{"id":2448881,"date":"2026-06-07T16:35:05","date_gmt":"2026-06-07T16:35:05","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2448881"},"modified":"2026-06-07T16:35:05","modified_gmt":"2026-06-07T16:35:05","slug":"next-week-in-music-june-8-14-13-new-books","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/next-week-in-music-june-8-14-13-new-books\/","title":{"rendered":"Next Week in Music | June 8-14 \u2022 13 New Books"},"content":{"rendered":"<p><\/p>\n<div>\n<p>        <!-- image --><\/p>\n<div class=\"td-post-featured-image\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen.jpg\" data-caption=\"\"><\/a><\/div>\n<p>        <!-- content --><\/p>\n<h4><span class=\"dropcap3\" style=\"color: #b40000;\">S<\/span>ummer\u2019s here, and the time is right for lying around and reading books about rock \u2019n\u2019 roll. Unless, of course, you spend hours every week combing through emails, press releases and online retailers to compile a massive list of all the new titles on the way. But hey, that\u2019s my problem. Your dilemma: Deciding between new tomes by or about <strong>Kim Thayil<\/strong>, <strong>P\u00e9rez Prado<\/strong>, <strong>Sue Foley<\/strong>, <strong>Raymond Pettibon<\/strong>, rock \u2019n\u2019\u00a0roll movies, queercore and more. Read \u2019em and weep (for me):<\/h4>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-150691\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen.jpg\" alt=\"\" width=\"300\" height=\"456\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen-198x300.jpg 198w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen-674x1024.jpg 674w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen-768x1166.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen-1012x1536.jpg 1012w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Screaming-Life-Soundgarden-Kim-Thayil-With-Adem-Tepedelen-640x972.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\"\/>A Screaming Life: Into The Superunknown With Soundgarden And Beyond<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Kim Thayil With Adem Tepedelen<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cFrom <strong>Soundgarden<\/strong>\u2019s humble beginnings manifesting grunge in Seattle\u2019s beer-soaked punk clubs to their revered status today as rock icons, the band\u2019s journey has been nothing short of extraordinary. In <em>A Screaming Life<\/em>, founding member and guitar god <strong>Kim Thayil<\/strong> goes backstage to introduce the band that fearlessly pushed the boundaries of rock, invented a new genre, and amassed fervent fans from every corner of the world. Thayil shares the story of how he and his <strong>Soundgarden<\/strong> bandmates \u2014 <strong>Hiro Yamamoto<\/strong>, <strong>Ben Shepherd<\/strong>, <strong>Matt Cameron<\/strong>\u00a0and <strong>Chris Cornell <\/strong>\u2014 faced the triumphs and challenges on the road to their historic and influential rise. His storytelling channels the essence of <strong>Soundgarden<\/strong>\u2019s era-defining sound \u2014 one that\u2019s supercharged with raw creativity and unapologetic lyrics \u2014 and explores the ways that <strong>Soundgarden<\/strong> were shaped by the diverse backgrounds of its creators: Thayil\u2019s Indian heritage and founding bassist Yamamoto\u2019s Japanese background added unique dimensions to the band\u2019s identity, influencing not only their music but also their experiences in the industry. For <strong>Soundgarden<\/strong> fans and \u201990s alternative rock enthusiasts, <em>A Screaming Life<\/em> not only gives behind-the-scenes access to one of the most revered bands, but it also demonstrates the power music and its creators have to transform culture.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-150713\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich.jpg\" alt=\"\" width=\"1200\" height=\"1800\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich-200x300.jpg 200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich-683x1024.jpg 683w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich-768x1152.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich-1024x1536.jpg 1024w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Perez-Prado-John-Radanovich-640x960.jpg 640w\" sizes=\"(max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>P\u00e9rez Prado: King Of The Mambo<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By John Radanovich<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cA riveting tour through rich moments in Cuban, Mexican, and American cultural history, this book captures <strong>P\u00e9rez Prado<\/strong>\u2018s colorful life and surprising influence, including his famous hit <em>Mambo No. 5<\/em>. Not only did Prado and his contemporaries ignite an American passion for the thrilling dance music of mambo, but they also played an essential part in early R&amp;B and rock \u2018n\u2019 roll. Their influence can even be seen in much popular music of today, from <strong>Shakira<\/strong> and <strong>Jennifer Lopez<\/strong> to<strong> Karol G<\/strong> and<strong> Michael Bubl\u00e9<\/strong>. Born in Cuba, Prado landed in Mexico City when music and cinema were soaring, starring in classic films of the <strong>Cine de Oro<\/strong> and writing for noir musicals in the 1940s and 1950s. He lived in Los Angeles for more than a decade, creating some of his most notable artistic works that earned him a star on the <strong>Hollywood Walk of Fame<\/strong>. As Cuban music rose, audiences could not resist the startling horns, percussion, and rhythms of his hits. Prado had his quirks and an extreme attraction to kitsch. He regularly wore jewels, heavy gold chains, and flamboyant suits and drove a Cadillac with tiger stripe upholstery. This book dives into the story and legacy of this larger-than-life figure.