{"id":2428752,"date":"2026-05-22T23:10:51","date_gmt":"2026-05-22T23:10:51","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2428752"},"modified":"2026-05-22T23:10:51","modified_gmt":"2026-05-22T23:10:51","slug":"bob-dylan-and-the-beatles-new-book-captures-how-music-changes-its-makers","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/bob-dylan-and-the-beatles-new-book-captures-how-music-changes-its-makers\/","title":{"rendered":"Bob Dylan and the Beatles: New book captures how music changes its makers"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"wp-block-paragraph\">Where do songs come from? And where do they go?\u00a0<\/p>\n<p class=\"wp-block-paragraph\">The first is a question of inspiration, the second one of posterity. Consider the Beatles standard \u201cYesterday,\u201d the indelible tune of which Paul McCartney famously received in a dream, or the Bob Dylan classic \u201cLike a Rolling Stone,\u201d of which its writer later said, \u201cIt\u2019s like a ghost is writing a song like that. It gives you the song and it goes away.\u201d<\/p>\n<div class=\"wp-block-group alignleft is-style-border book-review\" style=\"padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-785a6efd wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-8f761849 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-resized\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/Where-Music-Had-Go-Other_and\/dp\/1668075563?tag=americ01-20\"><\/a><\/figure>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-medium-gray-color has-text-color has-link-color has-small-font-size wp-elements-ee8fb6c2ce2deb3ff93ff6266bf20934 wp-block-paragraph\">by Jim Windolf<\/p>\n<p class=\"has-medium-gray-color has-text-color has-link-color has-small-font-size wp-elements-96ac2c54982e38b874f96a4a78e243e5 wp-block-paragraph\">Scribner<br \/>400p $30<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"wp-block-paragraph\">It would be hard to name two more different songs\u2014one a perfectly poised, semi-classical ballad, the other an exuberantly angry screed overflowing with bitter rhymes. But they were written and released in the same year, 1965, by artists whose musical and personal lives were intertwined in myriad ways, as author Jim Windolf teases out in his pleasurable new book, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/Where-Music-Had-Go-Other_and\/dp\/1668075563?tag=americ01-20\"><em>Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other\u2014and the World<\/em><\/a>.<\/p>\n<p class=\"wp-block-paragraph\">On its most basic level, Windolf\u2019s book is a deft rereading of two well-known 1960s biographies, that of the Beatles and of Dylan, through the lens of their influence on each other. It\u2019s old news to anyone with even a slight knowledge of rock history that folkie Dylan went electric around the same time the Beatles picked up acoustic guitars and started to write more mature lyrics, with the albums \u201cRubber Soul\u201d and \u201cBlonde on Blonde\u201d as two major signposts of this exchange. But Windolf goes well beyond this obvious convergence, finding resonances and context that had never occurred to me.<\/p>\n<aside class=\"scaip scaip-1    \">\n\t\t<\/aside>\n<p class=\"wp-block-paragraph\">For one, he notes that the hardscrabble post-industrial towns of both Dylan\u2019s and the Beatles\u2019 youth\u2014the fading mining town of Hibbing, Minn., and the once-booming English port city of Liverpool, respectively\u2014helped to form their defiant sensibilities. He also traces how fan hysteria dogged them through their careers, from the deranged fan who fatally shot John Lennon to the crank \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.salon.com\/2016\/12\/10\/ballad-of-a-bin-man-a-j-weberman-the-man-who-says-he-is-behind-bob-dylans-nobel-award-for-literature\/\">Dylanologist<\/a>\u201d who rooted through his idol\u2019s garbage. He follows the spiritual paths they variously pursued, from Dylan\u2019s long engagement with Biblical texts and his vaunted Christian period to George Harrison\u2019s questing Hinduism and Krishna consciousness. He even tracks a particular Gibson guitar that Harrison gave to Dylan: It shows up on the cover of the latter\u2019s \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bobdylan.com\/albums\/nashville-skyline\/\">Nashville Skyline<\/a>.\u201d<\/p>\n<p class=\"wp-block-paragraph\">Windolf\u2019s book has its share of riveting, you-are-there storytelling. While recounting in detail the famous New York City summit of 1964, when Dylan and his entourage first met the Beatles at the Delmonico Hotel and he introduced them to pot, Windolf includes a scene that could be from a film. Suze Rotolo, Dylan\u2019s ex-girlfriend, gets a call from the Delmonico while she\u2019s in the midst of an activist meeting to plan protests of the Gulf of Tonkin Resolution, which would escalate U.S. entanglement in Vietnam; the invitation to join Dylan and the Beatles at the hotel, sneered at by some of Rotolo\u2019s earnest lefty colleagues, founders after a fraught payphone call. For sheer compression of period detail, you could hardly conjure a richer moment.