Steven Spielberg’s latest movie is finally here, and it’s absolutely astounding<\/a>. “Disclosure Day,” an earnest and heartfelt \u2014 but still completely action-packed \u2014 summer blockbuster, marks Spielberg’s “return” to directing after four years and his first action movie in some time, considering that his 2022 film, “The Fabelmans,” was a deeply personal and autobiographical film about Spielberg’s own life and his dreams of becoming a filmmaker as a young boy. (It’s safe to say that dream came true.) So what is “Disclosure Day” about?<\/p>\n True to its title, “Disclosure Day” centers around the idea that not only are aliens real, but shadowy forces \u2014 specifically, corporations and governments \u2014 are hiding their very existence from humanity, and it’s up to a select group of people to reveal the truth. That group includes whistleblower Daniel Kellner (“Wake Up Dead Man: A Knives Out Mystery” and “Challengers” standout Josh O’Connor), his girlfriend and erstwhile nun Jane Blankenship (Eve Hewson, known for TV projects like “Bad Sisters” and “The Perfect Couple”), Daniel’s ally and Wardex defector Hugo Wakefield (Colman Domingo), and local weatherwoman Margaret Fairchild (Emily Blunt), the last of whom suddenly develops psychic powers after making eye contact with a cardinal. This group also happens to be fighting against the sinister and powerful Noah Scanlon (Colin Firth), the CEO of the aforementioned firm Wardex, which was hired, decades prior, by the U.S. government to keep footage of aliens a complete secret from the general population.<\/p>\n That’s all we’ll say here so that we don’t get into any major spoilers, but you might be wondering what you should watch after you head to the theater to see “Disclosure Day.”\u00a0From other Spielberg moves to movies about alien life that center communication and harmony, here are five movies you should check out if you absolutely love “Disclosure Day.”<\/p>\n Read more: Child Stars Who Wound Up With Normal Jobs As Grown Ups<\/a><\/p>\n Ryland in the spaceship looking at something in Project Hail Mary – Amazon MGM Studios<\/p>\n Another outstanding 2026 sci-fi release that explores the relationship between humans and aliens, “Project Hail Mary,” an adaptation of Andy Weir’s best-selling novel of the same name, is a delightful, shockingly emotional film spearheaded by directing duo Phil Lord and Christopher Miller. (Yes, the guys behind the “21 Jump Street” movies.) When the film opens, we see Dr. Ryland Grace \u2014 an unbelievably great Ryan Gosling in one of his best-ever performances \u2014 alone on a spacecraft after the death of the rest of the crew, and through a non-linear storyline, we ultimately learn that he’s there to try and prevent the sun from dimming due to a phenomenon known as astrophage. As Ryland travels further into the depths of the solar system to try and figure out if there are any substances that might be able to stop the spread of astrophage, he meets Rocky, an alien who looks like, well, a rock with arms and legs (puppeteered and voiced by James Ortiz).<\/p>\n Rocky, who hails from the planet Erid, is\u00a0also trying to stop the spread of astrophage \u2014 and after the two beings figure out how to communicate with each other, they become partners in crime and astoundingly close friends to boot. After Rocky and Ryland end up finding a natural predator of astrophage they name “taumoeba” \u2014 after finding it in the Tau Ceti system in space \u2014 but finding the solution to the astrophage issue certainly isn’t the end of their story. “Project Hail Mary” is one of the best films of 2026 so far<\/a>, and if you loved “Disclosure Day,” you’ll definitely love this one too.<\/p>\n Louise in a suit holding up a whiteboard to the aliens in Arrival – Paramount Pictures<\/p>\n Without Denis Villeneuve’s 2016 masterpiece “Arrival,”\u00a0we might not even\u00a0have stories like “Disclosure Day” \u2014 because “Arrival” isn’t just one of the best movies about humans connecting with extraterrestrial life. It’s one of the best movies of the 21st century, period. Based on Ted Chiang’s 1998 novella “Story of Your Life,”\u00a0Villeneuve’s movie stars Amy Adams (who\u00a0should have an Academy Award for her performance in this film) as linguist Louise Banks, who, when we meet her, is still grappling with the tragic illness-related death of her young daughter Hannah. In the midst of Louise’s grief, she’s asked, by the United States Army, to help translate between alien spacecrafts that started hovering over Earth for no apparent reason. Louise, alongside her colleague Ian Donnelly (Jeremy Renner), a physicist, start trying to communicate with the mysterious but seemingly peaceful extraterrestrials.<\/p>\n Though that illusion of peace seems shattered when Louise is able to translate one of their messages as “offer weapon” \u2014 which countries like China interpret as an immediate threat \u2014 the truth is darker and a whole lot sadder. We won’t spoil “Arrival” here, but if you’ve never seen Villeneuve’s movie and aren’t aware of the absolutely tear-jerking ending, you’re in for a thrilling, devastating, and oddly fulfilling ride. “Arrival” is a truly astounding movie about the ways we can communicate, the power of grief, and the ways that we can use language, and it also features what may well be the very best performance of Adams’ excellent acting career.