As meteoric as it was, 2024 closes out as another amazing year for music. The stakes are high for the soon-to-arrive 2025, but an array of upcoming albums promises to make this new year just as fantastic.
January kicks off with a bang, including Bad Bunny‘s Debí Tirar Más Fotos, a reflection on life and nostalgia, Ringo Starr‘s new country solo album Look Up, and Mac Miller‘s second posthumous album, Balloonerism. Drill sensation Central Cee will finally release his debut LP, Can’t Rush Greatness, and FKA twigs will return with EUSEXUA. Wrapping up the month, The Weeknd will conclude his After Hours and Dawn FM trilogy with Hurry Up Tomorrow.
Moving onto February, a new album from Wiz Khalifa and Lady Gaga‘s LG7 could make waves, while Olly Alexander will drop Polari, and Bartees Strange will come forth with Horror. Rock phenom Sam Fender will bring forward People Watching on the same day as Tate McRae’s much-awaited So Close to What — Feb.21. The last day of the month will see BLACKPINK‘s Lisa debut solo album, Alter Ego, and indie pop muse Banks make a comeback with Off With Her Head.
On the rest of the year, Spiritbox‘s sophomore effort, Tsunami Sea, will be out in March, while Lana Del Rey‘s The Right Person Will Stay is slated for June. And with dates yet to be confirmed are Chance The Rapper‘s Starline, Miley Cyrus‘ Something Beautiful, and new works from Blondie and Kesha.
As you get ready to start the new year, below is a guide to 30 highly anticipated albums coming out in 2025 that will make you even more inspired.
Bad Bunny — Debí Tirar Más Fotos
Release date: Jan. 5
On the last Thursday of 2024, Dec. 26, Bad Bunny surprised his fans with the announcement of a new album, Debí Tirar Más Fotos (“I Should’ve Taken More Photos”). Boasting 17 tracks described as “BOMBA” (“Explosive”) via X, the album is set to drop Jan. 5.
Supporting the announcement is a trailer featuring Puerto Rican film legend Jacobo Morales. In the clip, Morales reflects on memories, love, and regret. “I should have taken more photos, lived more, I should’ve loved more when I had the chance,” he muses to his animated friend, Concho.
Singles “El Clúb” and “Pitorro de Coco” — referring to Puerto Rico’s moonshine rum — hint at Bad Bunny’s signature plena music, this time filtered through a nostalgic lens.
Ethel Cain — Perverts
Release date: Jan. 8
Indie-alt darling Ethel Cain opens 2025 with her second studio album, Perverts, out Jan. 8. The album explores the singer’s “furthest afield inspirations and sonic negative space, mining drone, noise, slowcore, ambient and beyond,” according to a press release.
Cain wrote, produced, and recorded the album between Coraopolis, PA, and her hometown of Tallahassee, FL. The nine-track collection spans 90 minutes and is anchored by lead single “Punish.” Reflecting on the project, Cain said, “I wonder how deep shame can run, and how unforgivable an act could be that I may still justify it in some bent way to make carrying it more bearable.”
Perverts follows her 2022 critically acclaimed debut, Preacher’s Daughter.
Ringo Starr — Look Up
Release date: Jan. 10
“We’re back to country music, and I love it!” Ringo Starr declared in announcing his upcoming studio album, Look Up. Set to drop on Jan. 10, the LP is Starr’s first full-length release in six years, and features 11 original songs produced and co-written by T-Bone Burnett.
“I’ve always loved country music,” Starr shared in a statement. “When I asked T-Bone to write me a song, I didn’t even think at the time that it would be a country song — but of course it was, and it was so beautiful.” Burnett described the project as “the realization of a 60-year dream” and a way to “say thank you for all [Ringo] has given me and us.”
Look Up features collaborations with Billy Strings, Molly Tuttle, Lucius, Larkin Poe, and Alison Krauss. To celebrate the release, Starr will headline two shows at Nashville’s Ryman Auditorium on Jan. 14 and 15.
Franz Ferdinand — The Human Fear
Release date: Jan. 10
Scottish indie rockers Franz Ferdinand will return with The Human Fear, their first album in six years, dropping Jan. 10 via Domino. The lead single “Audacious,” pairs their signature indie sounds with a lofty atmosphere.
“Making this record was one of the most life-affirming experiences I’ve had, but it’s called The Human Fear — fear reminds you that you’re alive,” shared frontman Alex Kapranos. “We all are addicted in some way to the buzz [fear] can give us. How we respond to it shows how we are human.”
