{"id":2430871,"date":"2026-05-25T02:21:03","date_gmt":"2026-05-25T02:21:03","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2430871"},"modified":"2026-05-25T02:21:03","modified_gmt":"2026-05-25T02:21:03","slug":"goodbye-cutesy-hello-techno-girl-groups-embrace-harder-faster-louder-sounds-as-trends-shift","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/goodbye-cutesy-hello-techno-girl-groups-embrace-harder-faster-louder-sounds-as-trends-shift\/","title":{"rendered":"Goodbye cutesy, hello techno: Girl groups embrace harder, faster, louder sounds as trends shift"},"content":{"rendered":"

<\/p>\n

\n
\n
\n
\n \n <\/div>\n

Girl group Blackpink [YG ENTERTAINMENT]<\/p>\n<\/div>\n

\u00a0
\n
Harder, faster and definitely stronger, but is it better? K-pop is increasingly embracing hard-hitting techno sounds,\u00a0as girl groups tilt away from the\u00a0cutesy-lovey-bubbly theme toward bold beats and club aesthetics that align with short-form video promotion, which\u00a0has become the advertising norm.
\n
\u00a0
\n
Among the most prominent recent examples is girl group ILLIT’s\u00a0\u201cIt\u2019s Me,\u201d released on April 30. Known previously for softer, playful tracks such as \u201cMagnetic\u201d (2024) and \u201cCherish (My Love)\u201d (2024), the group shifted toward aggressive beats and more dynamic performances for its new release, drawing positive responses for the change.
\n
\u00a0
\n

\n \u00a0
\n
ILLIT\u2019s fourth EP, \u201cMamillapinatapai,\u201d\u00a0which includes \u201cIt\u2019s Me,\u201d ranked No. 26 on the U.S. Billboard 200 albums chart on May 16. In Korea, the song ranked third on Melon\u2019s Top 100 chart and sixth on Genie Music\u2019s Top 200 chart as of May 17.
\n
\u00a0
\n
Girl group IVE\u2019s \u201cBang Bang,\u201d built around repetitive four-on-the-floor kick drum patterns reminiscent of techno rhythms, has also continued to perform strongly on domestic streaming charts since its release in late February.
\n
\u00a0
\n
The song has remained in Melon\u2019s Top 10 and ranked seventh as of May 16. The group, previously known for melody-driven hits such as \u201cI Am\u201d (2023) and \u201cLove Dive\u201d (2022), reinvented its image by incorporating a more international club sound.
\n
\u00a0
\n <\/p>\n

\n
\n \"Girl
\n \n <\/div>\n

Girl group IVE performs the lead track \u201cBlackhole\u201d during a showcase for the release of its second full-length album, \u201cRevive+,\u201d at Yes24 Live Hall in eastern Seoul on Feb. 23. [DANIELA GONZALEZ PEREZ]<\/p>\n<\/div>\n

\u00a0
\n
While techno elements have appeared in K-pop for decades, Blackpink is seen as one of the groups that helped bring the genre back into the mainstream global spotlight recently.
\n
\u00a0
\n
Its single \u201cJump\u201d (2025) featured rapid kick drums, short synth hooks and repeated chants of the lyric \u201cjump.\u201d\u00a0The song reached No. 1 on Spotify\u2019s global weekly chart, making Blackpink the first K-pop group to top the chart. The track also topped Billboard\u2019s Global chart.
\n
\u00a0
\n
The techno trend currently influencing K-pop draws heavily from the hard-edged club sound popular in European cities such as Berlin.
\n
\u00a0
\n
The genre is characterized by extremely fast tempos, pounding kick drums and sharp electronic sounds.\u00a0Compared to traditional techno tracks, which often repeat the same musical phrase for seven to 10 minutes to an almost hypnotic degree, K-pop versions tend to move faster and place greater emphasis on melody.
\n
\u00a0
\n <\/p>\n

\n
\n \"Fans
\n \n <\/div>\n

Fans dance outside the Stade de France stadium prior to a concert by girl group Blackpink in Saint-Denis, in the northern outskirts of Paris, on Aug. 2, 2025. [AFP\/YONHAP]<\/p>\n<\/div>\n

\u00a0
\n
Korea has already experienced a techno boom more than two decades ago, with hits such as\u00a0male dance duo Clon\u2019s \u201cChoryeon\u201d (2000) and singer Lee Jung-hyun\u2019s \u201cWa\u201d (1999).
\n
\u00a0
\n
At the time, however, the term \u201ctechno\u201d in Korea was used more loosely to refer to a broad range of electronic dance music popular in European clubs. The music itself was actually closer to dance-pop or Eurodance.
\n
\u00a0
\n
Critics say techno\u2019s distinctly artificial aesthetic, built entirely from electronic sounds rather than acoustic instruments, aligns well with the bold, stylized image and unique concepts many K-pop girl groups aim to project. Most K-pop acts that gained popularity in the 2020s largely leaned on hip-hop- or house-based music.
\n
\u00a0
\n <\/p>\n

\n
\n \"Girl
\n \n <\/div>\n

Girl group ILLIT performs at Ticketlink Live Arena in Songpa District, southern Seoul. [BELIFT LAB ENTERTAINMENT] <\/p>\n<\/div>\n

\u00a0
\n
\u201cK-pop has always been driven not just by mainstream appeal, but also by a desire to stay at the forefront of trendy dance music,\u201d critic Lee Dae-hwa said. \u201cAs the industry looks for the hottest underground genres, it seems to have turned its attention to Europe\u2019s growing techno scene. The dark, chic atmosphere of club techno also fits surprisingly well with the bold, edgy image many K-pop girl groups are trying to project.\u201d
\n
\u00a0
\n
Some critics also see the trend as a response to changing music consumption habits,\u00a0as\u00a0listening times\u00a0grow\u00a0shorter and audiences are increasingly \u201cwatching\u201d rather than simply \u201clistening.\u201d
\n
\u00a0
\n
Techno music’s fast-paced, repetitive structure makes it especially well-suited for short-form videos, where immediate attention-grabbing is key.
\n
\u00a0
\n
\u201cTechno is not really music for deep listening,\u201d music critic Lim Hee-yun said. \u201cIts choreography is generally simpler than the hip-hop-based dance performances common among boy groups, and that makes it especially effective for shorts-focused global marketing.\u201d <\/p>\n

This article was originally written in Korean and translated by a bilingual reporter with the help of generative AI tools. It was then edited by a native English-speaking editor. All AI-assisted translations are reviewed and refined by our newsroom.<\/i>
\n
BY CHOI MIN-JI [[email\u00a0protected]<\/a>]<\/p>\n<\/div>\n