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Hey, you know what’s a good song? Motherfucking “Svefn-g-englar,<\/a>” the deathlessly beautiful 1999 classic from Sigur R\u00f3s. I’d read a whole lot about Sigur R\u00f3s before I finally bought an import copy of the \u00c1g\u00e6tis Byrjun<\/em> CD for like $20, and that’s a heavy burden to put on a hyped-up new album. That time, though, the hype was justified. I heard “Svefn-g-englar,” and I felt like I was in space. North Carolina indie-dance-folk-pop duo Sylvan Esso evidently agree, since their new single samples J\u00f3nsi Birgisson’s operatic wail-sigh from that song.<\/p>\n It has been about four years since Sylvan Esso surprise-released their last album No Rules Sandy<\/a><\/em>. Both members of the group have been plenty busy since that record. Amelia Meath is all over Kevin Morby’s Little Wide Open <\/a><\/em>album, for instance, and Nick Sanborn recently got together with Collections Of Colonies Of Bees’ Chris Rosenau to release the experimental improv album Two<\/a><\/em> earlier this year. Last month, Sylvan Esso released their single “Hot Slob<\/a>.” Today, they announce a new LP called Ow \u221e<\/em>. <\/p>\n Ow \u221e<\/em> will be Sylvan Esso’s first album since the started their own label Psychic Hotline, and they’ve been steadily tinkering with it for the past four years at their Chapel Hill studio. They brought in a wide group of musicians, including Wye Oak’s Jenn Wasner, the Mountain Goats’ Matt Douglas, Bon Iver’s BJ Burton, Wilco’s Glenn Kotche, and Sanborn’s Megafaun bandmate Joe Westerlund, as well as Daniel Aged, Jake Lupen, TJ Maiani, James Mapley-Brittle, and Buddy Ross. In a press release, Meath says:<\/p>\n One of my favorite ways of producing in general is to come up with an idea and then take out a third of it. One, it makes things interesting and exciting, but also it makes your ear ask a question. And it kind of forces the listener to be creative, as well. To try to fill that space with something, which I find as a listener to be really exciting and interesting. Particularly with pop music, because it’s all about fulfilling a promise. You know this melodic structure, you know we’re going to the four here. Not doing it is always the thing that makes people fall in love with a song or a person.<\/p>\n Living hurts forever, and then it stops. But also it\u2019s a little silly. And that\u2019s how I feel. If you\u2019re going to keep participating in the world, and in your life, you have to commit to being hurt. And if you aren’t putting yourself in the way of potential hurt, you miss out on a lot of potential opportunities. So in some ways it\u2019s like a rallying cry, saying “I\u2019m gonna get hurt forever, and that\u2019s OK.”<\/p>\n <\/p>\n <\/span><\/p><\/blockquote>\n “Concrete Glen” the lead single with the Sigur R\u00f3s sample, is a funky track with a big, tumbling breakbeat and a woozy walking bassline. I get a bit of a Luscious Jackson vibe from it, and I mean that as a big compliment. The Sigur R\u00f3s sample isn’t that<\/em> important to the song, but it’s cool. <\/p>\n Sylvan Esso will do a whole lot of touring in the months ahead. They’ll also bring their Good Moon Festival back to Durham. It goes down Oct. 8-10, and Sylvan Esso will headline a lineup that also includes Tyler Childers, Meshell Ndegeocello, MJ Lenderman, and Silvana Estrada, among many others. You can find the details here<\/a>. Below, check out the “Concrete Glen” video, directed by Aaron Anderson and Eric Timothy Carlson, as well as the Ow \u221e<\/em> tracklist and Sylvan Esso’s tour dates.<\/p>\n\n