NEW YORK (AP) \u2014 For Greek translator Emily Wilson, the release of director Christopher Nolan’s \u201cThe Odyssey\u201d<\/a> has been gratifying in various ways. Her acclaimed 2017 edition of Homer’s epic has reached the top 5 on Amazon.com<\/a>, leading a wave of similar books boosted by the movie. Nolan has even cited her translation, notably the opening line \u201cTell me about a complicated man,” as inspiration.<\/p>\n But the film itself, which opened this weekend and has received raves from many critics, left her unsatisfied.<\/p>\n \u201cI want to celebrate the fact that so many more people are aware of ‘The Odyssey’ and were brought back to the poem,\u201d she told The Associated Press. \u201dBut at the same time, I had the sense that Christopher Nolan was trying to pack everything in while missing themes that were essential to the poem.”<\/p>\n One of the year’s most anticipated releases, \u201cThe Odyssey\u201d stars Matt Damon<\/a> as the returning warrior Odysseus, Anne Hathaway<\/a> as his wife, Penelope, and Tom Holland<\/a> as their son, Telemachus. Reviewers have praised the acting and the narrative drive, the grand scale of a movie shot entirely on IMAX film and how it weds the sensibilities of ancient Greece and the modern world, at least as Nolan perceives it.<\/p>\n The divide between scholars and critics seems in part a matter of whether the balance should tilt toward Nolan or Homer. Wilson and fellow translator Daniel Mendelsohn both expressed admiration for Nolan’s cinematic flair and ambition, what Mendelsohn calls his \u201cgreat visual panache.\u201d Both speculated that his desire to make a \u201cChristopher Nolan\u201d movie led to unfortunate decisions.<\/p>\n Mendelsohn is an author, critic and translator and his assessment appeared Friday in The New York Review of Books, where he is an editor-at-large.<\/p>\n Mendelsohn had previously defended Nolan’s controversial decision to cast a Black actor, Lupita Nyong\u2019o, as Helen of Troy, calling it a worthy way to \u201cprovoke, challenge and discomfit how we think about beauty and identity.\u201d But he faulted the director for giving us an Odysseus with \u201cno cleverness, no humor, no wily charm.\u201d One of the Western canon’s formative tricksters has been transformed, he contended, into the kind of haunted protagonist featured in such previous Nolan movies as \u201cOppenheimer\u201d and \u201cMemento.\u201d<\/p>\n “This tormented, guilt-ridden Odysseus, stripped of humor and wit, seductiveness and cleverness, is a sibling of Memento\u2019s anguished amnesiac, of Batman, of Oppenheimer, men tormented by pasts they wrestle with in different ways,” wrote Mendelsohn, whose \u201cOdyssey\u201d translation came out in 2025. \u201cNolan has merely remade Homer\u2019s hero in his own image.\u201d<\/p>\n