{"id":2426057,"date":"2026-05-21T08:03:35","date_gmt":"2026-05-21T08:03:35","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2426057"},"modified":"2026-05-21T08:03:35","modified_gmt":"2026-05-21T08:03:35","slug":"the-coral-tell-us-about-their-surprise-new-album-388","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-coral-tell-us-about-their-surprise-new-album-388\/","title":{"rendered":"The Coral tell us about their surprise new album &#8216;388&#8217;"},"content":{"rendered":"<p><\/p>\n<div>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/the-coral\">The Coral<\/a> have spoken to <em>NME<\/em> about quietly releasing their surprise new album \u2018388\u2019 in record stores nearly a fortnight ago, ahead of officially sharing the project today (Thursday May 21). Read on for more on how the \u201craw\u201d collection came about, and listen to lead single \u2018Let The Music Play\u2019.<\/p>\n<p>On May 8, copies of the LP appeared in independent vinyl shops across the UK completely unannounced. While it was clearly by The Coral, the band hadn\u2019t commented on social media or anywhere else about the record, or confirmed they were behind the 11 new songs.<\/p>\n<p>Now, the five-piece have broken their silence and explained to <em>NME<\/em> why they wanted to surprise fans with a new full-length effort \u2013 three years on from releasing both <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/news\/music\/the-coral-share-new-song-oceans-apart-featuring-cillian-murphy-3463024\">\u2018Sea Of Mirrors\u2019<\/a> and \u2018Holy Joe\u2019s Coral Island Medicine Show\u2019 on the same day in 2023. It comes as \u2018388\u2019 arrives to the wider world via online streaming platforms and in high street music stockists nationwide.<\/p>\n<p>\u201cReleasing an album this way keeps us interested and keeps the fans interested too,\u201d said frontman James Skelly of the initial low-key drop. \u201cThe idea was to release it how records used to be released: people can just have it for a couple of weeks, and it isn\u2019t explained to anyone.\u201d<\/p>\n<p>Keyboardist Nick Power added: \u201cHalf the idea was that people would see it and think that, because we hadn\u2019t announced anything, that \u2018388\u2019 might be a bootleg. We wanted people to wonder: \u2018What <em>is<\/em> this?\u2019 Not saying anything about it since it\u2019s been out has been the hardest aspect.\u201d<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"The Coral - Let The Music Play (Official)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2XzfXKbYX4s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Skelly joked: \u201cI felt a bit snide not reacting when people are tagging me in posts saying how much they love it.\u201d<\/p>\n<p>\u2018388\u2019 was inspired by the nostalgia for The Coral\u2019s beginnings as teenagers, as documented in the 2024 book <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/news\/music\/the-coral-announce-the-making-of-the-debut-album-uk-tour-3402145\"><em>The Making Of The Debut Album<\/em><\/a> about their 2002 self-titled album and a documentary about the band\u2019s history, 2025\u2019s <i>Dreaming Of You<\/i>.<\/p>\n<p>\u201cWatching our documentary reminded me of how lyrically direct some of our early songs were,\u201d Skelly told <em>NME<\/em>. \u201cWe needed to get back to that. I\u2019d skirt around lyrics about love, when I shouldn\u2019t. I\u2019m trying to get the message across now as directly and emotionally as possible.\u201d<\/p>\n<p>Check out <em>NME<\/em>\u2019s full interview with The Coral below, where they talk more about their sneaky approach to releasing the \u201cback to basics\u201d \u2018388\u2019, capturing the \u201cinfectious\u201d spirit of the \u201970s Zambian scene, being inspired by <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/brooke-combe\">Brooke Combe<\/a>, regretting their feud with <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/andrew-wk\">Andrew W.K.<\/a>, and their love of \u201900s eclecticism.<\/p>\n<p><strong>NME: Hi, James and Nick. Congratulations on the new album \u2013 and for surprising everyone by releasing it so unexpectedly.<\/strong><\/p>\n<p><b>James Skelly: <\/b>Thanks! \u2018388\u2019 is our 13th album. If you\u2019re not massive by your 13th record, you might as well try to be interesting. Hopefully, releasing an album like this is engaging for the fans. It\u2019s not really for anyone else; it\u2019s for the fans who have stuck by us. We released multiple versions of our album \u2018Coral Island\u2019, so it\u2019s nice to do something simple as a contrast: one vinyl LP, that\u2019s it.