{"id":2474306,"date":"2026-06-24T21:23:52","date_gmt":"2026-06-24T21:23:52","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2474306"},"modified":"2026-06-24T21:23:52","modified_gmt":"2026-06-24T21:23:52","slug":"new-band-a-place-to-kill-makes-music-for-the-apocalypse","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/new-band-a-place-to-kill-makes-music-for-the-apocalypse\/","title":{"rendered":"New band, A Place to Kill, makes music for the apocalypse"},"content":{"rendered":"<p><\/p>\n<div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Some things begin with love, but A Place to Kill, the new project from Filter frontman Richard Patrick and Phoenix photographer and There Is No Us singer Jim Louvau, began with no love, or rather a song of that name.<\/p>\n<p>Louvau first met Patrick in 2008 when interviewing him for an article, \u201cand we\u2019ve somehow stayed in each other\u2019s orbit,\u201d Louvau says, \u201cbecause we do have a lot of mutual friends and industry peers and artists in general.\u201d<\/p>\n<p>\u201cPlus he\u2019s a photographer, so he\u2019s always taking photos of the bands,\u201d Patrick adds.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>In addition to his musical work, Louvau has been photographing musicians and performances for over 20 years and in the last seven has directed music videos for Kerry King, Jerry Cantrell, and Poppy as well as shorts for Maynard James Keenan and Puscifer. Nine Inch Nails has licensed some of his work for their merchandise. He is a frequent Phoenix New Times contributor.<\/p>\n<p>During a Filter performance, Patrick invited Louvau onstage to do the screaming parts in the chorus of \u201cNo Love.\u201d<\/p>\n<p>\u201cI was shocked at how loud and how cool it sounded,\u201d Patrick recalls.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>In 2020, Patrick again called upon Louvau and his powerful scream when recording the Filter song \u201cMurica,\u201d which addresses the political turmoil of the time in its lyrics \u2014 \u201cThey got us right where they want us \/ At each other\u2019s throats\u201d \u2014 and video.<\/p>\n<p>\u201cI had to tuck (Louvau\u2019s vocals) behind mine so that he wouldn\u2019t overpower me,\u201d Patrick recalls. \u201cIt\u2019s pretty intimidating to hear this guy on a microphone. His voice is so insanely loud.\u201d The volume of Louvau\u2019s scream is such that only certain recording gear can handle it.<\/p>\n<p>\u201cI have this big, beautiful $6,000 mic, this amazing custom microphone,\u201d Patrick says, \u201cand there\u2019s no way he could use it.\u201d They instead use a broadcast microphone \u201cthat can take the abuse\u201d of Louvau\u2019s voice.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Around the same time as the recording of \u201cMurica,\u201d Patrick started buying synthesizers. \u201cI started experimenting with different loops and different sounds,\u201d he recalls. This interest in synthesizers was, in some ways, part of a return to an earlier way of making music.<\/p>\n<p>\u201cWhen I did the first Filter records,\u201d Patrick says, \u201cit was me and a computer.\u201d As his career progressed, more people got involved with the music, and Patrick recalls \u201closing that interface between me and the computer\u201d from using a lot of producers to make the records, a practice he describes as a bad habit. He began working to regain those chops because eventually, it became more fun to work on synthesized music and be more self-reliant.<\/p>\n<p>He recorded and sang on some of these ideas, but decided he \u201cwanted a super-screamer,\u201d and reached out to Louvau. Both knew at the outset that this would be a new project, neither Filter nor There Is No Us.<\/p>\n<\/div>\n<div class=\"vmg-newsletter-form\">\n<div class=\"vmg-newsletter-form__container\">\n<div class=\"vmg-newsletter-form__form-wrapper vmg-newsletter-form__step1\" id=\"vmg-newsletter-step1\">\n<div class=\"vmg-newsletter-form__form-wrapper-inner\">\n<p>Sign up for our free music newsletter. We\u2019ve got the latest on the artists you love.<\/p>\n<\/div>\n<\/div>\n<div class=\"vmg-newsletter-form__success hidden\" id=\"vmg-newsletter-success\">\n<div class=\"vmg-newsletter-form__success-content\">\n<h3>THANK YOU!<\/h3>\n<p>You&#8217;re all set.<\/p>\n<p><button type=\"button\" class=\"vmg-newsletter-form__close-btn\" id=\"vmg-close-success\"><br \/>CLOSE\t\t\t\t\t\t<\/button><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"h-guitar-free-zone\">Guitar-free zone<\/h2>\n<p>Part of this difference comes in how Patrick and Louvau compose for the new project.<\/p>\n<p>\u201cIn both of our other projects, there is a lot more structure in the writing, a lot more verse, chorus, verse, bridge,\u201d Louvau says. \u201cA Place to Kill songs don\u2019t follow any sort of standard structure.\u201d<\/p>\n<p>For APTK, Louvau says, \u201cWe\u2019re not using a guitar as the writing tool of choice,\u201d instead \u201cmaking really heavy music with synths and keys and very little guitar.