{"id":1232185,"date":"2025-03-10T09:11:04","date_gmt":"2025-03-10T09:11:04","guid":{"rendered":"https:\/\/celebrity.land\/pt\/?p=1232185"},"modified":"2025-03-10T09:11:04","modified_gmt":"2025-03-10T09:11:04","slug":"a-guide-to-greater-bostons-bounty-of-spring-classical-music-events","status":"publish","type":"post","link":"https:\/\/celebrity.land\/pt\/a-guide-to-greater-bostons-bounty-of-spring-classical-music-events\/","title":{"rendered":"A guide to Greater Boston\u2019s bounty of spring classical music events"},"content":{"rendered":"\n<figure><\/figure>\n<\/p>\n<div id=\"\"><span class=\"anchor\" id=\"intro\" \/><\/p>\n<p class=\"indent-medium\">\u201cHarken to the tidings that will bring the spring!\u201d That\u2019s what we sang in the third grade to the tune of \u201cSpring Song,\u201d Mendelssohn\u2019s most famous \u201cSong <em>without<\/em> Words.\u201d We all hope this hard winter is now over, and that spring will suddenly fill the air. Here\u2019s a catalogue of upcoming spring concerts, many of which sound not only seasonal but irresistible. And don\u2019t forget the numerous free upcoming concerts at our local parks, schools, conservatories and churches.<\/p>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"symphony\" \/><span><\/p>\n<h2>SYMPHONY ORCHESTRAS<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>Symphony Hall | March 20-May 3<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Three of our leading orchestra\u2019s five low-price morning family concerts led by Thomas Wilkins are already sold out. <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/2025-bso-family-concert?performance=2025-03-22-12:00\">\u201cSounding Together: An Exploration of Courage, Caution, and Kindness\u201d<\/a> includes tuneful excerpts from works by Stravinsky, Shostakovich, Bonds, Gounod, Grieg and Carlos Simon (March 21-22).<\/p>\n<p class=\"\">The next concert is also sure to be packed: Mozart\u2019s unfinished final work, his beloved Requiem, with Finnish conductor Dima Slobodeniouk leading a cast that includes the Metropolitan Opera lyric soprano Erin Morley, mezzo-soprano Avery Amereau, tenor Simon Bode and impressive young bass Morris Robinson. The concert begins with Arvo P\u00e4rt\u2019s \u201cTabula Rasa\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/dima-slobodeniouk-conducts-mozart-requiem\">March 27-29<\/a>). Then Slobodeniouk returns the following week with three pieces that responded to war, Adolphus Hailstorks\u2019s \u201cLachrymosa: 1919,\u201d Stravinsky\u2019s great but seldom programed Symphony in Three Movements, and the Elgar Violin Concerto with German violin virtuoso Frank Peter Zimmermann (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/dima-slobodeniouk-conducts-hailstork-stravinsky-elgar\">April 3-5<\/a>).<\/p>\n<p class=\"\">The BSO\u2019s music director Andris Nelsons returns to the composer for whom he\u2019s currently most admired in a series called \u201cDecoding Shostakovich.\u201d He begins with two of the composer\u2019s least performed symphonies, Nos. 6 and 11 (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/shostakovich-symphonies-6-11\">April 10<\/a>). Then, for one night only, Nelsons repeats the Shostakovich 11th along with his first Cello Concerto, with Yo-Yo Ma, a concert already listed as sold out but there\u2019s always a last-minute chance for a returned ticket (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/andris-nelsons-conducts-shostakovich-with-yoyo-ma\">April 11<\/a>).<\/p>\n<p class=\"\">The following week, the beloved pianist Mitsuko Uchida joins Nelsons in Beethoven\u2019s most beloved piano concerto, No. 4, on a program with Shostakovich\u2019s uncanny final symphony (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/beethoven-shostokovich-mitsuko-uchida\">April 17-19<\/a>). Nelsons then repeats the 6th after the world premiere of Aleksandra Vrebalov\u2019s \u201cLove Canticles\u201d\u00a0for chorus and orchestra, a BSO commission, and Stravinsky\u2019s \u201dSymphony of Psalms,\u201d a profound work I hope Nelsons has begun to figure out how to bring to life (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/andris-nelsons-conducts-vrebalov-stravinsky-shostako\">April 26-27<\/a>). The Shostakovich series and the entire spring season concludes with the composer\u2019s Violin Concerto No. 1, with Nelsons\u2019 eloquent Latvian compatriot and frequent collaborator Baiba Skride, and Symphony No. 8 (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bso.org\/events\/andris-nelsons-conducts-shostokovich-with-baiba-skride-violin\">May 2-3<\/a>).