<\/p>\n Furiosa standing in front of her rig in Mad Max: Fury Road – Warner Bros.<\/p>\n At its heart, “Disclosure Day” is a chase movie \u2014 and if you like that part of Steven Spielberg’s summer blockbuster, definitely watch one of the most thrilling chase movies ever made. Director George Miller’s legacy sequel to his own movie “Mad Max,” which hit theaters in 2015 and won a whopping six Academy Awards in technical categories, stars Tom Hardy as the titular Max Rockatansky … but truthfully, Max isn’t the main character of “Mad Max:\u00a0Fury Road.”\u00a0That honor belongs to Charlize Theron’s one-armed hero Imperator Furiosa<\/a>, who drives the War Rig, absconds with the five captive wives of the villainous Immortan Joe (Hugh Keays-Byrne), and enlists Max’s help as she avoids Joe’s wrath and tries to find a mythical and rumored “Green Place” full of water to escape the desolate desert that serves as the film’s setting.<\/p>\n “Mad Max: Fury Road” is an action masterpiece \u2014 thanks in large part to the film’s Oscar-winning editing by Miller’s wife Margaret Sixel, who crafted such a tightly edited movie that not a millisecond feels wasted in the slightest \u2014 and it’s one of the most exciting chase movies within this somewhat niche genre. If you love the thrill of the literal chase \u2014 and really loved that aspect of “Disclosure Day,” which sees Daniel and Margaret on the run from shadowy enemy forces \u2014 you absolutely must experience “Mad Max: Fury Road” with the volume turned all the way up on as big of a screen as possible. (Don’t you\u00a0dare watch this visually arresting film on your phone.)<\/p>\n Sammy operating a camera in front of cheering people in The Fabelmans – Universal Pictures<\/p>\n To fully appreciate and understand “Disclosure Day,” you need to sit down and watch “The Fabelmans.” We already mentioned Steven Spielberg’s disarmingly personal 2022 movie, which earned multiple Oscar nominations, was written by Spielberg alongside his regular collaborator Puliter Prize winner Tony Kushner and stars Gabriel Labelle as Sammy Fabelman, a clear stand-in for a young Spielberg himself. Like the real Spielberg, Sammy has lofty dreams of becoming a world-famous filmmaker, but as he makes home movies for his family, he also comes to understand a complex dynamic between his offbeat but artistic mother Mitzi (Michelle Williams), his computer engineer father Burt (Paul Dano), and Burt’s best friend and Sammy’s “uncle”\u00a0Bennie Lowey (a somewhat serious Seth Rogen).<\/p>\n From the friction between Burt and Sammy \u2014 largely because Burt views his son’s intended profession as a mere hobby \u2014 to the frankly bizarre relationship between Benny and Mitzi that sends Sammy spiraling when he discovers the depth of their connection, “The Fabelmans” is a searing portrait of youth, a study of a young filmmaker, and a phenomenal story that teaches audiences about Spielberg’s ambition and younger years. Add in a truly pitch-perfect cameo from the late, great David Lynch as the famed filmmaker John Ford, and you’ve got a Spielberg classic on your hands.<\/p>\n The Mothership landing at Devil’s Tower in Close Encounters of the Third Kind – Columbia Pictures<\/p>\n How could you possibly make a list of movies to watch if you love “Disclosure Day” and not include at least\u00a0one of Steven Spielberg’s classic alien flicks?\u00a0With the utmost due respect to “E.T. the Extra-Terrestrial” and “War of the Worlds,” we felt like “Close Encounters of the Third Kind” felt the most spiritually similar to “Disclosure Day” \u2014 and it’s also, out of the three, the movie that seems to influence “Disclosure Day” the most. Spielberg’s 1977 classic stars his “Jaws” collaborator Richard Dreyfuss as Roy Neary, a humble Midwestern electrical lineman who’s obsessed with potential evidence of alien life. When Roy sees a young boy following a mysterious trail, he sees a UFO for himself, and his obsession only deepens.<\/p>\n Amidst a mystery about fallen United States Navy aircrafts and sea vessels \u2014 which seem to disappear thanks to extraterrestrial presence \u2014 “Close Encounters of the Third Kind” is a truthful and thrilling vision of what might happen if humans make contact with aliens, just like “Disclosure Day.”\u00a0If you want to see a Spielberg film that’s the perfect precursor to “Disclosure Day,” this is the pick for you.<\/p>\n As for “Disclosure Day,” that’s in theaters now.<\/p>\n If you enjoyed this article, sign up to our free newsletter<\/a> for the biggest movie and TV news delivered straight to your inbox. You can also add us as a preferred search source<\/a> on Google.<\/p>\nProject Hail Mary<\/h2>\n
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Arrival<\/h2>\n
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Mad Max: Fury Road<\/h2>\n
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The Fabelmans<\/h2>\n
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Close Encounters of the Third Kind<\/h2>\n
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