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Case in point: \u201cJet Engine,\u201d the single from the APTK EP, delivers a heavy sound without a single guitar. An unapologetically defiant song (\u201cI\u2019m the jet engine of fuck you \/ I live my life the way that I want to, so fuck you \/ Take now, all that I need to \/ Watch now as I bleed you\u201d), \u201cJet Engine\u201d takes its name from a remark by producer Sean Beavan referring to Louvau as \u201cthe jet engine of fuck you,\u201d which Louvau considered \u201ca great compliment\u201d to his voice and music. The motif at the forefront of the mix is, Patrick says, \u201ca handcrafted sound I created on the Sequential Pro-3,\u201d a hybrid multi-filter synthesizer.<\/p>\n<p>Although the EP is, in Louvau\u2019s description, \u201cone of the most aggressive industrial-related releases in years,\u201d there are nonetheless moments of contrast. He describes the EP\u2019s closing song, \u201cSomething Inside Me,\u201d as \u201cthe most mellow track tempo-wise\u201d with \u201ca bit of a trip-hop vibe,\u201d a song in which he wanted something \u201cvocally and lyrically\u201d aggressive (\u201cSomething inside me comes out at night \/ The edge of the blade keeps me alive\u201d) but that would be \u201csomething that was also not for the boys.\u201d<\/p>\n<p>Of the overall sound of A Place to Kill, namely the choice to eschew guitars, Patrick says, \u201cI want it to be as synthesized and digital as possible. For Filter, it starts with a guitar or a bass and the idea that this is going to be a Filter song. I can write with an acoustic, and it\u2019s still going to come out a Filter song.\u201d When composing for A Place to Kill, however, \u201cit\u2019s starting with a sample of someone crying or something.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>The song \u201cWhat Feels Right,\u201d the one track on the EP with guitar, presents the only exception. Louvau and Patrick were near the end of the sessions for the EP, Louvau recalls, \u201csort of figuring out what was missing.\u201d Patrick had presented Louvau with an early version of the song with the only lyric at that point being, \u201cHey \/ You gotta do what feels right \/ Now.\u201d Louvau suggested changing \u201cHey\u201d to \u201cHate,\u201d after which, Louvau recalls, \u201cthe song took flight,\u201d and the two finished the lyrics together (including \u201cIt\u2019s them against us, not you versus me \/ This hate and division is all that they breed\u201d) and agreed to add guitar to the song.<\/p>\n<p>When it came time to name the new project, Patrick originally settled on The Killing Fields, but, finding the name already taken by other groups, he modified the name to A Place to Kill.\u00a0<\/p>\n<p>\u201cIt just rings true to me for some reason,\u201d Patrick says. \u201cI don\u2019t know specifically what it\u2019s supposed to mean.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Louvau says the name leaves room for interpretation and that there\u2019s no wrong answer as to what the name signifies, but offers one option.<\/p>\n<p>\u201cEvery time I go on stage, I\u2019m looking to fucking crush and kill that stage,\u201d he says. \u201cThat\u2019s my place to kill.\u201d<\/p>\n<\/div>\n<figure class=\"wp-block-image size-large\"><figcaption class=\"wp-element-caption\">\n<div class=\"vmg-image-credit\">\n<p>Tony Aguilera\/Design by Dana Mackenzie<\/p>\n<\/div>\n<\/figcaption><\/figure>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"h-songs-for-a-new-world\">Songs for a new world<\/h2>\n<p>For Patrick, the name A Place to Kill evokes the fragmentation of our mediated world.<\/p>\n<p>\u201cIt\u2019s like flipping through channels on TV and seeing news and entertainment and scribbling it down on a piece of paper,\u201d he muses, \u201cand then screaming that into a microphone later.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>The usual practice is for Patrick to start by going to \u201cdifferent websites that have tons have of royalty-free sounds.\u201d He\u2019ll then experiment by manipulating the sample with various effects, adding sampled drum sounds, or bringing in \u201ca string section from some scary movie or some old movie,\u201d for instance, and quickly put together an instrumental track. \u201cUsually, within three or four hours, it\u2019s done,\u201d Patrick says. \u201cAnd that\u2019s when I call Jim.\u201d<\/p>\n<p>\u201cRich puts things together so quickly,\u201d Louvau says, \u201cand when I get out there, we\u2019re almost finishing an entire song in a day. We\u2019re trying to be impulsive to some degree on purpose. And that shines through in the music.\u201d<\/p>\n<p>Part of the reason they prefer to move so quickly is so the songs can respond to current events.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cIt would be nice to write something and immediately release it a week later,\u201d Patrick says, \u201ckind of like the way Bruce Springsteen wrote a song of protest.