<\/p>\n<section class=\"section--bp\" \/><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall | March 22 &amp; May 10<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Boston\u2019s \u201cdoctors\u2019 orchestra\u201d consists largely of serious amateur players who are primarily healthcare professionals, giving ambitious concerts both for the pleasure of playing and to raise money for deserving nonprofit medical organizations (a different one for each concert). Since 1991, the Longwood has collected more than $2.8 million for more than 50 \u201cCommunity Partners.\u201d This spring, music director Jotaro Nakano leads two programs. \u201cLux Aeterna\u201d (benefiting the Multiple Myeloma Research Foundation) includes the world premiere of Zachary Fick-Cambria\u2019s \u201cInvictus,\u201d Morten Lauridsen\u2019s \u201cLux Aeterna (Eternal Light),\u201d with the Longwood Chorus, and Brahms\u2019s First Symphony (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/longwoodsymphony.org\/concerts\/mar22-2025\">March 22<\/a>). Florence Price\u2019s \u201cAdoration\u201d provides the title for the second program (benefiting Vinfen), which includes a guest performance by Cambridge Common Voices and the Rachmaninoff Second Symphony (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/longwoodsymphony.org\/concerts\/may10-2025\">May 10<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-5\"><img decoding=\"async\" src=\"https:\/\/img.youtube.com\/vi\/E62Z-Xs5iWg\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p><span \/><span><\/p>\n<h3>Symphony Hall | April 18 &amp; May 1<\/h3>\n<p><\/span><\/p>\n<p class=\"\">This past February, Benjamin Zander, <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.wbur.org\/news\/2025\/02\/12\/conductor-benjamin-zander-boston-philharmonic-orchestra\">celebrating his 85th birthday<\/a>, delivered one of the most expressive and beautiful of his legendary Mahler performances, the enchanting Symphony No. 4, which ends with a child\u2019s view of heaven (British soprano Claire Booth gave that wide-eyed child an infinitely touching presence). This spring, Zander offers Mahler\u2019s overwhelming Symphony No. 2 (\u201cResurrection\u201d), with Swedish soprano Miah Persson and the heartbreaking British mezzo-soprano Dame Sarah Connolly, who made an extraordinary appearance in 2022\u2019s Mahler, \u201cDas Lied von der Erde.\u201d Boston\u2019s Chorus pro Musica plays another crucial role in this apocalyptic masterpiece (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bostonphil.org\/concerts\/2024-2025\/bpo4-mahler\">April 18<\/a>).<\/p>\n<p class=\"\">Zander\u2019s remarkable Youth Philharmonic offers a varied program of Debussy\u2019s seductive \u201cPrelude to the Afternoon of a Faun,\u201d Walton\u2019s Cello Concerto with recent Montreal competition winner (and YPO graduate) Leland Ko, and Rachmaninoff\u2019s long-winded Symphony No. 2 (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.bostonphil.org\/concerts\/2024-2025\/bpyo3-debussy-walton-rachmaninoff\">May 1<\/a>).<\/p>\n<figure class=\"article-fig size-large\"><img decoding=\"async\" class=\"size-large article-image\" src=\"https:\/\/media.wbur.org\/wp\/2025\/02\/BPO-4.26.24-BenjaminZander-1000x667.jpg\" alt=\"Benjamin Zander conducting the Boston Philharmonic Orchestra in 2024. (Courtesy Hilary Scott)\" width=\"1000\" height=\"667\" loading=\"lazy\" \/><figcaption class=\"article-fig-caption\">Benjamin Zander conducting the Boston Philharmonic Orchestra in 2024. (Courtesy Hilary Scott)<\/figcaption><\/figure>\n<p><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall | April 27<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Francisco Noya leads the Civic Symphony in the <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bostoncivicsymphony.org\/Concert-Details\/sunday-april-27-2025-300-pm-est\/\">Beethoven 9th<\/a>, a work so familiar that the audience is actually invited to sing along with the chorus in the final \u201cOde to Joy.