{"id":2445678,"date":"2026-06-05T02:14:36","date_gmt":"2026-06-05T02:14:36","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2445678"},"modified":"2026-06-05T02:14:36","modified_gmt":"2026-06-05T02:14:36","slug":"loemis-2026-everything-you-need-to-know-about-wellington-festival","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/loemis-2026-everything-you-need-to-know-about-wellington-festival\/","title":{"rendered":"L\u014demis 2026: Everything You Need to Know About Wellington Festival"},"content":{"rendered":"<p><\/p>\n<div>\n<p><span style=\"font-weight: 400;\">Over the last 15 years, there has been a rise in interest in mid-winter city music festivals across Australia and Aotearoa. Generally speaking, the format is a series of standalone concerts and nightclub gigs held at nearby venues, often tied together by pop-up art installations, light displays, food courts, or bars. If you\u2019re reading this, chances are you\u2019re familiar with popular examples of the form like Dark Mofo in Hobart, Sydney\u2019s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-news\/vivid-live-lineup-2026-tickets-dates-92187\/\" target=\"_blank\">Vivid LIVE<\/a>, or RISING in Melbourne.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.loemis.nz\/\" rel=\"noopener\" target=\"_blank\">L\u014demis<\/a>, an 11-year-old festival held in Te Whanganui-a-Tara Wellington, isn\u2019t as well known as the aforementioned events, but it deserves to be on your radar. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Between June 9th-21st, they\u2019re hosting close to 30 events, an expansive and invigorating mix of music, film, food, dance workshops, art shows, and surreal public processions.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On the music front, L\u014demis offers a dazzling array of international post-punk, psychedelic rock, synth-pop, ambient, and dance acts, bands and DJs, such as Acid Mothers Temple, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-features\/cate-le-bon-princess-chelsea-interview-new-zealand-shows-95894\/\" target=\"_blank\">Cate Le Bon<\/a>, Chanel Beads, Kavari, Kelly Moran, Lydia Lunch, Mei Semones, Snapped Ankles, and These New South Whales.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They\u2019ll also be presenting some sublime local exclusives. Expect <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-lists\/best-australian-new-zealand-songs-21st-century-so-far-list-87989\/dimmer-getting-what-you-give-88170\/\" target=\"_blank\">Dimmer<\/a> frontman Shayne P. Carter reimagining his songbook with the New Zealand Symphony Orchestra, multi-genre songwriter <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-news\/troy-kingi-night-lords-album-interview-87178\/\" target=\"_blank\">Troy Kingi<\/a> tackling hip-hop with a posse of Night Lords, and a Midwinter Solstice Ball with some of Auckland\u2019s best underground club DJs at the controls.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Outside of its core concert programming, L\u014demis\u2019 2026 also includes a special screening of the cult Swedish-American folk horror film <\/span><i><span style=\"font-weight: 400;\">Midsommar<\/span><\/i><span style=\"font-weight: 400;\">, a bustling night market, and Melbourne\u2019s Hope Street Radio popping up at Puffin Bar for a weekend. Add in various other curiosities, and you\u2019ve got a festival that reveals itself as a smorgasbord of multi-sensory delights.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In advance of the proceedings, <em>Rolling Stone AU\/NZ<\/em> spoke with the festival\u2019s founder and artistic director, Andrew Laking. We talked about the festival\u2019s origins, its organic growth, and why Wellington is a great place to run events that take risks and try new things.<\/span><\/p>\n<div class=\"observer-sub-form justify-content-center my-3 p-0 d-flex align-items-stretch bg-dark text-white\">\n<div class=\"observer-sub-form-info p-3\" style=\"justify-content: start;\">\n<h2 class=\"h5 mb-0 observer-title\">Love Music?<\/h2>\n<p class=\"observer-desc mb-2\"> Get your daily dose of everything happening in Australian\/New Zealand music and globally.<\/p>\n<\/div>\n<div class=\"spinner d-none\"> <\/div>\n<\/div>\n<p><em>Ticket information for L\u014demis 2026 can be found <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.loemis.nz\/\" rel=\"noopener\" target=\"_blank\">here<\/a>.\u00a0<\/em><\/p>\n<p><b>Rolling Stone AU\/NZ: Congratulations on taking L\u014demis into its eleventh year.\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Andrew Laking: It feels like an achievement.<\/span><\/p>\n<p><b>Lasting for five years as a festival is an accomplishment. Making it to ten years is incredible, especially in our current climate. Can you give us the backstory on L\u014demis?\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I spent 20 years working as a full-time musician. I was based in Europe for about ten years, and spent a lot of time touring. In 2012, I came back to New Zealand. I was still doing a few shows and gigs, but a couple of years later, I switched more into production. I set up a literary festival with my partner, Claire [Mabey], the Verb Writers and Readers Festival. It was originally a one-off event called LitCrawl, which is a literary crawl in the CBD.\u00a0<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DWVfSIdE6In\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\"\/>\n<p><b>Could you explain the LitCrawl concept? It\u2019s relevant to what L\u014demis has become.