\u201d (Springsteen\u2019s \u201cStreets of Minneapolis,\u201d released in January, commented directly on the ICE violence happening there at the time.)<\/p>\n<p>\u201cI love that instant kind of release,\u201d Patrick says. \u201cI want to have the ability to do that with A Place to Kill where something happens, we write about it and then it\u2019s out in a few days.\u201d<\/p>\n<\/div>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"A Place To Kill &quot;Jet Engine&quot; (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JX40c77ZFF0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"h-weird-and-getting-weirder\">Weird and getting weirder<\/h2>\n<p>Patrick and Louvau completed much of the EP\u2019s material a few years ago but delayed the release, in part because of Patrick\u2019s touring schedule with Filter.<\/p>\n<p>\u201cA lot of these songs were written and constructed in the middle of COVID,\u201d Louvau says. \u201cIt was weird then, and it\u2019s only gotten weirder.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cFilter kind of came back to life with touring after COVID,\u201d Patrick says. He had spent the previous few years working on film scores. That changed near the end of the pandemic. \u201cAll of a sudden, everybody wanted a Filter concert. We were rebuilding Filter on the road, and we kept moving A Place to Kill back in time.\u201d<\/p>\n<p>Louvau and Patrick thus waited until what seemed the proper time to release the EP, and, as Patrick remarks, \u201cit just coincides with the end of civilization.\u201d<\/p>\n<p>\u201cSome of the stuff we talk about lyrically in the songs has oddly enough taken more shape than when they were written,\u201d Louvau says, citing in particular the lines \u201cHeading for war, fighting the poor \/ The suits and the leeches are begging for more\u201d in \u201cWhat Feels Right.\u201d \u201cNow we\u2019re actually at war. It\u2019s almost like you saw it coming.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>There are, though, many kinds of war underway, Louvau adds, including \u201ca lot of internal wars going on, within people. It\u2019s a very hard time to be a human being for most people on the planet right now. People are really just struggling to survive.\u201d<\/p>\n<p>A Place to Kill\u2019s lyrical themes are, Patrick says, \u201ca reflection of what we\u2019re seeing.\u201d In his view, no other contemporary groups are doing the kind of social commentary he and Louvau are striving to make with A Place to Kill.<\/p>\n<p>\u201cThe bands we\u2019re inspired by have always stuck to their guns and said something socially, and nobody else seems to be doing that right now,\u201d Patrick says. <\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cWe\u2019re not talking about choosing sides,\u201d Louvau says of the band\u2019s social and political stances. \u201cWe\u2019re talking about not trusting anything and questioning everything. We understand that there is a lot of division in the world that is very manufactured.\u201d<\/p>\n<p>In addition to current events and the state of the world, Patrick finds inspiration in new music, especially electronic music made by younger people. He cites in particular Pixel Grip (\u201ca bass synth with a drummer and a guy playing a little bit of computer, some sparse keyboards\u201d), Scarlxrd (who has \u201csomeone spinning the record, and he\u2019s just the main performer\u201d), Rezz, Skrillex and Deadmau5.<\/p>\n<p>\u201cI think that is so punk,\u201d Patrick says of electronic music and its general lack of conventional musical instruments. \u201cIt\u2019s punk to buck the system. It\u2019s amazing that these kids are getting away with it.\u201d<\/p>\n<p>\u201cThere are no rules in music anymore,\u201d Louvau says. \u201cWe can do whatever the fuck we want. That\u2019s the beautiful part of where the music industry is. No one can really tell us what we can and can\u2019t do.\u201d<\/p>\n<\/div>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" height=\"1024\" width=\"1024\" loading=\"lazy\" src=\"https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?w=1024\" alt=\"\" class=\"wp-image-40677127\" srcset=\"https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp 1200w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=150,150 150w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=300,300 300w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=768,768 768w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=1024,1024 1024w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=680,680 680w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=495,495 495w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=400,400 400w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=550,550 550w, https:\/\/www.phoenixnewtimes.com\/wp-content\/uploads\/sites\/6\/2026\/06\/APTK-record.webp?resize=800,800 800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><figcaption class=\"wp-element-caption\">The vinyl copy of the A Place to Kill EP debuts in August.