The album features 11 tracks and marks the debut of new drummer Audrey Tait. Franz Ferdinand will support the release with a European tour starting in February.
Ela Minus — DIA
Release date: Jan. 17
Colombian rising star Ela Minus is gearing up to release her sophomore album, DIA, on Jan. 17. A press statement describes the album as “a rarified feat in electronic music, where cutting-edge production and space-shuddering sonics meet a burgeoning singer-songwriter’s real sense of self-reflection and private reckoning.”
The follow-up to her acclaimed 2020 debut, acts of rebellion, DIA showcases Minus’ evolution as both an artist and a person. Described as “a record about becoming,” its 10 tracks — mixed by Marta Salogni and mastered by Heba Kadry, the same team behind her debut — bridge the gap between pop accessibility and experimental brilliance. Singles “BROKEN” and “UPWARDS” highlight this balance, weaving original beats with broad appeal.
Minus will join Caribou on their 2025 European and U.K. tour in February, beginning in Paris on Feb. 3 and wrapping it up in Berlin on Feb. 14. She’s also slated to perform at Estéreo Picnic Festival in Bogotá, Colombia on Mar. 30.
Mac Miller — Balloonerism
Release date: Jan. 17
Fans of Mac Miller may already be familiar with Balloonerism, the long-rumored, unreleased album the late rapper worked on in 2014. Recently, Miller’s estate announced that Balloonerism will finally see an official release on Jan. 17 via Warner.
Miller, born Malcolm James McCormick, found great importance in the project. According to a statement from his family, he even commissioned artwork for the album and frequently discussed when it should be released. “We believe the project showcases both the breadth of his musical talents and fearlessness as an artist,” they shared. “Given that unofficial versions of the album have circulated online for years and that releasing Balloonerism was something that Malcolm frequently expressed being important to him, we felt it most appropriate to present an official version of the project to the world.”
Mac Miller tragically passed away in 2018, shortly after releasing his GRAMMY-nominated album Swimming. Two years later, his estate released Circles, the posthumous companion to Swimming.
Yola — My Way
Release date: Jan. 17
After several delays, British singer Yola is making a long-awaited return with her new EP, My Way, out Jan. 17. The GRAMMY-nominated artist previewed her upcoming work with the synth-heavy single “Future Enemies” in September 2024, followed by November’s “Symphony.”
In a press release, Yola described “Future Enemies” as a track exploring the complexities of new relationships: “There is a moment when you realize you’re not going to get on with someone. They haven’t noticed yet, so you have a unique opportunity to disappear from their lives before they ever realise you were destined to be enemies. It’s a luxury to not have an endless supply of negative memories about someone cause you never made them.”
My Way marks Yola’s first body of work since her acclaimed 2021 album, Stand for Myself, and expands on her retro-soul sound. The release also follows Yola’s Broadway stint as Persephone in the celebrated musical Hadestown.
Rufus Wainwright — Dream Requiem
Release date: Jan. 17
Rufus Wainwright‘s Dream Requiem is an orchestral epic, first premiered in June 2024 in Paris. For those who missed the live event, a recording of the ambitious work will be released as an album on Jan. 17, via Warner.
Commissioned by prestigious institutions like Radio France and The Royal Ballet, the original performance featured soprano Anna Prohaska, the Orchestre Philharmonique de Radio France and Radio France children’s choir conducted by Mikko Franck. Actress Meryl Streep was the narrator.
Written during the COVID-19 pandemic, Dream Requiem is described as “a requiem for human contact, solidarity and the human voice that have all become dangerous and contagious.” Wainwright elaborated that the piece honors lives lost during the pandemic and reflects on a fractured past and uncertain future.
Over the next two years, Wainwright will bring Dream Requiem to major venues worldwide, including Barcelona’s Palau de la Música in 2025, Walt Disney Concert Hall in Los Angeles with (featuring Jane Fonda), and Amsterdam’s Concertgebouw.
FKA twigs — EUSEXUA
Release date: Jan. 24
FKA twigs returns with EUSEXUA, her first full album in five years, slated for release on Jan. 24. This highly anticipated third LP marks a new chapter in her eccentric artistry, following her acclaimed 2019 album, Magdalene, and the star-studded 2022 mixtape Caprisongs.