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">We wanted to create a bunch of literary events across venues that people could access easily and would recognise, basically our favourite little haunts across the city. In the first year, we used about 14 different venues, cafes, bars, and bookshops. The idea was that there were a whole bunch of events happening simultaneously, and you could pop into whatever you wanted. It created a lot of energy. Actually, that format has really sprung up in music here lately, through festivals like Great Sounds Great, etc.<\/span><\/p>\n<p><b>Basically, it\u2019s about creating an engaging experience for people across different spaces in the city.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Sometimes the venues you use can influence how audiences approach an event. There are a lot of people who might not go to a literary event in a bookshop, but if it\u2019s in a basement bar and they can grab a drink, they might change their mind.\u00a0\u00a0<\/span><\/p>\n<p><b>Do you think LitCrawl and Verb got you thinking about what else you could do?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">After I stopped touring, I needed to reorient myself. I thought about teaching music, but that wasn\u2019t my thing. I tried applying for some jobs, but no one was interested in my CV. I spoke with Claire, and we thought we could run events. She had experience working at festivals, but her background was publishing and writing. So we tried LitCrawl. After we\u2019d done that for a couple of years, I decided to do L\u014demis.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Vogelmorn Bowling Club had just opened. I approached them about a one-off event there. I thought, \u201cWe\u2019ll do a food event in the middle of winter.\u201d We had music, literary readings, just a bunch of different things. It all went really well. The year after, we expanded beyond the food event to include some standalone music events and the like. It evolved very organically from there.<\/span><\/p>\n<p><b>Was there a point where you started thinking about what the mid-winter city festivals in Australia, like Vivid, Dark Mofo, and later on Rising, were doing?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Actually, that happened really early. By the second year, I knew Dark Mofo had popped up in Hobart. I contacted them in 2016 or 2017 about the possibility of sharing some acts, but we weren\u2019t in a financial position to do so. A couple of years later, I talked to them again, but then COVID hit. Working with these festivals has been on my mind for a while. The idea of bringing a few acts from Dark Mofo to Wellington was quite appealing.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I wasn\u2019t able to make it happen until a couple of years ago, when I started talking to WellingtonNZ about support to get it over the line. They suggested I talk to a promoter, David Benge, who has helped us a lot in making it happen.\u00a0<\/span><\/p>\n<div id=\"attachment_96293\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-features\/loemis-2026-wellington-festival-guide-96287\/attachment\/loemis-3\/\" rel=\"attachment wp-att-96293\" target=\"_blank\"><img decoding=\"async\" aria-describedby=\"caption-attachment-96293\" width=\"1024\" height=\"682\" src=\"https:\/\/images-r2-1.thebrag.com\/rs\/uploads\/2026\/06\/loemis-3-1024x682.jpg\" class=\"size-large wp-image-96293\" alt=\"\"\/><\/a><\/p>\n<p id=\"caption-attachment-96293\" class=\"wp-caption-text\">Image: Solstice Procession Credit: Vanessa Rushton Photography<\/p>\n<\/div>\n<p><b>This year, your programme balances an amazing mix of international acts with New Zealand musicians like Shayne Carter and Troy Kingi presenting new or relatively new works.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019ve always been interested in the idea of presenting new work at festivals. It\u2019s about bringing things to the city that don\u2019t normally happen here. There are already a lot of great acts that tour New Zealand regularly, so it makes more sense to showcase something new. This builds up a really cool ecosystem, and an audience who understands it is about new stuff, and actually expects it. Testing the waters is a really interesting side of art.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There\u2019s a really nice ambient gig at Erskine Chapel in Island Bay, \u2018<\/span><span style=\"font-weight: 400;\">O Vere Beata Nox <\/span><span style=\"font-weight: 400;\">(O Truly Blessed Night)\u2019<\/span><span style=\"font-weight: 400;\"> with a taonga p\u016boro quartet, Orchestra of Spheres, and other acts. Another sneaky one is the \u2018<\/span><span style=\"font-weight: 400;\">Night Market\u2019<\/span><span style=\"font-weight: 400;\">. The composer David Long is doing a really cool gig there. It\u2019s probably snuck under the radar.<\/span><\/p>\n<p><b>What have some of the big shifts been in terms of how you\u2019re doing things at L\u014demis in recent years?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">We\u2019ve partnered with WellingtonNZ, which has been a big help with marketing. That\u2019s helped us access funds that let us do more, but that sort of thing comes with expectations about the event\u2019s scale and size. Working with [David Benge] and these international acts comes with expectations as well. We\u2019ve had a push towards larger events.<\/span><\/p>\n<figure class=\"op-interactive\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Mei Semones - I can do what I want (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/apfpm0G5icc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<p><b>Several of the shows are at Meow Nui, which is located inside the former Salvation Army Citadel church building. They\u2019ve been open for about a year and a half now. What are your thoughts on what they\u2019ve added to Wellington?