{"id":2445201,"date":"2026-06-04T19:24:25","date_gmt":"2026-06-04T19:24:25","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2445201"},"modified":"2026-06-04T19:24:25","modified_gmt":"2026-06-04T19:24:25","slug":"role-model-interview-new-album-why-hes-ending-his-viral-sally-bit","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/role-model-interview-new-album-why-hes-ending-his-viral-sally-bit\/","title":{"rendered":"Role Model Interview: New Album, Why He&#8217;s Ending His Viral &#8216;Sally&#8217; Bit"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cDoes love come around or does one come around to it?\u201d That\u2019s the question at the center of \u201cHigh Hopes 3000,\u201d <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/role-model\/\" id=\"auto-tag_role-model\" data-tag=\"role-model\">Role Model<\/a>\u2018s just-released new single, and the singer-songwriter says the idea frames his entire third album.\u00a0<em>Chuck Timely &amp; The Hourglass<\/em> (Aug. 7) explores his journey after a very public break-up with <a rel=\"nofollow\" target=\"_blank\" data-id=\"https:\/\/www.rollingstone.com\/culture\/culture-features\/emma-chamberlain-youtube-podcast-boyfriend-cover-story-interview-1234712398\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/culture\/culture-features\/emma-chamberlain-youtube-podcast-boyfriend-cover-story-interview-1234712398\/\">Emma Chamberlain<\/a>, with its musical approach taking off from the rootsy, strummy, ultra-hooky pop of his breakthrough hit, \u201cSally, When the Wine Runs Out,\u201d from his second album, <em>Kansas Anymore<\/em>.\u00a0He\u2019s been rumored to be in another relationship more recently, but he emphasizes that the album\u2019s songs are about an \u201cup-and-down period of being single.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRole Model (born Tucker Pillsbury) hopped on a Zoom to discuss the new album, the Chuck Timely character he\u2019s created in connection to it, and his upcoming film debut alongside Natalie Portman and Mark Ruffalo in Lena Dunham\u2019s comedy <em>Good Sex<\/em>. Plus, he reveals that he\u2019s killing off a stage bit that went viral over and over \u2014\u00a0his nightly gimmick of bringing out a fan (or, often, a celebrity, from Portman to Charli XCX to Rene\u00e9 Rapp to\u2026 Al Roker) as a \u201cSally.\u201d<\/p>\n<p><strong>What are you up to today?<br \/><\/strong>I am packing. I\u2019m going to Primavera [in Barcelona] tomorrow, and signing way too many vinyls.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When you sign the album cover over and over again, do you start second-guessing the artwork? Or are you appreciating your excellent choice?<\/strong><strong><br \/><\/strong>No, I actually love it. It\u2019s growing on me more every day. I\u2019m sure maybe I\u2019ll get sick of it. We\u2019ll see. But I\u2019m proud of it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Tell me about the concept of the photo, where you\u2019re hanging out next to newlyweds or whatever.<br \/><\/strong>I had Chloe Chippendale, she\u2019s the photographer. And I brought her this idea without really showing her any of the music. But I had the album, and we had this Chuck character. And the album\u2019s themes\u2026 The common thread was about time and feeling a little bit stagnant in this two-year period of being single and dating and then not dating and feeling this pressure the entire time of, \u201cAll right, I\u2019m getting older. I think I need\u2026\u201d \u2014 feeling a pressure to find love and all the questions that come with it. And I\u2019m also now at the age where everyone\u2019s getting married around me, and I\u2019ve just started going to weddings as an adult for the first time last year. I wanted to represent this character that I came up with as well as the themes which he represents. He\u2019s a little bit pathetic in a charming way.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How early or late did \u201cHigh Hopes 3000\u201d arrive in the process of the album as a whole?<br \/><\/strong>That was close to the beginning. And I had that line, \u201cDoes love come around or does one come around to it?\u201d I was holding onto that forever, and I was like, this feels like the question I want to set up the album. And once the song came and I wrote the rest of it, I was like, I feel like this should also just probably start off the whole rollout. \u2018Cause I think that question sets up the album in a nice way and this journey that I go on to find the answer.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>It\u2019s definitely a \u201cbeing single is not all it\u2019s cracked up to be\u201d-type song lyrically. <br \/><\/strong>Yeah. It was a rollercoaster. You get sick of it a lot, and there\u2019s moments where you\u2019re like, \u201cOh, I love it.\u201d But I think you really start to have these existential moments of, \u201cWhat am I doing with my life?\u201d Also, is finding love or falling in love going to fix whatever else is wrong here?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I do have to say that there are people who\u2019d be like, \u201cBut being single as a young celebrity is probably awesome.\u201d<br \/><\/strong>I like it not for that reason. I\u2019ve spent most of my life single. The part I like is being on your own time and really only having to worry about yourself selfishly. It\u2019s a nice thing, but also, that can only go so far. I think it\u2019s an important thing to learn how to take care of someone. And it felt like maybe it was a missing piece in my life.