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-150698\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary.jpg\" alt=\"\" width=\"1200\" height=\"1799\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary-200x300.jpg 200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary-683x1024.jpg 683w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary-768x1151.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary-1025x1536.jpg 1025w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Close-Enough-For-Rock-N-Roll-Dwarf-Peter-V.-Madary-640x959.jpg 640w\" sizes=\"(max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>Close Enough For Rock N Roll: The Rise, Fall, And Rise Again of Dwarf<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Peter V. Madary<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cThis rock \u2019n\u2019 roll story is not unique, in fact, it is a familiar one in the industry out of the 1970s and 1980s. What makes this memoir interesting are the close bonds that have lasted for decades, and the sudden surge of interest in <strong>Dwarf<\/strong>\u2018s original songs forty years later. It is the tale of a wild ride for a group of boys with a love of music becoming men, while rising in the rock \u2019n\u2019 roll world, across the U.S. and Canada. Growing up in Michigan, the young boys developed a pop rock sound that caught on fast. Like so many aspiring rock stars, the young men fresh out of high school shared the dream of making it in Hollywood. As the dream unfolds, the reality of challenges and difficult decisions begin to sink in.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150702\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley.jpg\" alt=\"\" width=\"1200\" height=\"1915\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley-188x300.jpg 188w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley-642x1024.jpg 642w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley-768x1226.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley-963x1536.jpg 963w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Guitar-Women-Sue-Foley-640x1021.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>Guitar Women: Conversations &amp; Life Lessons With Six-String Heroines<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Sue Foley<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cEvery generation has its myths about the guitar: who gets to hold it, who gets to define it, and what it means to play it. <em>Guitar Women<\/em> moves beyond those myths through intimate conversations with women who shaped the instrument\u2019s sound and story. Part oral history, part memoir, and part cultural reckoning, the book spans generations and genres, featuring artists such as <strong>Bonnie Raitt<\/strong>,<strong> Nancy Wilson<\/strong>, <strong>Charo<\/strong>, <strong>Suzi Quatro<\/strong>, <strong>Joan Armatrading<\/strong>\u00a0and <strong>Sharon Isbin<\/strong>. Writing from her own experience as a touring guitarist, Foley approaches these exchanges from the inside, bringing together deeply human accounts of persistence, artistry, and devotion to the instrument shared in the artists\u2019 own words. The result is a richer, more truthful lineage of the guitar, revealed through the lives of women who have always been at its heart.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150721\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo.jpg\" alt=\"\" width=\"1200\" height=\"1813\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo-199x300.jpg 199w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo-678x1024.jpg 678w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo-768x1160.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo-1017x1536.jpg 1017w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/You-Dont-Need-a-Dick-to-DJ-Smokin-Jo-640x967.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>You Don\u2019t Need A Dick To DJ<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Smokin Jo<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cBefore she became <strong>Smokin Jo<\/strong> \u2014 the most famous and visible of the first generation of \u2018superstar DJs\u2019 \u2014 <strong>Joanne Joseph<\/strong> was a young girl growing up in a children\u2019s home with her sister. Until her mother returned and whisked the siblings away just before secondary school to a flat on London\u2019s Portobello Road, her life was devoid of music: The home didn\u2019t allow it, apart from hymns and carols at Christmas. As she entered the turbulent years of adolescence, Jo found herself pulled towards Soho and the burgeoning underground acid house scene, instantly finding herself at home amongst other artists, musicians and misfits who breathed and survived on dance music and ecstasy. Within a couple of years, in a lightning-fast ascent, Jo claimed her permanent place as one of England\u2019s most exciting and revered DJs of the British rave scene. This alternately celebratory and brutal memoir tells a story full of change, growth and determination. It documents Jo\u2019s life and loves; her struggles with drink and drugs and journey towards peace and sobriety. It documents the highs and lows of rave culture in an unprecedented way through Jo herself: The elation and euphoria that comes with entertaining an audience as well as the misogyny, the racism, the prejudice and homophobia of the scene, as told by someone who has been at the hard end of these experiences. <em>You Don\u2019t Need A Dick To DJ<\/em> is an extraordinary, moving and unforgettable story from a pioneer and survivor; perhaps the most honest and startling memoir yet to emerge from the club scene.