<\/em> \u2013 May 15th <\/strong> Down in Texas, few if anyone needs convincing that Braxton Keith isn\u2019t just the next big thing, but a one-man phenomenon\u00a0packing out venues<\/a>\u00a0with young adults listening to old-sounding country music, and loving every minute of it. These are fans that were born and raised on Whitley and Strait, but identify with Braxton Keith because he\u2019s from their generation as parent look on with pride.<\/p> And all of this and 2.2 million monthly Spotify listeners is happening ahead of Braxton\u2019s debut album. Now signed to Warner Records Nashville, Braxton Keith could have contemporized his sound and smoothed off the pointy, twangy edges. But if anything, as time has gone on, Braxton has double down on his traditional\/neotraditional sound. (read more<\/a>) <\/p> Ryan Bingham \u2013 They Call Us The Lucky Ones<\/em> \u2013 May 15th <\/strong> It\u2019s been since 2019\u2019s\u00a0American Love Song<\/em>\u00a0that we got a proper studio album from Ryan Bingham. The Americana musician, actor, and Texan has been staying busy otherwise, including regularly touring with The Texas Gentlemen. Now that partnership will be codified via the new album. <\/em>Self-produced and written by Bingham himself, the album looks to re-establish Bingham as one of the more gritty, Western-tinged songwriters in Americana. <\/p> \u201cWorking with musicians as talented as The Texas Gentlemen really let us lean into [feeling] a way I hadn\u2019t experienced before,<\/em>\u201d Bingham says.\u00a0\u201cThere was an unspoken understanding between us about what each song needed, so we tracked most of it live with minimal overdubs, just playing and letting the feel lead.\u201d<\/em> (read more<\/a>) <\/p> Reckless Kelly \u2013 Alternate Routes<\/em> \u2013 May 15th <\/strong> Alt-country\/Texas music legends Reckless Kelly is no different than many of the artists and bands who first came up in the mid and late \u201990s. With no Spotify at your dispose, and no social media to promote yourself, if you wanted to make it in music, you had to sign with a record label. Making this deal with the devil also often meant signing your rights away, whether you knew it or not.<\/p> \u201cThese songs have been part of our lives, and our fans\u2019 lives, for decades,\u201d<\/em>\u00a0says founding member and fiddle\/mandolin player Cody Braun.\u00a0\u201cBut like many of the artists who came up when we did, we didn\u2019t own the original recordings. Re-recording them was our way of taking a little bit of that story back. Not rewriting history, just making sure the future of these songs lives in the hands of the people who created them.\u201d<\/em> (read more<\/a>) <\/p> Shakey Graves \u2013 Fondness, Etc.<\/em> \u2013 May 15th <\/strong> To be released via Secret Identity \/ Dualtone Records, Fondness, Etc.<\/em> will be the fifth official album of Shakey\u2019s grassroots career that started by him making a stir on Bandcamp, blossoming into a viral status before we knew about such things, smartly allowing fans to find him as opposed to vice versa.<\/p> \u201cI had a vision of making this album feel like a sort of zero-budget Roy Orbison \u201850s pop record, and with such a small window to write, record, and release an entire album, I figured I should do what the pros would do and sneak in a cover song written by an old friend. I first heard [Frankie Sunswept] play \u2018Time Flies\u2019 in like 2007 at the Sidewalk Cafe in Alphabet City.\u201d<\/em> (read more<\/a>) <\/p> 49 Winchester \u2013 Change of Plans<\/em> \u2013 May 15th <\/strong> We don\u2019t seem to be able to agree on much these days in these United States. But anyone who\u2019s heard 49 Winchester tends to agree these Virginia boys are one of the best things going in music, taking country and Appalachian influences, and then bolstering them with frontman Isaac Gibson\u2019s incredibly soulful voice.