\u201d The hard-working chorus is Boston\u2019s versatile and game Chorus pro Musica. (Music Director Jamie Kirsch <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/choruspromusica.org\/concerts-tickets\/\">leads the group this season<\/a> in such diverse works as Mahler\u2019s \u201cResurrection\u201d Symphony with the Boston Philharmonic, April 18, and John Adams\u2019s \u201cHarmonium\u201d with the New England Philharmonic, May 3.) The Beethoven soloists will be soprano Patrice Tiedemann, alto Emily Harmon, tenor Neal Ferreira and bass Daniel Brevik.<\/p>\n<p><span \/><span><\/p>\n<h3>Tsai Performance Center, Boston University | May 3<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Music director Tianhui Ng leads the New England Philharmonic\u2019s spring program \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/nephilharmonic.org\/concerts\/paths-of-peace\">Paths of Peace\u201d<\/a> in two proven 20th-century masterpieces \u2014 Hindemith\u2019s \u201cMathis der Maler\u201d (1934) and John Adams\u2019 \u201cHarmonium\u201d (1980) with Boston\u2019s Chorus pro Musica. The group will also performtwo relatively untested works in their Boston premieres: Roxanna Panufnik\u2019s \u201cAbraham,\u201d with one of my favorite violinists Danielle Maddon (2015), and Eric Nathan\u2019s \u201cOpen again a turn of light\u201d (2023).<\/p>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"visiting\" \/><span><\/p>\n<h2>VISITING ARTISTS<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>Multiple locations | March 23-April 29<\/h3>\n<p><\/span><\/p>\n<p class=\"\">The Celebrity Series of Boston is the organization we turn to for the widest selection of visiting artists outside of the guest virtuosos performing with the BSO. Springtime brings the esteemed Calidore String Quartet in a thoughtful program beginning with one of the least played of Beethoven\u2019s string quartets, the \u201cHarp,\u201d along with Jessie Montgomery\u2019s \u201cStrum,\u201d Schubert\u2019s exquisite single-movement \u201cQuartettsatz,\u201d and a real rarity, Korngold\u2019s String Quartet No. 3 (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/calidore\/\">NEC\u2019s Jordan Hall, March 23<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-8\"><img decoding=\"async\" src=\"https:\/\/img.youtube.com\/vi\/ucV-erYqy8U\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Lovers of traditional classical music will be excited by the appearance together of celebrated German violinist Julia Fischer and Canadian pianist Jan Lisiecki in sonatas by Mozart, Beethoven (the \u201cSpring\u201d Sonata, of course) and Schumann (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/julia-fischer-and-jan-lisiecki\/\">NEC\u2019s Jordan Hall, March 28<\/a>).<\/p>\n<p class=\"\">The great Borromeo String Quartet makes an appearance as both performer and mentor. After playing a variety of selections, the quartet will be joined by the young musicians of the Boston String Academy, who they\u2019ve been coaching in Tchaikovsky&#8217;s\u00a0\u201cSouvenir de Florence\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/stringfest-borromeo\/\">Salvation Army Kroc Center, March 29<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-9\"><img decoding=\"async\" src=\"https:\/\/img.youtube.com\/vi\/QlIjky2-4Uc\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Russian pianist Zlata Chochieva is better known in Europe than in this country. She\u2019s making her Boston debut with a program that includes pieces by Schumann, Brahms and Rachmaninoff (one of her specialties), beginning with a Bart\u00f3k arrangement of a movement from a Bach organ sonata and Rachmaninoff\u2019s arrangement of the ebullient Scherzo from Mendelssohn\u2019s music for \u201cA Midsummer Night\u2019s Dream\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/zlata-chochieva-piano\/\">Longy\u2019s Pickman Hall, April 1<\/a>).