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>There\u2019s a Springsteen line on the <\/strong><strong><em>Tunnel of Love<\/em><\/strong><strong> album where he goes, \u201cWhen you\u2019re alone, you ain\u2019t nothing but alone.\u201d<\/strong><strong><br \/><\/strong>Yeah, exactly. And I think there\u2019s a thousand ways to write about it and I guess that\u2019s what I did on the album.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Sonically, what was the vibe you were going for on the single?  In the verses I hear <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/jackson-browne\/\" id=\"auto-tag_jackson-browne\" data-tag=\"jackson-browne\">Jackson Browne<\/a>, and in the chorus I hear \u201990s country. And the Jackson Browne part is interesting, because one of your producers, Mason Stoops, has actually played with him.<\/strong><br \/>Yeah, I love that. Jackson Browne was a huge part of the album, across every song on the album. But it\u2019s always riding a line and touching these musicians and bands that I love without someone easily being able to be like, \u201cOh yeah, this is just a cool new Jackson Browne song.\u201d We wanna split it up, and so it was like, I wanted some of those stabby, yacht rock, Doobie Brothers, Hall &amp; Oates keys, and I wanted the keys to lead it so that it wasn\u2019t too country on the nose, and then obviously bring in a little bit of the Georgia Satellites and a little bit more rock to the chorus.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Yeah, when I heard country, maybe I was just thinking of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=WonOudGMSdc\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=WonOudGMSdc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cKeep Your Hands to Yourself.\u201d<\/a><br \/><\/strong>Exactly.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>It\u2019s interesting that you mention the yacht rock vibe. I\u2019m a fan of the new <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/charlie-puth-whatvers-clever-album-review-1235537654\/\">Charlie Puth album<\/a>, which has some of that same feel. Maybe that\u2019s in the air.<br \/><\/strong>Yeah. I haven\u2019t heard that, but I love yacht rock. It was just taking little things. Those stabby piano hits always felt so pop to me in a way that people weren\u2019t bringing into modern pop, and I think there\u2019s so much genre blending you can do with that type of playing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How much stress came in with the idea of following up a breakthrough album?<br \/><\/strong>It really didn\u2019t. I think maybe because \u201cSally\u201d just taught me a lot. That song taught me a lot. I feel like I found a voice. I feel like that was the beginning of me finding this way to pull music I love and artists I love and turn it into modern pop music in a palatable way. And it just gave me a lot of clarity of how to move forward \u2014 not try and make a record of 12 \u201cSallys,\u201d but it just felt like I found a cool road to follow now.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"ROLE MODEL - High Hopes 3000 (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/D_KTG0BzRiI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Is there going to come a time when the nightly Sally bring-out stops being part of the show?<br \/><\/strong>I think I\u2019m done. We have Primavera in two days, and I have no plans to keep that going. I think it\u2019s good to know when to end a bit. If this album wasn\u2019t good, I\u2019d be like, \u201cYeah, we should probably keep the Sally bit going, I gotta sell tickets.\u201d But I feel very good about this record, and I don\u2019t think people will even give a shit, to be honest.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>So at Primavera, you\u2019re gonna play the song but just not bring anyone out? How does one swing that the first time?<\/strong><strong><br \/><\/strong>I\u2019m just gonna do it, and we will see if people start walking away or not.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When did you make this decision?<br \/><\/strong>The last shows we did were in Australia back in February. And while we were on that final stretch, we were just talking about it, and I was like, \u201cI think we don\u2019t need to do this anymore.\u201d I know, I feel in my heart when a bit needs to end. Because if we keep going, it\u2019s just gonna die out and be this sad thing. The internet is very predictable. I think people are very predictable. And I just know these things have a short lifespan, so I\u2019m gonna get ahead of it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Does there need to be a new thing, or can you just play your songs and you\u2019re good?<br \/><\/strong>Yeah, let\u2019s go back to when you can just play fucking songs. Listen, that was never a planned thing. We were never like, \u201cLet\u2019s do this thing to make the song blow up and get bigger venues.\u201d It was just a happy accident, and I\u2019m really grateful for it, but I\u2019m not gonna be defined by being the dude who brings out Sallys at his shows.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When people heard you were going to Jack Antonoff\u2019s studio, I think they maybe thought that Jack Antonoff himself might be involved.<br \/><\/strong>Yeah, there was a mix-up. My wording was not smart. We also ended up leaving that studio after a week. I was getting way ahead of myself. But yeah, no, Jack Antonoff was not involved. I did the record with Mason Stoops and Taylor Mackall, who for their whole career were session players. And I was like, \u201cYou guys should be producers.