\u201d<\/p>\n<p><\/p>\n<p><b>It\u2019s an energetic, very raw sound.<\/b><\/p>\n<p><b>Skelly: <\/b>\u201c\u2018Sea Of Mirrors\u2019 was a big, orchestral record. That record needed to be presented more, but \u2018388\u2019 doesn\u2019t need a big fanfare. We felt everything we do needs simplifying, as everything \u2013 music, films \u2013 has got over-complicated.<\/p>\n<p>\u201cWe\u2019ve tried to get back to basics. The sound and the way this has been released is the simplest it can be.\u201d<\/p>\n<p><b>Nick Power: <\/b>\u201cThere\u2019s nothing sophisticated on this album, and that\u2019s by design. Songs on the radio now, you can hear how everyone has been to the same songwriters.<\/p>\n<p>\u201cIt\u2019s harder now to strip music back to the bare bones. You\u2019ve got to commit to making your music raw, because the instinct is to fix things and make it better. It\u2019s more of a discipline to strip it right back and not fuck with it afterwards.\u201d<\/p>\n<p><b>Skelly: <\/b>\u201cWe made this in a way that you can\u2019t fuck with it. We\u2019re all in the room together, playing on top of each other, so that you can\u2019t really change anything. If you try to turn the bass up, it\u2019ll also turn the drums up. Why do another take when it sounds good already?\u201d<\/p>\n<p><figure id=\"attachment_3914641\" aria-describedby=\"caption-attachment-3914641\" style=\"width: 2000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3914641\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal.jpg\" alt=\"\" width=\"2000\" height=\"1270\" srcset=\"https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal.jpg 2000w, https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal-400x254.jpg 400w, https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal-800x508.jpg 800w, https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal-696x442.jpg 696w, https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal-1392x884.jpg 1392w, https:\/\/www.nme.com\/wp-content\/uploads\/2025\/12\/Coral_Alain_Bibal-1068x678.jpg 1068w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\"\/><figcaption id=\"caption-attachment-3914641\" class=\"wp-caption-text\">The Coral. CREDIT: Alain Bibal<\/figcaption><\/figure>\n<\/p>\n<p><b>What was influencing that energy?<\/b><\/p>\n<p><b>Power: <\/b>\u201cWhen we made our first album, we listened to a lot of<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/lee-scratch-perry\"> Lee \u2018Scratch\u2019 Perry<\/a> and rocksteady. Culture moved away from that in guitar bands, and so did we. We\u2019d closed the door on sounding like our first record. It\u2019s good that we didn\u2019t want to repeat ourselves and wanted to move on, but we\u2019ve got back into that music because we loved it.\u201d<\/p>\n<p><b>Skelly: <\/b>\u201cArtists have an attitude of rejecting something because \u2018It sounds too much like us\u2019, and I think that\u2019s stupid. We had so many stabbing keyboards in our early days that we moved away from it. Getting back into that music has been great.<\/p>\n<p>\u201cWe got a keyboard in the band in the first place because of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/the-specials\">The Specials<\/a>. \u2018Ghost Town\u2019 was the song we agreed on as something we could pull off, so we got a keyboard. We loved that angular, spooky keyboard sound that you also had in The Teardrop Explodes and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/madness\">Madness<\/a>.\u201d<\/p>\n<p><b>What else have you been listening to?<\/b><\/p>\n<p><b>Power: <\/b>\u201cLate on in recording, we got into Zamrock: \u201970s music from Zambia. There was a ban on Western music there, so musicians tried to recreate the sound of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/the-rolling-stones\">The Rolling Stones<\/a>. It\u2019s such a na\u00efve and innocent, joyous way of playing that it\u2019s dead infectious. It sounds like a youth club, and we wanted that spirit on \u2018388\u2019. The scene at the Zanzibar club in Liverpool in the early \u201900s had a similar spirit.\u201d<\/p>\n<p><b>Skelly: <\/b>\u201cFor our documentary, we watched footage of those Zanzibar bands. No-one really knew about that scene. Seeing bands like The Hokum Clones and Tramp Attack again inspired us.\u201d<\/p>\n<p><b>Where does the album title \u2018388\u2019 come from?<br \/><\/b><b><br \/><\/b><b>Skelly: <\/b>\u201cOn the Zanzibar scene, everyone recorded on cheap Tascam 388 tape machines. We\u2019ve got a studio with a nice tape machine, but part of keeping it raw was to use a 388. We cheated a bit, because we mixed what we recorded, but then we bounced it down to just one track on the 388. The hissing sound of the 388 did send me a bit mad.