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150711\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon.jpg\" alt=\"\" width=\"1200\" height=\"1549\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon-232x300.jpg 232w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon-793x1024.jpg 793w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon-768x991.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon-1190x1536.jpg 1190w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Nervous-Breakdown-Album-Covers-Raymond-Pettibon-640x826.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>Nervous Breakdown: Raymond Pettibon Album Covers<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Raymond Pettibon<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cThe definitive collection of <strong>Raymond Pettibon<\/strong>\u2019s album covers, uniting art and music in one powerful visual history. Featuring work for <strong>Black Flag<\/strong>,<strong> Sonic Youth<\/strong>, <strong>Foo Fighters<\/strong>, <strong>Iggy Pop<\/strong>, <strong>Lana Del Rey<\/strong> and many others, this volume traces the artist\u2019s bold influence on alternative culture from the late 1970s to today. Throughout his decades-long career, Pettibon has remained deeply engaged with the world around him, whether through biting political satire of American geopolitics or poetic meditations on surfing and baseball. Pettibon\u2019s aesthetic and political sensibilities originated in the punk scene that thrived in Southern California, the artist\u2019s first home, in the late 1970s and 1980s \u2014 evidenced in his collaborations with bands such as<strong> Minutemen<\/strong>, <strong>Sonic Youth<\/strong>\u00a0and<strong> Saccharine Trust<\/strong>. Among the most iconic works featured in this collection is Pettibon\u2019s four-column logo design for <strong>Black Flag<\/strong>. <em>Nervous Breakdown<\/em> spotlights the artist\u2019s enduring impact on the music industry, presenting for the first time every record, CD, and cassette cover since 1978 that features his artwork. Published on the occasion of an exhibition at the <strong>Wilhelm-Hack-Museum<\/strong> in Ludwigshafen, Germany, this catalogue features more than 200 works from the <strong>Stefan Thull Collection<\/strong>. With essays by <strong>Max Dax<\/strong>, <strong>Robert Eikmeyer <\/strong>and <strong>Ulrich Loock<\/strong>, and a 1985 <em>Artforum<\/em> essay by <strong>Kim Gordon<\/strong>, the book includes a catalogue raisonn\u00e9 of Pettibon\u2019s album artwork, an essential resource for fans, scholars, and collectors of contemporary art and music history alike.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150689\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden.jpg\" alt=\"\" width=\"1200\" height=\"1860\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden-194x300.jpg 194w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden-661x1024.jpg 661w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden-768x1190.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden-991x1536.jpg 991w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/33\u2153-Queercore-Audrey-Golden-640x992.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>33\u2153 | Queercore<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Audrey Golden<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cTransatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when <strong>G.B. Jones<\/strong> and <strong>Bruce LaBruce<\/strong> named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like <strong>Wayne County And The Electric Chairs<\/strong>, <strong>Nervous Gender<\/strong>\u00a0and <strong>Fifth Column<\/strong>. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including <strong>Tribe 8<\/strong>, <strong>Team Dresch<\/strong>, <strong>Sister George<\/strong>\u00a0and <strong>Huggy Bear<\/strong>. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150719\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer.jpg\" alt=\"\" width=\"1200\" height=\"1800\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer-200x300.jpg 200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer-683x1024.jpg 683w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer-768x1152.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer-1024x1536.jpg 1024w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Underground-in-China-Ryan-Dyer-640x960.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>The Underground in China: Metal, Punk, Hardcore And Noise, 2013-2021<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Ryan Dyer<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cIn 2013,<strong> Ryan Dyer<\/strong> arrived in China with little idea of what lay beneath the surface of its music scene. Within a week, he found himself at an underground show featuring the band <strong>Rectal Wench<\/strong>. That night opened the door to a world few outsiders ever see. Over the next eight years, Dyer travelled across Beijing, Tianjin, Suzhou, and Shanghai, documenting the country\u2019s explosive punk and metal underground. Armed with a camera and a journalist\u2019s curiosity, he attended hundreds of shows, capturing bands that express what it means to be an artist in modern China. <em>The Underground In China: Metal, Punk, Hardcore And Noise 2013-2021<\/em> brings together more than 350 pages of photography, interviews, and first-hand observations from inside this thriving scene. Featuringbands across genres including grindcore, black metal, hardcore punk, noise, and experimental music, the book offers a rare glimpse into a creative community that seldom reaches Western audiences. It features more than 100 artists, including <strong>The Dark Prison Massacre, Nine Treasures, Torturing Nurse, Frozen Moon, Scare the Children, Rectal Wench, Impure Injection, Suffocated, Dreamspirit, Ritual Day, Black Kirin, Gum Bleed, Dummy Toys<\/strong> and more! Part photo archive, part cultural document, this is the story of China\u2019s underground as it was lived-loud, chaotic, and defiantly alive.