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">They\u2019ve added heaps. There are so many shows on sale there now, and it\u2019s hard to imagine where else some of those acts would be playing in Wellington if they weren\u2019t there. I know the owners well. They\u2019d been looking for a larger venue space for a long time. It\u2019s a great venue.<\/span><\/p>\n<figure class=\"op-interactive\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Cate Le Bon - Full Performance (Live on KEXP)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/a4G3ZHp9b_Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<p><b>Between Meow Nui and the re-opening of the Wellington Central Library, the city has been feeling a lot better lately.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">I think the key things for the arts in Wellington are the geography and all the cool little venues contained within it. Meow Nui is a really important part of that, but L\u014demis stretches out into the suburbs as well. We\u2019ve got an event out at Erskine Chapel in Island Bay, and another at the Zealandia bird sanctuary in Karori. We\u2019ve also got a show at the Hall of Memories, which recently reopened.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The other thing that makes festivals like L\u014demis and Verb work in Wellington is the sheer number of artists who live in the city and can create interesting work. Part of the festival\u2019s role is to support and encourage these types of things. I\u2019m in regular contact with a lot of artists. Sometimes they suggest ideas to us, and other times we suggest ideas to them. Something we do a lot of is co-producing events with other people. It\u2019s cool to help shape an idea, find a venue for it, and get it over the line.<\/span><\/p>\n<div id=\"attachment_96292\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-features\/loemis-2026-wellington-festival-guide-96287\/attachment\/loemis-2\/\" rel=\"attachment wp-att-96292\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-96292\" width=\"1000\" height=\"750\" src=\"https:\/\/images-r2-1.thebrag.com\/rs\/uploads\/2026\/06\/loemis-2.jpg\" class=\"size-full wp-image-96292\" alt=\"\"\/><\/a><\/p>\n<p id=\"caption-attachment-96292\" class=\"wp-caption-text\">Image: Wolf Run 2024 Credit: Supplied<\/p>\n<\/div>\n<p><b>If someone reading this was thinking about visiting Wellington from out of town or overseas, what else would you suggest they do while they\u2019re here?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The food scene is amazing. We have so many cool little cafes and restaurants. You can have a great time checking out the craft beer breweries. That\u2019s what I\u2019d do if I were visiting. There are always cool shows going on outside the festival as well. The local jazz scene is brilliant.\u00a0<\/span><\/p>\n<p><b>What has L\u014demis taught you about Wellington?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">There\u2019s a constant stream of amazing artists here who are really great at collaborating. I\u2019ve become friends with guys like Toby Laing from <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/au.rollingstone.com\/music\/music-news\/fat-freddys-drop-honoured-at-2026-aotearoa-music-awards-95829\/\" target=\"_blank\">Fat Freddy\u2019s Drop<\/a>, who always comes off tour with heaps of cool ideas. I think it\u2019s a good city for making things happen. It\u2019s small enough to be connected. If you keep working, you can create really cool things. The public is up for it as well.<\/span><\/p>\n<\/div>\n<p><script>!function(f,b,e,v,n,t,s){if(f.fbq)return;n=f.fbq=function(){n.callMethod?n.callMethod.apply(n,arguments):n.queue.push(arguments)};if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0;t.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window,document,'script','https:\/\/connect.facebook.net\/en_US\/fbevents.js');fbq('init','243859349395737');fbq('track','PageView');fbq.disablePushState=true;<\/script><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source au.rollingstone.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the last 15 years, there has been a rise in interest in mid-winter city music festivals across Australia and Aotearoa. Generally speaking, the format is a series of standalone concerts and nightclub gigs held at nearby venues, often tied together by pop-up art installations, light displays, food courts, or bars. If you\u2019re reading this, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2445679,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[480117,480118,379178,385807,433126,480119,480120,480121,480122,434470,441156,480123,480124,379541,396621,480125,480126],"class_list":["post-2445678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-acid-mothers-temple","tag-andrew-laking","tag-cate-le-bon","tag-chanel-beads","tag-kavari","tag-kelly-moran","tag-loemis","tag-loemis-2026","tag-loemis-festival","tag-lydia-lunch","tag-mei-semones","tag-shayne-p-carter","tag-snapped-ankles","tag-these-new-south-whales","tag-wellington","tag-wellington-music","tag-wellington-nightlife"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/06\/Loemis-2026-Everything-You-Need-to-Know-About-Wellington-Festival.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2445678"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445678\/revisions"}],"predecessor-version":[{"id":2445680,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2445678\/revisions\/2445680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2445679"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2445678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2445678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2445678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}