\u201d<\/p>\n<p><strong>You went on a Q&amp;A tour for your book. What did you learn from the fans\u2019 questions?<\/strong><\/p>\n<p><b>Power: <\/b>\u201cFans asked us some really bizarre stuff. It was a learning process for us, because we hadn\u2019t got our story together about the band\u2019s history, as we couldn\u2019t remember it.\u201d<\/p>\n<p><b>Skelly: <\/b>\u201cIt was like regression therapy. There\u2019s no other job where you have to work out your own timeline. I\u2019d been quite scared of doing it, and it was strange, but I\u2019m glad I\u2019ve done it now.<\/p>\n<p>\u201cI learned a lot about that period of music in general. That era is unexplored, and it was less about the algorithm. Lots of different creative music was happening at the same time as us: <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/the-streets\">The Streets<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/reviews\/reviews-the-bees-8346-333320\">The Bees<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/ms-dynamite\">Ms. Dynamite<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/so-solid-crew\">So Solid Crew<\/a>.\u201d<\/p>\n<p><figure id=\"attachment_3946511\" aria-describedby=\"caption-attachment-3946511\" style=\"width: 3000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3946511\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork.jpg\" alt=\"The Coral \u2013 '388' official cover artwork\" width=\"3000\" height=\"3000\" srcset=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork.jpg 3000w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-150x150.jpg 150w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-400x400.jpg 400w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-800x800.jpg 800w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-696x696.jpg 696w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-1392x1392.jpg 1392w, https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/TheCoralalbum388-official-cover-artwork-1068x1068.jpg 1068w\" sizes=\"auto, (max-width: 3000px) 100vw, 3000px\"\/><figcaption id=\"caption-attachment-3946511\" class=\"wp-caption-text\">The Coral \u2013 \u2018388\u2019. CREDIT: Press<\/figcaption><\/figure>\n<\/p>\n<p><b>The song \u2018Leave It In The Past\u2019 talks about the need to move on. Are you good at that?<\/b><\/p>\n<p><b>Skelly: <\/b>\u201cIf you can\u2019t leave something in the past, you\u2019re not going to be able to sustain a relationship. We\u2019re still in the band together, still hanging out with the same people. And I\u2019ve been married for 12 years.\u201d<\/p>\n<p><strong>Have the band had any feuds you\u2019ve had to leave in the past?<\/strong><\/p>\n<p><b>Skelly: \u201c<\/b>We had one with Andrew W.K., when we were on <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/reviews\/reviews-nme-6029-335045\">an <em>NME<\/em> Tour [in 2002]<\/a> with him, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/black-rebel-motorcycle-club\">Black Rebel Motorcycle Club<\/a> and\u2026 we won\u2019t speak about the other band [Lostprophets].\u201d<\/p>\n<p><b>Power: <\/b>\u201cWe were like naughty kids, who the older kids egged on to be naughtier. That\u2019s how we got into most of our trouble. Andrew W.K. started it by being shit, though. But he was a nice feller, so it wasn\u2019t his fault.\u201d<\/p>\n<p><b>Skelly: <\/b>\u201cHe was really nice about it all, so I felt like a tit. And that was the end of it. Playing to his fans, \u2018Skeleton Key\u2019 was the only song they connected to. But I quite liked that, as everyone is too much in their box now, and I liked that the tour was a mixture.\u201d<\/p>\n<p><strong>Where else do you see the new album\u2019s energy in current music?<\/strong><\/p>\n<p><b>Skelly: <\/b>\u201cI think we\u2019re only coming out of the spirit of lockdown in the past 18 months. People had gravitated towards quieter music, and we need something more collective now. There\u2019s a Northern Soul revival among younger people. Maybe everyone is looking for that collective spirit, and we certainly were.<\/p>\n<p>\u201cI\u2019ve produced The Rosettis, who are 17 and sound like a cross between Big Star and Joe Emerson. They\u2019re really good. I love Talise, a folk-country singer from Canada. And Brooke Combe was a massive inspiration on this album.\u201d<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"The Coral, &#039;Miss Fortune&#039; - NME Basement Sessions\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TEEKcML0wLE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>\u00a0<\/p>\n<p><strong>What else are you both working on?