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150709\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz.jpg\" alt=\"\" width=\"1200\" height=\"1813\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz-199x300.jpg 199w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz-678x1024.jpg 678w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz-768x1160.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz-1017x1536.jpg 1017w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Loud-Pictures-Rock-And-Roll-Films-Marc-Spitz-640x967.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>Loud Pictures: A History Of The Cinema Of Rebellion &amp; The Greatest Rock And Roll Films of All Time<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Marc Spitz<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cIn a long line of beloved books, <em>Loud Pictures<\/em> stands as <strong>Marc Spitz<\/strong>\u2019s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most \u2014 movies and rock \u2019n\u2019 roll. In many ways, films can become imprinted on our brains because of their soundtracks. And songs in films take on different meanings because of the scenes associated with them. Loud Pictures explains, explores, and celebrates that symbiotic relationship through interviews with directors, actors, music supervisors, critics, and many more. Films with nostalgic undertones such as <em>Say Anything, Purple Rain, Trainspotting, The Rocky Horror Picture Show, Taxi Driver, A Hard Day\u2019s Night, Shaft, Saturday Night Fever, Postcards From the Edge, Dirty Dancing, Nashville, Blow Up<\/em>, and hundreds more, are sprinkled throughout these pages, perfectly capturing moments in time where the intersection between film and music have shined the brightest. The completion of Loud Pictures would not have been possible without the aid of <strong>Lizzy Goodman<\/strong>, author of <em>Meet Me In The Bathroom<\/em>, and <em>Rolling Stone<\/em> contributing editor <strong>Rob Sheffield<\/strong>, author of <em>Turn Around Bright Eyes, On Bowie<\/em> and<em> Dreaming the Beatles<\/em>.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150690\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed.jpg\" alt=\"\" width=\"1200\" height=\"1685\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed-214x300.jpg 214w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed-729x1024.jpg 729w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed-768x1078.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed-1094x1536.jpg 1094w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/A-Hard-Days-Night-Samira-Ahmed-640x899.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>A Hard Day\u2019s Night<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Samira Ahmed<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cHow did a film made to capture a pop phenomenon become an enduring cinematic classic? With warmth, wit and precision, <strong>Samira Ahmed<\/strong> reveals how <strong>The Beatles<\/strong>\u2019 first film changed both the band themselves and pop music\u2019s relationship with the screen. In a vivid and personal exploration, she shows how this black-and-white gem, shot in a documentary style and brimming with youthful energy, captured Britain at a moment of social transformation, with a portrayal of celebrity, camaraderie and media frenzy that still resonates today. Drawing on her own experience of first discovering the film as a child and going on to work in the television industry, Ahmed shines a spotlight on the craft behind its enduring appeal. With insights from members of the cast and crew, including her own new interviews, Ahmed highlights <em>A Hard Day\u2019s Night<\/em>\u2019s class and sexual politics, and adds a delightfully original analysis of the women in the film. In these pages you will be transported to a time when four young men from Liverpool, via the mass medium of television, changed the way Britain saw itself and the way the world saw Britain, revealing how, and why, <em>A Hard Day\u2019s Night <\/em>has become a landmark of modern cinema.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150717\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell.jpg\" alt=\"\" width=\"1200\" height=\"1846\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell-195x300.jpg 195w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell-666x1024.jpg 666w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell-768x1181.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell-998x1536.jpg 998w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Smiths-Novella-Michael-Bracewell-640x985.