<\/p> It\u2019s hard to believe this will be #6 for the 6-piece band when\u00a0Change of Plans<\/em>\u00a0is released on May 15th. But this one might be the most important release of their entire career. Partnering with new label MCA while also still working with their previous independent label New West,\u00a0Change of Plans<\/em>\u00a0will officially be the band\u2019s major label debut. It was also executive produced by Dave Cobb, who oversaw recording sessions at his studio in Savannah, GA. (read more<\/a>) <\/p> Don Williams \u2013 Epilogue: The Cellar Tapes<\/em> \u2013 May 29th <\/strong> Epilogue: The Cellar Tapes<\/em>\u00a0is exactly what it sounds like: never-before-heard recordings discovered in the cellar of the Williams family\u2019s rural Tennessee home on multi-track tapes. The tapes were in workable shape, with Don\u2019s vocal tracks intact across the recordings. Some of the instrumental tracks had deteriorated over time, so they solicited Don\u2019s long-time producer Garth Fundis to help restore the recordings. Willie Nelson \u2013 Dream Chaser<\/em> \u2013 May 29th <\/strong> As has been customary over the last few years, Willie Nelson used the opportunity of his Luck Reunion appearance to announce a new album. On May 29th, Willie Nelson will deliver his 79th studio release called\u00a0Dream Chaser<\/em>. It\u2019s not a tribute album like many of his recent releases, but one that will include more original music, including six songs co-written by Willie. Once again Buddy Cannon will be the producer.<\/p>\n\n\n\n Other notables about the upcoming album include a song Willie co-wrote with Bob Dylan called \u201cI Can\u2019t Read Your Mind.\u201d Bobby Tomberlin also co-writes four songs on the album. There\u2019s also a song co-written by Willie\u2019s long-time harmonica player Mickey Raphael who of course also appears on the album, and a rendition of \u201cDeveloping My Pictures\u201d originally recorded by George Jones. (read more<\/a>) <\/p> Joshua Ray Walker \u2013 Ain\u2019t Dead Yet<\/em> \u2013 May 29th <\/strong> After receiving a serious Cancer diagnosis in 2023, it could have been the end of the road for Joshua Ray Walker\u2019s life and music.\u00a0Lucky for us, Joshua Ray Walker has received the all-clear. But even amid Cancer treatment and terminal diagnoses, Walker did everything he could to squeeze out as much music as possible, just in case his time left was finite. This has now resulted in a second trilogy of albums, all that are intertwined with Walker\u2019s health journey, and coming to grips with mortality.<\/p> Joshua Ray Walker is readying the release of the more serious album he was working on before, during, and after his Cancer battle, appropriately titled\u00a0Ain\u2019t Dead Yet<\/em>. A strong country work with Walker\u2019s dedication to involved songwriting and stellar vocal ability on display, it will be released via East Dallas Records\/Thirty Tigers. (read more<\/a>) <\/p> Colby Acuff \u2013\u00a0Handmade Horsepower<\/em> \u2013 June 2nd <\/strong> Along with releasing the new song \u201cLong Way From The Bottom,\u201d Colby Acuff has announced the release of his latest album Handmade Horsepower<\/em> coming out on the unlikely date of Tuesday, June 2nd. Having moved on from his major label era, the album will be released completely independently. The 11-track album was produced once again by Eddie Spear, who Acuff has worked with numerous times in the past. <\/p> A native of Idaho, Acuff took off via the viral nature of his song \u201cIf I Were The Devil.\u201d Ever since then, he\u2019s worked hard to stick to his own center of gravity and sense of artistry as opposed to chasing the next viral moment. It\u2019s paid off for him with sustained success and a strong grassroots fan base. <\/p> The Red Clay Strays \u2013 Grateful<\/em> \u2013 June 5th <\/strong> Produced once again by Dave Cobb, it won\u2019t be a Gospel album in its entirety as some had rumored. But as the debut song \u201cDemons In Your Choir\u201d backed by a Gospel choir illustrates, it will have a strong spiritual component. Charlie Marie \u2013 Signs<\/em> \u2013 June 5th <\/strong> Charlie Marie wowed country fans with her early EPs and her debut album\u00a0Ramble On<\/em>\u00a0(2021), but left us crestfallen when she announced she was\u00a0stepping away from music\u00a0for an extended period at the end of 2021.