“EUSEXUA has been my practice for the years that it has been in creation. It is my opus and truly feels like a pin at the centre of the core of my artist,” twigs shared over Instagram. She described the album as a deeply personal and immersive experience, rooted in connection: “We rave, we sweat, we kiss, we make love to the booming thud of culture. EUSEXUA is a practice. EUSEXUA is a state of being. EUSEXUA is the pinnacle of human experience.”
Along with the announcement, twigs shared the glitchy, tingling title track and music video directed by Jordan Hemingway. Beyond her music, twigs has spent the past two years starring in notable films, including The Carpenter’s Son with Nicolas Cage and a remake of The Crow.
Central Cee — Can’t Rush Greatness
Release date: Jan. 24
Patience is a virtue, and UK drill sensation Central Cee proves it with the release of his long-awaited debut studio album, Can’t Rush Greatness, on Jan. 24.
Known for his hit “Sprinter” with Dave and viral tracks like “Doja” and “BAND4BAND,” Central Cee recorded the album in several locations throughout 2024. According to a press release, the tracklist will feature collaborations with guest producers and Dave, although it remains unclear whether “Sprinter” will be included or if the duo has created new music together.
Interestingly, his latest single, “One By One,” will not appear on Can’t Rush Greatness despite its lyrical nod to the album’s ethos: “You can’t rush greatness, you gotta take your time, maintain it slowly.”
Kane Brown — The High Road
Release date: Jan. 24
“The High Road is my favorite album I’ve ever made,” Kane Brown shared with the Associated Press about his upcoming fourth LP. Set to release on Jan. 24, the album showcases Brown’s musical diversity while exploring deeply personal themes.
Featuring collaborations with Brad Paisley, Khalid, Jelly Roll, and Marshmello, as well as two tracks with his wife Katelyn Brown, The High Road demonstrates the modern country star’s ability to push boundaries. Brown reflected, “[I’ve] always been kind of nervous to push boundaries and do certain things. But I’ve been here for almost a decade now, so I needed to stop hiding and just do what I love to do.”
Singles “Body Talk” with Katelyn Brown and “Backseat Driver” offer a glimpse into this multi-genre journey. Brown will kick off his High Road Tour on March 13 in San Diego.
The Weeknd — Hurry Up Tomorrow
Release date: Jan. 24
The Weeknd is set to complete his celebrated trilogy — following After Hours (2020) and Dawn FM (2022) — with Hurry Up Tomorrow, dropping on Jan. 24.
Spearheaded by singles “Dancing in the Flames,” “Timeless” featuring Playboi Carti, and “São Paulo” with Brazilian singer Anitta, the album promises to be a fitting conclusion to this era. Another track, “Open Hearts,” was released on Nov. 14 as part of an immersive music experience in partnership with Apple, and is available only on the Apple Vision Pro.
To celebrate, The Weeknd will perform a one-off concert at Pasadena’s Rose Bowl on Jan. 25. In May, he will premiere an eponymous feature film inspired by the album, starring himself alongside Jenna Ortega and Barry Keoghan. Directed by Trey Edward Shults, the psychological thriller is expected to explore themes from Hurry Up Tomorrow.
Joaquina — Al Romper La Burbuja
Release date: Jan. 31
Venezuelan singer Joaquina continues to shine after winning the 2023 Latin GRAMMYs’ Best New Artist Award. Her debut studio album, Al Romper La Burbuja, will be released on Jan. 31.
Written by Joaquina and co-produced by Julio Reyes Copello, the albums blends “a bold fusion of folk, pop-rock, and avant-garde influences, blending dirty synths, intricate guitar work, and emotive vocals, crafting a sound that is both contemporary and timeless,” according to a press release. To preview these sounds, Joaquina shared the sweet single “aeropuerto.”
“Al Romper La Burbuja is my first album. It’s a project that I wrote mostly when I was around 19 years, so it reflects a very transitional stage in my life,” Joaquina explained. “Where, for the first time, I was learning to be an adult, discovering many things about myself and the world, and thinking about the person I want to be in my life.”
Sharon Van Etten & the Attachment Theory — Sharon Van Etten & the Attachment Theory
Release date: Feb. 7
New Jersey native Sharon Van Etten is venturing into new territory with her latest band project, Sharon Van Etten & the Attachment Theory. The self-titled debut, arriving Feb. 7 via Jagjaguwar, leads with the single “Afterlife,” which twists ’80s goth rock into a contemporary indie ballad.