<\/p>\n<\/figcaption><\/figure>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"h-music-for-the-apocalypse\">Music for the apocalypse<\/h2>\n<p>Louvau and Patrick intend to take A Place to Kill live when the time is right, and when they do, \u201cit\u2019s going to be me and a computer and a synthesizer and Jim onstage,\u201d Patrick says. \u201cAnd it should never go beyond that.\u201d<\/p>\n<p>And while Louvau and Patrick cite groups such as Skinny Puppy as early influences they continue to admire, they emphasize that they have made an effort for A Place to Kill \u201cnot to be a nostalgia trip,\u201d because \u201cindustrial music can feel very nostalgic,\u201d Louvau says.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cI\u2019m in a band with a guy who is in Filter and was in Nine Inch Nails,\u201d Louvau says of Patrick, who was a touring member of Nine Inch Nails in the \u201cPretty Hate Machine\u201d era and left during the recording of \u201cThe Downward Spiral\u201d to start Filter. \u201c(Nine Inch Nails and Filter) are on Mount Rushmore for a lot of industrial people. For Richard Patrick to just make another industrial record with another guy isn\u2019t exciting to him, and it wouldn\u2019t be exciting to me.\u201d<\/p>\n<p>Patrick, for his part, also finds that what he wants to accomplish musically continues to change as he gets older.<\/p>\n<p>\u201cAs I get older, I just feel like getting more and more crazy,\u201d Patrick says. \u201cThe majority of the new music I\u2019ve created in the last 10 years has been pretty heavy. A Place to Kill is without question the heaviest shit I\u2019ve done.\u201d<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Patrick notes that \u201cmy compadres or my fellow writers out there, my fellow musicians,\u201d are \u201cgetting mellow with age\u201d even as \u201cI\u2019m getting angrier, and I want to make heavier music.\u201d<\/p>\n<p>The APTK EP was released digitally on June 5, with a limited vinyl release of 500 copies from Revolver to follow on Aug. 14. The physical album is a striking visual work in a high-contrast palette of red and black (both the sleeve and the disc itself), with the EP on the A-side and an etching of a machine figure with a jet turbine head.<\/p>\n<p>Although the EP has been out in digital form for just over two weeks, Louvau and Patrick are well underway on the next release.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cWe\u2019re already several songs into the next release,\u201d Louvau says, \u201cso it\u2019s not going to be another three- or four-year wait.\u201d<\/p>\n<p>The two expect to complete recording the second release over the summer, and, if things go as planned, that music, Louvau says, \u201cwill start to surface in the fall.\u201d<\/p>\n<p>The upheaval of our uncertain times, dispiriting and dismaying as it may be, does nonetheless provide material for art.<\/p>\n<\/div>\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>\u201cWe\u2019re at a point where you might find a lot of really great music comes out in the next four or five\u00a0 years,\u201d Louvau says, \u201cbecause people find inspiration from their surroundings and the world around them and the news and the media and the division between man and his own neighbor.\u201d<\/p>\n<p>\u201cIt is not hard to see the anger in society and write something that reflects that,\u201d Patrick adds. \u201cAs musicians, it\u2019s easy to make music for the apocalypse.\u201d<\/p>\n<\/div><\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.phoenixnewtimes.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some things begin with love, but A Place to Kill, the new project from Filter frontman Richard Patrick and Phoenix photographer and There Is No Us singer Jim Louvau, began with no love, or rather a song of that name. Louvau first met Patrick in 2008 when interviewing him for an article, \u201cand we\u2019ve somehow [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2474307,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[21936],"class_list":["post-2474306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-metal"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/06\/New-band-A-Place-to-Kill-makes-music-for-the.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2474306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2474306"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2474306\/revisions"}],"predecessor-version":[{"id":2474308,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2474306\/revisions\/2474308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2474307"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2474306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2474306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2474306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}