<\/p>\n\n\n\n Charlie steps back into music in a big way with her new song called \u201cHeart\u201d ahead of what will be her second full-length album\u00a0Signs<\/em>. The album comes inspired by an extended journey Charlie Marie took after the death of her father and other trauma where she detached herself from all other priorities, packed up her car with no intention or itinerary, and embarked on what the old cowboys would call a \u201chigh lonesome\u201d out West, venturing through Montana and even up to Alaska. (read more<\/a>) <\/p> Jason Eady \u2013\u00a0Tulsa Turnaround<\/em> \u2013 June 5th <\/strong> When you\u2019re talking about preeminent songwriters, the talk often turns to Jason Eady, especially in Texas, and Mississippi, and now, Tulsa\u2014the inspiration for his latest album, Tulsa Turnaround<\/em>. The title track is out now. <\/p> \u201cMy writing process has changed a lot as I get further into my career so the songs don\u2019t come as frequently as they used to, but they come with a lot more intent. And this record was intentional,\u201d<\/em> Jason Eady explains. \u201cI\u2019ve always been a fan of the Tulsa Sound. For as long as I can remember, I\u2019ve always felt something different when I heard songs with a certain sparseness and laid back groove. The kind of groove that wasn\u2019t in your face but sucked you in. The kind that pulled you in deep and wouldn\u2019t let go.\u201d<\/em><\/p> Bella White \u2013\u00a0A Sign In The Weather<\/em> \u2013 June 5th <\/strong> Bella White has been captivating audiences with her elevated songwriting and unique phrasing that makes songs into experiences that stick to the inside of your soul. Her third studio album A Sing In The Weather<\/em> is solely written by Bella, and was co-produced by White with Ross Farbe. Drummer Sam Gelband, bassist Gina Leslie, guitarist Nick Corson,\u00a0and pedal steel player Nikolai Shveitser, pianist Duncan Troast, vocalist Maddy Kirgo,\u00a0and long time bandmate Patrick M\u2019Gonigle on fiddle also appear on the album.<\/p> \u201cTo me this\u00a0album was\u00a0a\u00a0real labor of love\u00a0and so empowering to make\u2014it validated that I trust myself\u00a0and trust my vision,\u00a0and now I just want to keep doing it my way\u00a0and keep working with people I believe\u00a0in,\u201d<\/em> Bella says. <\/p> John R. Miller \u2013 The Great Unknowing<\/em> \u2013 June 5th \/ July 17th (digital) <\/strong> If you know, you know. And what you know is that\u00a0John R. Miller<\/a><\/strong>\u00a0is one of the greatest songsmiths of this generation, tearing down highways to play for appreciative audiences, and making albums the right way for the right reasons. He might not be selling out arenas, but he\u2019s a direct inspiration of guys like Tyler Childers who are, and brings that authentic West Virginia perspective to everything he does.<\/p>\n\n\n\n What he\u2019s been doing lately is putting the finishing touches on his latest album called\u00a0The Great Unknowing<\/em>, set to be released June 5th on physical formats, and distributed digitally on July 17th by Rounder Records. But this one wasn\u2019t cut in Appalachia or even Nashville. To try and find a renewed vigor behind his music, John R. Miller ventured to Tulsa, Oklahoma to record. (read more<\/a>) <\/p> Kenny Whitmire \u2013 Fool In A King Size Bed<\/em> \u2013 June 12th<\/strong> If your appetite for neotraditional country is insatiable, and you\u2019re looking for your next fix wherever it might present itself, Kenny Whitmire would definitely be somewhere to point your nose. Though he\u2019s only released a succession of singles at this point, his song \u201cI Gave Her The Moon<\/a>\u201d stuns with its Keith Whitley-like delivery, and the crying steel guitar of \u201cThought Twice About Loving You\u201d reminds you of the best of \u201990s country balladry.<\/p> It felt like it was only a matter of time before someone snatched him up and tried to make a bonafide star out of him. That\u2019s now officially happened as MCA has put pen to paper with Whitmire. \u201cSigning with MCA is one of those moments you dream about as a kid,\u201d<\/em>\u00a0Whitmire\u00a0says. (read more<\/a>) <\/p> Cody Johnson \u2013Banks Of The Trinity<\/em> \u2013 June 26th<\/strong><\/p>\n\n\n Now that traditional country continues to surge in popularity, Cody Johnson could be poised to take this thing to an entirely new level. his upcoming album\u00a0Banks Of The Trinity<\/em>, which references the river that snakes through east Texas that Johnson grew up around. The 16-track album will once again is produced by Trent Willmon.