“For the first time in my life, I asked the band if we could just jam,” Van Etten shared in a statement. “Words that have never come out of my mouth — ever! But I loved all the sounds we were getting.”
The band features percussionist Jorge Balbi, bassist Devra Hoff, and multi-instrumentalist Teeny Lieberson, with production by Marta Salogni. Following the release, the group will embark on a European tour supported by Nabihah Iqbal, before heading to North America in April and May.
Olly Alexander — Polari
Release date: Feb. 7
“In the ‘lost gay language’ of Polari, ‘Polari’ means ‘to speak,'” Olly Alexander, on Instagram. “I was very inspired by how we communicate with each other and what it means to speak a secret language, something I think we all do in some form or another with the people we’re close to.”
The former Years & Years frontman’s solo debut, Polari, will arrive on Feb. 7. The album includes his Eurovision 2024 entry for the U.K., “Dizzy,” as well as the gritty title track and the propulsive single “Cupid’s Bow.” Described as “a pop album for the ages,” Polari delves into themes of intimacy, desire, and connection, while reflecting on history as a means of self-discovery.
Alexander will bring Polari to life on the Up Close and Polari Tour, which kicks off in March, with stops across Europe and the U.K. in 15 cities, including Luxembourg and London.
Dream Theater — Parasomnia
Release date: Feb. 7
Progressive metal pioneers Dream Theater mark the return of founding drummer Mike Portnoy with their 15th studio album, Parasomnia, out Feb. 7. The reunion follows a 13-year separation and signals a return to the band’s original dynamic, which has inspired a generation of musicians since the ’80s.
Parasomnia‘s first single, “Night Terror,” released in October 2024, spans nearly 10 minutes and recalls the brooding atmosphere of Black Clouds & Silver Linings (2009) — the last Dream Theater album featuring Portnoy. The LP includes eight tracks and clocks in at over 70 minutes, a quintessential feature of the band’s progressive style.
Parasomnia arrives as part of Dream Theater’s 40th Anniversary Tour, which began in Europe and South America in late 2024 and will continue with North American stops starting in February.
Bartees Strange — Horror
Release date: Feb. 14
Bartees Strange will join the line of February comebacks with Horror, his second studio album on 4AD, out Feb. 14. Co-produced by Jack Antonoff, Yves Rothman, and Lawrence Rothman, the record reflects on fear and connection, offering solace to listeners facing their own struggles.
“In a way, I think I made this record to reach out to people who may feel afraid of things in their lives, too,” Strange said in a press statement. “I think that it’s easier to navigate the horrors and strangeness of life once you realize that everyone around you feels the same. This album is just me trying to connect.”
Singles “Lie 95,” “Too Much,” and “Sober” preview Horror‘s raw emotional landscape. To support the release, Strange will perform at select shows in Los Angeles, D.C., New York, and London.
Alessia Cara — Love & Hyperbole
Release date: Feb. 14
Alessia Cara makes her long-awaited comeback with Love & Hyperbole, releasing on Valentine’s Day. The Canadian singer teased the album as her “best work to date — or at least my personal favourite” in a heartfelt Instagram post.
Single’s like “Dead Man,” a haunting reflection on the end of a relationship, and “(Isn’t It) Obvious,” her collaboration with John Mayer about the challenges of long-distance relationships, offer a glimpse into Cara’s deeply personal and introspective songwriting.
“‘Dead Man’ is about emotional distance, ‘(Isn’t It) Obvious’ reflects the physical separation in a relationship while reminding someone how deeply you care,” Cara explained.
The Wombats — Oh! The Ocean
Release date: Feb. 14
Liverpool’s indie rock mainstays The Wombats are set to drop their most introspective album yet, Oh! The Ocean, on Feb. 14. A product of six weeks in Echo Park, L.A., with producer John Congleton, the LP distills over 50 demos into a cathartic exploration of life’s epiphanies.
Frontman Matthew “Murph” Murphy shared that the title was inspired by a revelatory beach trip. “It felt like the first time I had ever seen it and was truly present,” he shared. “I had been living a life caught up in my own head, or in some kind of racing helmet or with blinkers on. It was really a potent experience.”
Oh! The Ocean signals a creative evolution for The Wombats while staying true to their confessional lyrics and infectious energy, a hallmark since their 2007 debut.