<\/strong><\/p>\n<p><b>Skelly: <\/b>\u201cI\u2019ve just produced <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nme.com\/artists\/the-mary-wallopers\">The Mary Wallopers<\/a>\u2019 new album. I\u2019m the busiest I\u2019ve been in my life since we first started.\u201d<\/p>\n<p><b>Power: <\/b>\u201cI\u2019ve got a novel coming out with a new publisher, Road Song. It\u2019s a darkly comic story about drugs and murder.\u201d<\/p>\n<p><strong>It seems The Coral are in a chilled place as a band\u2026<\/strong><\/p>\n<p><b>Skelly: <\/b>\u201cStuff doesn\u2019t bother us as much. We\u2019ve rediscovered an attitude of \u2018Fuck \u2019em\u2019. It\u2019s too late to go back, because we are what we are. We can\u2019t change now, so there\u2019s no point getting stressed over anything.\u201d<\/p>\n<p>The Coral\u2019s new album \u2018388\u2019 is out now on Run On. The full tracklist is as follows:<\/p>\n<p><strong>\u2018Let The Music Play\u2019<\/strong><br \/><strong>\u2018Ride That Train\u2019<\/strong><br \/><strong>\u2018Leave It In The Past\u2019<\/strong><br \/><strong>\u2018You &amp; Me (And The Beautiful Sea)\u2019<\/strong><br \/><strong>\u2018Shame\u2019<\/strong><br \/><strong>\u2018Here Come The Tears\u2019<\/strong><br \/><strong>\u2018Yellow Moon\u2019<\/strong><br \/><strong>\u2018Sad Girl\u2019<\/strong><br \/><strong>\u2018High Tide\u2019<\/strong><br \/><strong>\u2018Spirit Catcher\u2019<\/strong><br \/><strong>\u2018Crossing The Sands\u2019<\/strong><\/p>\n<p>The Coral\u2019s live tour dates for 2026 are below. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/ticketmaster-uk.tm7559.net\/c\/2862475\/431519\/7559?sharedid=NME&amp;u=https%3A%2F%2Fwww.ticketmaster.co.uk%2Fthe-coral-tickets%2Fartist%2F766672\" target=\"_blank\" rel=\"noopener\">Visit here<\/a> for tickets and more informtion.<\/p>\n<p><strong>JUNE<\/strong><br \/><strong>12 \u2013 Southampton Summer Sessions, Guildhall Square, Southampton (with Amy Macdonald)<\/strong><br \/><strong>18 \u2013 Piece Hall, Halifax (with Amy Macdonald)<\/strong><br \/><strong>27 \u2013 Chelmsford State Fayre, Hylands Park, Chelmsford<\/strong><\/p>\n<p><strong>JULY<\/strong><br \/><strong>12 \u2013 Electric Heart Festival, Apps Court, Walton-on-Thames<\/strong><br \/><strong>18-19 \u2013 We Are Wirral, Birkenhead Park<\/strong><br \/><strong>24 \u2013 Tramlines, Hillsborough Park, Sheffield<\/strong><br \/><strong>25-26 \u2013 Rock Oyster, Rock, Cornwall<\/strong><\/p>\n<p><strong>AUGUST<\/strong><br \/><strong>21 \u2013 Trentham Live, Trentham Gardens (with Madness)<\/strong><br \/><strong>28 \u2013 Victorious, Southsea Seafront<\/strong><br \/><strong>29 \u2013 Wythenshawe Park, Manchester (with Courteeners)<\/strong><br \/><strong>30 \u2013 Big Feastival, Alex James\u2019 Farm, Kingham<\/strong><\/p>\n<\/div>\n<p><script>\n  !function(f,b,e,v,n,t,s)\n  {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n  n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n  if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n  n.queue=[];t=b.createElement(e);t.async=!0;\n  t.src=v;s=b.getElementsByTagName(e)[0];\n  s.parentNode.insertBefore(t,s)}(window, document,'script',\n  'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('consent', 'revoke');\n  fbq('init', '370979561341328');\n  fbq('track', 'PageView');\n<\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.nme.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Coral have spoken to NME about quietly releasing their surprise new album \u2018388\u2019 in record stores nearly a fortnight ago, ahead of officially sharing the project today (Thursday May 21). Read on for more on how the \u201craw\u201d collection came about, and listen to lead single \u2018Let The Music Play\u2019. On May 8, copies [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2426058,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[21935],"class_list":["post-2426057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-indie"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/05\/The-Coral-tell-us-about-their-surprise-new-album-388.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2426057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2426057"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2426057\/revisions"}],"predecessor-version":[{"id":2426059,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2426057\/revisions\/2426059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2426058"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2426057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2426057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2426057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}