<\/p> The album will feature collaborations with Brothers Osborne and Luke Combs. What it won\u2019t feature is a lot of songwriting from Cody Johnson. But just like his hero George Strait, Cody Johnson knows that the best songs should win out on a track list. And just like George Strait, Johnson has shown a strong propensity of picking those good songs over the years. (read more<\/a>) <\/p> Rodney Crowell \u2013 Then Again<\/em> \u2013 June 26th <\/strong> A lost album from Rodney Crowell recorded in 2005 and featuring Guy Clark, Lyle Lovett, Benmont Tench, as well as Emmylou Harris and Lera Lynn? Count us in. \u201cI\u2019d forgotten about it completely,\u201d<\/em> Crowell recalls. \u201cI\u2019m glad I put it on the shelf, because now is the time for it. It may not be the time for it for the rest of the world, but it\u2019s time for it for me.\u201d<\/em><\/p> After Rodney Crowell released his trilogy of albums\u2014The Houston Kid<\/em> in 2001, Fate\u2019s Right Hand<\/em> in 2003, The Outsider <\/em>in 2005\u2014it helped launched the \u201cAmericana\u201d movement in earnest, with Crowell as one of its kings. But when he recorded Then Again<\/em> in 2005 in Nashville with the same basic band as the previous three, Crowell got cold feet that he was treading the same ground. So he shelved the project, until now. <\/p> Gary Stewart \u2013 One Track Mind<\/em> \u2013 July 17th <\/strong> There is new, unheard music on the way from the King of the Honks Tonks himself, Gary Stewart. And no, this is not some AI gimmick. Scout\u2019s honor. The 16 previously-unheard recordings and 20 total songs on digital and CD versions are taken from Gary Stewart\u2019s early career between 1967 and 1972. It comes from an era when Stewart was known more as a songwriter than a performer, but was still at the peak of his creative form.<\/p> The tracks range from fully fleshed-out recordings, to some songwriting demos and work tapes, along with an acetate recording. They were preserved and readied for release by producer Mark Linn and\u00a0Stewart\u2019s close friend Tommy Schwartz.\u00a0The vinyl version will come on 140-gram, \u201cOkeechobee purple\u201d vinyl.\u00a0(read more<\/a>) New song \u201cHighway Man\u201d finds the hard touring honky-tonk band from Austin, TX striking a reflective mood, inspired by the many miles and many places and people they\u2019ve seen on the road. Whether shop talk for musicians, truckers, cowboys, and dreamers, or a dose of escapism for those landlocked with little ones and regular jobs, \u201cHighway Man\u201d sets you out on a lonesome high desert road alive with a sense of freedom.<\/p>\n\n\n\n The talk of a \u201cnew era\u201d for Silverada comes after the\u00a0departure of steel guitarist Zachary Moulton<\/a>\u00a0in March of 2025. \u201cHighway Man\u201d is Silverada\u2019s first song since Moulton\u2019s departure. Though the band performed with steel guitarist Adam \u201cDitch\u201d Kurtz (American Aquarium, Joshua Ray Walker) for some shows, they have decided since to add keyboard player Parker Twomey (Paul Cauthen, solo artist) as a permanent member. (read more<\/a>) <\/p> Alicia Blue \u2013 Country Desire<\/em> \u2013 August 28th <\/strong> In what promises to be a big debut album, Nashville-based singer and songwriter Alicia Blue will release Country Desire<\/em>, produced by Shooter Jennings. It\u2019s inspired by her time growing up on the South Borderlands of Texas and the orange groves of Southern California, and when it comes to the album\u2019s lead single \u201cKentucky Cowboy,\u201d a beau she met on the Tennessee border. <\/p> \u201cWhat didn\u2019t lead to\u00a0\u2018Country Desire?’\u201d<\/em> she asks. \u201cI\u2019d say a lifetime of parts of myself that came to the surface, that needed airtime, the spotlight, so they could stop sitting in the driver\u2019s seat. Parts that wanted the rush of a poetic life, at the cost of personal power and stability. Romance with cowboys, men with working hands but a notebook and guitar in the back. Mirrors and smoke and mirrors.\u201d\u00a0<\/em> Braxton Keith \u2013\u00a0Real Damn Deal 49 Winchester \u2013 Change of Plans<\/em><\/p>\n\n\n\n Amanda Shaw \u2013\u00a0Rhythm of My Roots<\/em><\/p>\n\n\n\n Shakey Graves \u2013\u00a0Fondness, Etc.