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>The Smiths: A Novella<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Michael Bracewell<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cWildly inventive and magnificently surreal, <em>The Smiths: A Novella<\/em> recounts the impact of an unconventional pop group from Manchester on one man\u2019s life. Taking the form of a fl\u00e2neuring journey through the landscape of memory, our anonymous protagonist is accompanied by the iconic French actress <strong>Carole Bouquet<\/strong>, who becomes his guide and interlocutor, asking about his life during the years <strong>The Smiths<\/strong> were together and the profound effect of their music upon him. As the unlikely couple perambulate from the old Selfridge Hotel to West Hollywood by way of a park bench in Cavendish Square, their conversation interrogates and celebrates the joys of outlandish pop genius, the zealous dedication of fans and the cult of outsider disaffection given uproarious voice. As such, this is not a book about The Smiths but one that emerges from their music, their emotional register and their literary resonance. <strong>Michael Bracewell<\/strong>\u2018s novella cum-fairy tale is at once deeply romantic and laced with comedy \u2014 not unlike the band themselves \u2013 and perhaps (in fictional form) the most astute and celebratory portrait of <strong>The Smiths<\/strong> to date.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150693\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo.jpg\" alt=\"\" width=\"1200\" height=\"1889\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo-191x300.jpg 191w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo-651x1024.jpg 651w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo-768x1209.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo-976x1536.jpg 976w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Bad-Bunny-Enigma-Sheilla-R.-Madera-Nelson-Varas-Diaz-Daniel-Nevarez-Araujo-640x1007.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>The Bad Bunny Enigma: Culture, Resistance, And Uncertainty<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>Edited by Sheilla R. Madera, Nelson Varas-Di\u00e1z &amp; Daniel Nev\u00e1rez Ara\u00fajo<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cThis collection offers the first comprehensive analysis of <strong>Bad Bunny<\/strong>\u2019s impact on music, culture, and politics. Exploring his gender-fluid style, Afro-Caribbean aesthetics, and critiques of colonialism, the book highlights his role in amplifying marginalized voices. With contributions from diverse scholars, it presents a balanced view of his influence on intersectional resistance. The chapters examine whether <strong>Bad Bunny<\/strong> represents a cultural shift or a fleeting moment, positioning him as a multifaceted figure in contemporary culture and activism.\u201d<\/p>\n<p>\u00a0<\/p>\n<hr style=\"padding-left: 80px;\"\/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-150692\" src=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan-.jpg\" alt=\"\" width=\"1200\" height=\"1800\" srcset=\"https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan-.jpg 1200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan--200x300.jpg 200w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan--683x1024.jpg 683w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan--768x1152.jpg 768w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan--1024x1536.jpg 1024w, https:\/\/tinnitist.com\/wp-content\/uploads\/2026\/06\/Anything-Goes-Cole-Porter-Paul-Matthew-Kaplan--640x960.jpg 640w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"\/><\/p>\n<h3 style=\"padding-left: 80px;\"><em><span style=\"color: #b40000;\"><strong>Anything Goes: The Life &amp; Music Of Cole Porter<\/strong><\/span><\/em><br \/><span style=\"color: #b40000;\"><strong>By Paul Matthew Kaplan<\/strong><\/span><\/h3>\n<p style=\"padding-left: 80px;\"><strong>THE EDITED PRESS RELEASE:<\/strong> \u201cThe first major biography on <strong>Cole Porter<\/strong> in over two decades, this delightfully entertaining life story of one of the most important musicians and composers of the 20th century follows Cole from Peru, Indiana to jazz age Manhattan, Hollywood and beyond.\u201d<\/p>\n<p> <!-- A generated by theme --> <\/p>\n<p> <!-- end A --> <\/p><\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source tinnitist.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summer\u2019s here, and the time is right for lying around and reading books about rock \u2019n\u2019 roll. Unless, of course, you spend hours every week combing through emails, press releases and online retailers to compile a massive list of all the new titles on the way. But hey, that\u2019s my problem. Your dilemma: Deciding between [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2448882,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[30802,21980,467099,480924,307568,354299,431536,431537,431538,480925,480926,365196,480927,480928,480929],"class_list":["post-2448881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bad-bunny","tag-beatles","tag-cole-porter","tag-dwarf","tag-featured","tag-kim-thayil","tag-music-books","tag-new-books","tag-next-week-in-music","tag-perez-prado","tag-raymond-pettibon","tag-smiths","tag-smokin-jo","tag-soundtarden","tag-sue-foley"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/06\/Next-Week-in-Music-June-8-14-\u2022-13-New.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2448881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2448881"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2448881\/revisions"}],"predecessor-version":[{"id":2448883,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2448881\/revisions\/2448883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2448882"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2448881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2448881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2448881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}