\u201d Taylor is a piano god, Mason is the guitar god. Let\u2019s make a record.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>People have been slotting you as a pop star, but I have feeling you\u2019d prefer they think of you as a singer-songwriter, more like <a rel=\"nofollow\" target=\"_blank\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-features\/noah-kahan-the-great-divide-album-vermont-1235556474\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/noah-kahan-the-great-divide-album-vermont-1235556474\/\">Noah Kahan<\/a>, who I think is a friend of yours. He\u2019s from Vermont and you\u2019re from Maine, so there\u2019s a New England thing going on, too.<br \/><\/strong>I would love for him to be my friend! Friend\u2019s a strong word. I love him, and we talk, and we have a lot of things in common, and anyone who shares a love of Maine, I\u2019m like, \u201cYou\u2019re my brother now.\u201d But I agree. I love the challenge of pop music and what you can do with it. I don\u2019t think I ever wanna be a pop star. I don\u2019t think I ever want that label, but I love making pop music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Tell me more about the album as a whole \u2014 the journey in making it and the sonic places we\u2019re gonna be hearing from you.<br \/><\/strong>Lyrically, the common thread seemed to be time. And when we started really figuring out how to produce it, it was like, let\u2019s ride that a little bit and take little pieces of the best parts of all these eras that we love and pull them in to make these weird little cocktails of songs along the way as this journey through time. Which is where I came up with the Chuck Timely thing \u2014 someone who can represent that journey through time, someone who\u2019s been there the whole time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Is he almost an immortal dude who\u2019s journeyed through all these eras?<br \/><\/strong>We talk about him as a time traveler. This weird dude who was just for some reason in the background of all those studio sessions. We talk about Chuck every single day in the studio, and it was the most fun part, honestly. Once the songs were written, all we did was talk about Chuck. We made up all these stories. I feel he was always in the background of photos with <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/michael-jackson\/\">Michael Jackson<\/a> for some reason, but also weirdly knows <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/olivia-rodrigo\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/olivia-rodrigo\/\">Olivia Rodrigo<\/a> and has been through this journey through the decades. And the idea was to have someone represent what we were trying to do with the album.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What were some other eras or styles that you visit?<br \/><\/strong><a rel=\"nofollow\" target=\"_blank\" data-id=\"https:\/\/www.rollingstone.com\/t\/bruce-hornsby\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/t\/bruce-hornsby\/\">Bruce Hornsby<\/a> was a big one. And the other <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/bruce-springsteen\/\">Bruce<\/a>, of course. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/fleetwood-mac\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/fleetwood-mac\/\">Fleetwood [Mac]<\/a>, a little bit of Fleetwood. But also, I love <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/madonna\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/madonna\/\">Madonna<\/a>, and I had a weird obsession with her. Trying to apply the danciness of \u201980s synth-pop music without using synths was another thing that I did on the record. I just had a rule of no synths on the record. And so that was a challenge. We tried to really learn from the Madonna stuff and see how we could apply what she was doing within our soundscape.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>She\u2019s really underrated as a pure songwriter. She\u2019s one of the greatest pop songwriters of all time. But it sounds like it\u2019s as much the vibe, the danciness that you were trying to figure out how to capture.<br \/><\/strong>Yeah, \u2019cause that\u2019s new to me. And that was the best part. It was, again, mixing in the same song, we\u2019re trying to learn from Madonna but also referencing JJ Cale. And always trying to \u2014 if we\u2019re going too far right in a certain direction, I\u2019ll pull from the left. Another example is we have a song on the record that was always leaning the furthest folk that we ever wanted to go. That song is screaming for a fiddle and a banjo. And so instead of that, we added a flute solo and some other weird little sounds. It was always a fine line. We were riding a fence the whole time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Where did your musical education come from? Was there someone in your life who exposed you to these older acts?<\/strong><strong><br \/><\/strong>My mom \u2014 her music taste was always prime Americana. Jackson Browne, Neil Young, and Van Morrison were her top three, if I had to guess. And so I was exposed to that, and there\u2019s a lot of nostalgia there for me. And then also working with Mason and Taylor \u2014 the reason I chose them is \u2019cause they just have so much more knowledge on these things. I think they filled the gaps for me and my knowledge and were able to, if I was describing a sound or a feeling, they would bring up an artist that I\u2019ve never heard of. They put me on to a lot of the things that I ended up referencing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You started out rapping in your really early days. Does any of that carry over to your current music, or is that just a dead end for you?