<\/em>\u00a0(Americana)<\/p>\n\n\n\n Kevin Morby \u2013\u00a0Little Wide Open<\/em>\u00a0(Americana)<\/p>\n\n\n\n Teddy Thompson \u2013\u00a0Never Be The Same<\/em>\u00a0(Americana)<\/p>\n\n\n\n Russell Jamie Johnson \u2013\u00a0Self-Titled<\/em>\u00a0(Americana)<\/p>\n\n\n\n Crow and Gazelle \u2013\u00a0Truth Be Told<\/em>\u00a0(Americana, Red Dirt)<\/p>\n\n\n\n Jack Shields \u2013\u00a0Avalanche Hour<\/em>\u00a0(Country Rock)<\/p> Reckless Kelly \u2013 Alternate Routes<\/em> (re-recordings)<\/p>\n\n\n\n Carly King \u2013\u00a0Loving you is Easy<\/em>\u00a0(folk)<\/p>\n\n\n\n Sarah Harralson \u2013\u00a0Just The Beginning<\/em>\u00a0EP May 22nd<\/strong><\/p>\n\n\n\n Rodeo Mouth \u2013\u00a0Terrestrial Thrills Steep Canyon Rangers \u2013\u00a0Next Act<\/em>\u00a0(bluegrass)<\/p>\n\n\n\n Bill Kirchen \u2013\u00a0Cat out of The Bag<\/em>\u00a0(Americana)<\/p>\n\n\n\n Audrey Spillman \u2013\u00a0Nightingale<\/em>\u00a0(Americana)<\/p>\n\n\n\n The Deslondes \u2013\u00a0Don\u2019t Let it Die Vol. 1<\/em>\u00a0(covers album)<\/p>\n\n\n\n Alela Diane \u2013\u00a0Who\u2019s Keeping Time?<\/em>\u00a0(contemporary folk)<\/p>\n\n\n\n Broommaker \u2013\u00a0Hourglass<\/em>\u00a0(folk)<\/p>\n\n\n\n Kyle Clark \u2013\u00a0Better on a Boat<\/em>\u00a0(Contemporary country)<\/p>\n\n\n\n (5-27) Luke Winslow-King \u2013\u00a0Coast Of Light<\/em>\u00a0(Americana)<\/p>\n\n\n\n May 29th<\/strong><\/p>\n\n\n\n Rodney Atkins \u2013\u00a0True South<\/em><\/p>\n\n\n\n Don Williams \u2013\u00a0Epilogue: The Cellar Tapes<\/em><\/p>\n\n\n\n Nathan Evans Fox \u2013\u00a0Heirloom<\/em><\/p>\n\n\n\n Moonlight Mile \u2013\u00a0Northern Lights<\/em><\/p>\n\n\n\n David Serby \u2013\u00a0
\n\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/braxton-keith-real-damn-deal-1-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/02\/ryan-bingham-the-texas-gentlemen-they-call-us-the-lucky-ones-150x150.jpeg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/reckless-kelly-alternative-routes-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/shakey-graves-fondness-etc-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/02\/49-winchester-change-of-plans-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/don-williams-epilogue-the-cellar-tapes-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/willie-nelson-dream-chaser-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/Joshua-Ray-Walker_Aint-Dead-Yet-album-cover-150x150.jpeg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/colby-acuff-handmade-horsepower-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/04\/red-clay-strays-grateful-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/04\/charlie-marie-signs-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/jason-eady-tulsa-turnaround-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/jason-eady-tulsa-turnaround-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/bella-white-a-sign-in-the-weather-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/bella-white-a-sign-in-the-weather-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/04\/john-r-miller-the-great-unknowing-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/04\/john-r-miller-the-great-unknowing-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/kenny-whitmire-fool-in-a-king-size-bed-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/kenny-whitmire-fool-in-a-king-size-bed-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/cody-johnson-banks-of-the-trinity-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/cody-johnson-banks-of-the-trinity-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/rodney-crowell-then-again-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/rodney-crowell-then-again-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/gary-stewart-one-track-mind-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/gary-stewart-one-track-mind-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/silverada-living-proof-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/03\/silverada-living-proof-150x150.jpg\")
<\/figure>\n<\/div>\n\n\n![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/alicia-blue-country-desire-150x150.svg\")
![\"\"](\"https:\/\/savingcountrymusic.com\/wp-content\/uploads\/2026\/05\/alicia-blue-country-desire-150x150.jpeg\")
<\/figure>\n<\/div>\n\n\n
\n\n\n\nOTHER ANTICIPATED\/CONFIRMED RELEASES<\/h3>\n\n\n\n
\n\n\n\n
\n\n\n\n
\n\n\n\n