<\/p>\n<p class=\"wp-block-paragraph\">The book\u2019s centerpiece was in fact captured on film. Windolf spends a chapter poring over a nearly 20-minute clip, shot in 1966 by documentarian D. A. Pennebaker, which shows Dylan and Lennon in the back seat of a limo, seemingly talking nonsense while Dylan gets increasingly carsick. You can see the clip <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=pvfSfxFWkfM\">on YouTube<\/a>, but it\u2019s not easy viewing; the tension between these two 1960s icons is palpable.\u00a0<\/p>\n<p class=\"wp-block-paragraph\">Windolf helpfully fills in the subtext: Dylan is trying, in his own awkward way, to confront Lennon about the extent to which he feels that the Beatles have appropriated his folk sound; the stone-faced Lennon betrays no discernible response. Of course, Dylan had already leveled this charge more effectively in song, responding to Lennon\u2019s folk-ish \u201cNorwegian Wood\u201d with the uncannily similar \u201cFourth Time Around.\u201d<\/p>\n<p class=\"wp-block-paragraph\">Such fly-on-the-wall passages aside, the book\u2019s great subject is how the music changed, and how that in turn changed both its makers and its listeners. There\u2019s a rough transatlantic symmetry to the way Dylan\u2019s early folk material took many of its tunes from English and Scottish sources, while the Beatles\u2019 earliest rock efforts cribbed from American country and rhythm &amp; blues.\u00a0<\/p>\n<aside class=\"scaip scaip-2    \">\n\t\t<\/aside>\n<p class=\"wp-block-paragraph\">And Windolf makes a convincing case that later efforts to return to their roots understandably took diverging paths, given their disparate backgrounds: The Beatles drew on British music hall traditions and place names for their \u201cSgt. Pepper\u2019s Lonely Hearts Club Band,\u201d while Dylan immersed himself in old weird Americana in a series of demo recordings, later released as \u201cThe Basement Tapes,\u201d with the Canadian musicians who would call themselves simply \u201cThe Band.\u201d<\/p>\n<p class=\"wp-block-paragraph\">Recalling the latter sessions, guitarist Robbie Robertson said that Dylan \u201cwould pull these songs out of nowhere. We didn\u2019t know if he wrote them or if he remembered them.\u201d Windolf traces this to Dylan\u2019s dawning realization that he was working in a tradition larger than pop or even folk music, as narrowly defined in his early years: that he was writing \u201ceverybody\u2019s song.\u201d Music did not belong to him, in other words\u2014even songs that seemingly only he could have created.<\/p>\n<p class=\"wp-block-paragraph\">This is no less true of the Beatles\u2019 catalogue. For all the distinctively Beatles-ish personality their records possess\u2014and surely that has always been a big part of their appeal\u2014the songs themselves have the curiously timeless quality of always having been around, as is also true of a lot of the Tin Pan Alley standards that predated them and the classic rock that succeeded them. Indeed, inevitability is right there in Windolf\u2019s title, which comes from a Dylan quote about how the Beatles showed him the future. When he first heard them, he said he could hear \u201cwhere the music had to go.\u201d\u00a0<\/p>\n<p class=\"wp-block-paragraph\">What we revere as musical genius, in short, might be nothing more than a fine attunement to that timeless frequency.<\/p>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related<\/em><\/h3>\n<\/p>\n<section id=\"block-18\" class=\"below-content widget widget_block\">\n<\/section><\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.americamagazine.org \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Where do songs come from? And where do they go?\u00a0 The first is a question of inspiration, the second one of posterity. Consider the Beatles standard \u201cYesterday,\u201d the indelible tune of which Paul McCartney famously received in a dream, or the Bob Dylan classic \u201cLike a Rolling Stone,\u201d of which its writer later said, \u201cIt\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2428753,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[21994,349110,21800],"class_list":["post-2428752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-books","tag-history","tag-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/05\/Bob-Dylan-and-the-Beatles-New-book-captures-how-music.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2428752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2428752"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2428752\/revisions"}],"predecessor-version":[{"id":2428754,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2428752\/revisions\/2428754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2428753"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2428752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2428752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2428752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}