<br \/><\/strong>It\u2019s a dead end. I don\u2019t know who I was trying to be back then. I think in terms of my first EP, I guess it was similar in a way \u2014 I liked the juxtaposition of these sing-y choruses. It was prime time bedroom pop when that was happening, and it felt cool to bring a little bit of that into bedroom pop and mix this indie guitar-driven stuff with rappy verses. But anything before that, I\u2019m just like, \u201cWho was I trying to be?\u201d I don\u2019t know. What I was running away from or something.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was the hardest part of recording this album?<\/strong><strong><br \/><\/strong>I think the biggest challenge was just this line that I keep talking about that we were riding. I had this very clear vision from before I even started writing the songs of what this album is, and I\u2019m really bad with communicating what I am seeing or hearing. And so it took a long time for Mason and Taylor to understand, and for us all to find this balance of things and not make this rock record, not make another folk Americana record \u2014 really trying to ride that line. For me to communicate these ideas was always the hardest part. But that being said, it was the most fun I\u2019ve ever had making a record because every song just started with us jamming in a room. We\u2019d call it stations, and we\u2019d all go to our station, and we\u2019d just start the day by jamming and being stupid. And I think you can hear the fun we had in the record.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you always on guitar? Do you play anything else?<br \/><\/strong>I only play guitar, and I play it very poorly. There\u2019s one song where we kept the exact lick that I came up with. There\u2019s a couple songs where we kept my original chords. But I only know cowboy chords. My idea the whole time was, I\u2019ll write a song on boring chords, and then I\u2019ll bring it in to the boys, and they will use their expertise to make it more exciting and musical.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Without prying into your personal life, is the album a story of going from being single to not being single? Does it end in another place?<br \/><\/strong>No. I wrote a lot of it during that time and it was just this up-and-down period of being single. And maybe there\u2019s beautiful little moments where you think you found love, and then there\u2019s little heartbreak moments along the way. I wanted it to feel like a journey through time with our boy Chuck.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Is there any sense in which Chuck is singing? Or it\u2019s a looser thing than that?<\/strong><strong><br \/><\/strong>I just don\u2019t want people to think it\u2019s a concept album. I already saw a few people being like, oh, what if this is an album about Chuck? It\u2019s not. I wrote the songs. I wrote all the songs and then came up with this Chuck thing to just represent it. It\u2019s as simple as that.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019re done filming a new movie with Lena Dunham. What did you take away from that experience?<br \/><\/strong>People always talk about how if you have a passion that you love, it\u2019s really good to step out of that and go do something that scares you again for the first time. Music is this thing that brings me joy and nothing about it makes me really nervous anymore. So it was cool. It felt like I went and did something horrifying for the first time in a long time. And the payoff was great. I got to see it recently, and I\u2019m proud. That is like a miracle that I was asked to be a part of that project.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>So at least at the beginning, you felt totally out of your world?<\/strong><strong><br \/><\/strong>It was horrifying. I hate feeling nervous. I hate feeling nervous, but it\u2019s good for you, and it was good for me. And Lena is the best human being and she held my hand through the entire thing, so it was really fun.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.rollingstone.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cDoes love come around or does one come around to it?\u201d That\u2019s the question at the center of \u201cHigh Hopes 3000,\u201d Role Model\u2018s just-released new single, and the singer-songwriter says the idea frames his entire third album.\u00a0Chuck Timely &amp; The Hourglass (Aug. 7) explores his journey after a very public break-up with Emma Chamberlain, with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2445202,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[480013,352258,332621],"class_list":["post-2445201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-chuck-timely-the-hourglass","tag-jackson-browne","tag-role-model"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/06\/Role-Model-Interview-New-Album-Why-Hes-Ending-His-Viral.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2445201"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445201\/revisions"}],"predecessor-version":[{"id":2445203,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445201\/revisions\/2445203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2445202"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2445201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2445201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2445201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}