Sam Fender — People Watching
Release date: Feb. 21
“People Watching is about somebody that was like a surrogate mother to me and passed away last November,” said U.K. rocker Sam Fender about his upcoming album and title track, via Instagram. “I was by her side at the end, slept on a chair next to her. It’s about what was going through my head, to and from that place and home.”
The person Fender refers to was Annie Orwin, whom he describes as “the one that gave me the confidence to go on stage.” Now, he hopes to honor her memory with his third studio album, dropping Feb. 21. In a press release, the album is broadly described as “colourful stories and observations of everyday characters living their everyday, but often extraordinary, lives.”
People Watching follows up 2021’s Seventeen Going Under, and was produced by Fender alongside bandmates Dean Thompson, Joe Atkinson, producer Markus Dravs, and The War On Drugs‘ Adam Granduciel. The North Shields singer previewed some of the new sounds at his U.K. tour in December, and will head out to Europe and North America throughout March and April.
Patterson Hood (Drive By Truckers) — Exploding Trees & Airplane Screams
Release date: Feb. 21
Patterson Hood, the co-founder of Drive-By Truckers, will release his first solo record in over a decade, Exploding Trees & Airplane Screams on Feb. 21. The album draws inspiration from Hood’s short story, “The Exploding Trees,” recounting a natural disaster in his North Alabama hometown, that prompted his move to Athens, Georgia, where Drive-By Truckers came together in 1996.
The ten-track record spans various phases of Hood’s career, including “Airplane Screams,” written over 40 years ago, and “A Werewolf and A Girl,” a collaboration with Lydia Loveless about his high school sweetheart. Several piano-based compositions mark a departure from Hood’s work with Drive-By Truckers. Contributions from Waxahatchee and Wednesday further enrich the album, making it a must-listen for fans.
Tate McRae — So Close to What
Release date: Feb. 21
Tate McRae is ready to captivate listeners again with her second full-length album, So Close to What, out on Feb. 21. The Canadian singer/dancer described the making of the album as “the most beautiful and exciting journey,” expressing her excitement to share it with fans.
September’s viral hit “It’s ok I’m ok” and the heartfelt single “2 hands” preview McRae’s blend of emotional vulnerability and pop polish. According to a press release, the album explores “self-discovery, love, and searching for balance,” chronicling her journey of growing up.
McRae will kick off her Miss Possessive Tour in March, spanning 56 stops across North America, South America, and Europe, bringing her new music to audiences worldwide.
Silverstein — Antibloom
Release date: Feb. 21
Post-hardcore icons Silverstein will celebrate 25 years together with the double album Antibloom/Pink Moon. “For a milestone this large, we felt it deserved the largest campaign of our career,” the band shared in a statement.
Produced by Sam Guaiana in Joshua Tree, CA, Antibloom arrives on Feb. 21, with Pink Moon slated for later in the year. Singles “Skin & Bones” and “Confession,” show off the best of the band’s melodic riffs and honest messages.
“They say it takes an artist their whole life to write their debut album, but with starting this band so young, it felt like it took 25 years to write Antibloom/Pink Moon — the absolute collection of our musical style and ideas we’ve pioneered over these years,” the band added. Starting Jan. 10, Silverstein will launch their 25 Years of Noise tour in North America before heading to Europe.
Mdou Moctar — Tears of Injustice
Release date: Feb. 28
Tuareg guitarist Mdou Moctar and his band will release a new album, Tears of Injustice, an acoustic re-recording of their 2024 LP, Funeral for Justice.
“When Mdou writes the lyrics, he typically writes them with an acoustic guitar. So you’re getting closer to that original moment,” said the group’s bassist and producer, Mikey Coltun, in a statement. “It retains heaviness, but it’s haunting.” Overall, the LP is described as “the sound of grief,” in comparison to Funeral for Justice’s “sound of outrage.”
“We’re always playing around with arrangements at shows. We wanted to prove that we could do it on a record, too,” added Coltun. “And there’s a whole other side of the band that comes out when we play a stripped-down set. It becomes something new.” Ahead of the release, the band will play a slew of North American dates, including stops at Toronto, Nashville, and New York.
Read more: 15 Essential Afrorock Songs: From The Funkees To Mdou Moctar
Panda Bear — Sinister Grift
Release date: Feb. 28
Panda Bear, the alias of Animal Collective’s Noah Lennox, will make his solo return after five years with Sinister Grift. The much-awaited album, following 2019’s Buoys, drops on Feb. 28.
Recorded at his home studio in Lisbon, Portugal, Sinister Grift marks a shift in Panda Bear’s sound, described as “an old-school rock ensemble.” Lennox played nearly all the instruments and invited guests such as Cindy Lee, Spirit of the Beehive’s Rivka Ravede. According to a statement, it’s his “warmest and most immediate work yet.”
The album’s intimate lead single “Defense” featuring Cindy Lee, highlights the Baltimore singer’s evolving creative approach. Panda Bear closed 2024 with a string of European shows and will join Toro y Moi for a North American tour starting in February.
Banks — Off With Her Head
Release date: Feb. 28
“In many ways, this album serves as a big sister to Goddess,” said Banks in a statement about her upcoming album, Off With Her Head. “After a decade apart, I’ve reunited with the core musicians and producers who shaped my debut. Yet, it also represents something entirely new, reflecting my growth as both an artist and a person.”
Following the experimental 2022 LP Serpentina and December’s acoustic Goddess Unplugged, Off With Her Head is a return to Bank’s roots while embracing her evolution. “The title symbolizes the various ways we construct, perform, express, and sometimes hide our thoughts,” she told Billboard. There’s a tension between how we see ourselves and the roles that society imposes. Breaking free from that has been incredibly liberating, and this journey is captured throughout the album.”
Together with the announcement, Banks shared the sorrowful single “Best Friends” honoring a lost friendship. The single follows October’s “I Hate Your Ex-Girlfriend” featuring Doechii, which will also appear on the album.
Lisa — Alter Ego
Release date: Feb. 28
BLACKPINK’s Lisa will make her solo studio album debut with Alter Ego, releasing Feb. 28. The album follows a string of hits like “Rockstar,” “New Woman” featuring Rosalía, and “Moonlit Floor (Kiss Me).”
Lisa shared a three-minute album teaser that travels through five different locations, from lush gardens to an outer space catwalk. According to a press release, these settings represent the five “unique personalities” — or alter egos — embodied on the record.
The album will be released through Lisa’s own company, Lloud, in partnership with RCA Records. Alongside its promotional rollout, 2025 may also see a BLACKPINK reunion.
Read more: Breaking Down Every Solo Act From BLACKPINK
Spiritbox — Tsunami Sea
Release date: March 7
Heavy metal band Spiritbox is gearing up to release their sophomore album, Tsunami Sea, on March 7. The LP follows their highly successful 2021 debut Eternal Blue and the 2023 EP Fear of Fear, which earned the band two consecutive GRAMMY nominations.
As usual, Tsunami Sea was co-produced by the band’s Mike Stringer and Dan Braunstein. The album was inspired by what vocalist Courtney LaPlante calls “her island” — their hometown of Vancouver, Canada — and “represents the feeling of growing up on the island I am from, and the feelings of longing to leave isolation and longing to go back,” as well as “about what it feels like to be me,” she wrote on X.
First offerings “Soft Spine” and “Perfect Soul,” showcase some of those feelings, anchoring the band’s emotiveness with an even deeper intensity. Spiritbox will kick off a North American tour in April alongside bands Loathe, Dying Wish, and Gel.
Coheed and Cambria — Vaxis Act III: The Father Of Make Believe
Release date: March 14
“With every album I try to ‘outdo’ the one before, or at least make something that sounds different and evolved in some way,” said Coheed and Cambria’s Claudio Sanchez about the band’s latest effort, Vaxis Act III: The Father of Make Believe, out Mar. 14.
Continuing the Amory Wars/Vaxis narrative from Vaxis Act II: A Window of the Waking Mind, the new album traverses rock genres and emotions, driven by Sanchez’s dexterous vocals. The album’s first single, “Searching for Tomorrow,” serves as a reminder that “chasing something better can blind you to the good in your life,” Sanchez added.
The album explores themes of growth and internal battles, while continuing to push the boundaries of the band’s signature progressive style.
Lana Del Rey — The Right Person Will Stay
Release date: May 21
Fresh off 2023’s Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey is set to release The Right Person Will Stay on May 21.
The album features 13 tracks crafted in collaboration with Jack Antonoff, Drew Erickson, Luke Laird, and Zach Dawes. Earlier this year, Lana teased “Henry, Come On,” one of the songs on the record. She plans to preview more tracks at the Stagecoach Festival in April.
Following the release, Del Rey will embark on a stadium tour in the U.K. and Ireland in June.
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