<\/p>\n<p class=\"\">The youngest cellist ever to win a Tchaikovsky Competition gold medal, 26-year-old cellist Zlatomir Fung makes his Celebrity Series debut with a fascinating program that suggests his love for opera and film. He\u2019ll be playing an arrangement for cello and piano of Brahms\u2019s Violin Sonata No. 3, along with a series of arrangements of some well-known pieces composed for other instruments. The piece I\u2019m most eager to hear is his own arrangement of Bernard Herrmann\u2019s unforgettable \u201cSc\u00e8ne d\u2019amour\u201d \u2014 the intense love music from Alfred Hitchcock\u2019s \u201cVertigo\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/zlatomir-fung-cambridge\/\">Longy\u2019s Pickman Hall, April 16<\/a>; <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/zlatomir-fung-groton\/\">Groton Hill Music Center, April 17<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-10\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/teCzkM-Osjk\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">I\u2019m not a dyed-in-the-wool fan of celebrity Russian piano virtuoso Evgeny Kissin, but I admit that in certain repertoire he can be very exciting and not merely virtuosic for its own sake. His Celebrity Series program includes a shot at the Bach C-minor Partita, a selection of Chopin nocturnes, and the composer with whom Kissin ought to excel, Shostakovich (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.celebrityseries.org\/productions\/evgeny-kissin-2025\/\">Symphony Hall, April 29<\/a>).<\/p>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"opera\" \/><span><\/p>\n<h2>OPERA &amp; VOCAL<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>First Church, Jamaica Plain | April 10-13<\/h3>\n<p><\/span><\/p>\n<p class=\"\">This feisty little company overflows with imaginative ideas. This season, BOC is delivering Humperdinck\u2019s ever-endearing \u201cH\u00e4nsel und Gretel.\u201d This opera is about food, so BOC is reimagining it as a food drive for the Brookline Food Pantry.<\/p>\n<p><span \/><span><\/p>\n<h3>Emerson Colonial Theatre &amp; Symphony Hall | April 4-13 &amp; May 3<\/h3>\n<p><\/span><\/p>\n<p class=\"\">The Boston Lyric Opera\u2019s 2024-2025 season got off to a shaky start. Mozart\u2019s early opera seria \u201cMitridate\u201d was a mixed bag (good singers, unfocused staging, uninspired conducting) and the concert version of Verdi\u2019s \u201cAida\u201d came close to disaster (begging the question about performing a concert version of an opera that relies so heavily on spectacle). BLO is now turning to Broadway with a new production of Rodgers and Hammerstein\u2019s beloved musical \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/blo.org\/carousel\/\">Carousel<\/a>\u201d (Emerson Colonial Theatre, April 4-13) directed by Anne Bogart, whose sensational 2019 staging in a Harvard basketball court of Poul Ruders\u2019 \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.wbur.org\/news\/2019\/05\/03\/the-handmaids-tale-comes-home-harvard-opera\">The Handmaid\u2019s Tale<\/a>\u201d was one of the most impressive productions in BLO history. Bogart has written about the contemporary issues she\u2019ll be exploring \u2014 &#8220;domestic violence, cycles of poverty and crime, suicide, and toxic masculinity\u201d \u2014 without sacrificing the show\u2019s inherent magic.<\/p>\n<p class=\"indent-medium\">\u201cCarousel\u201d has R&amp;H\u2019s most poignant love duet, \u201cIf I Loved You,\u201d and one of the team\u2019s soggiest spiritual anthems, \u201cYou\u2019ll Never Walk Alone.\u201d The cast includes soprano Brandie Sutton as the mill girl Julie Jordan, baritone Edward Nelson as the carnival barker Billy Bigelow, the Metropolitan Opera\u2019s star mezzo-soprano Jamie Barton as Nettie Fowler \u2014 not walking alone, and soprano Anya Matanovi\u0109 as Julie\u2019s chirpy friend Carrie. Fun historical fact: in 1945, \u201cCarousel\u201d had its first out-of-town tryout at the Colonial Theatre.<\/p>\n<p class=\"\">BLO ends its season with a single performance of Benjamin Britten\u2019s delightful \u201cbiblical\u201d opera for and with children, \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/blo.org\/noahs-flood\/\">Noah\u2019s Flood<\/a>\u201d (Symphony Hall, May 3), based on a 15th-century English miracle play. A.R.T.\u2019s Dayron Miles stages the production with baritone David McFerrin and mezzo-soprano Alexis Peart as Noah and Mrs. Noah, along with members of the Boston Children\u2019s Chorus, Boston String Academy, Back Bay Ringers, VOICES Boston, Boston Recorder Orchestra, Community Music Center of Boston, Boston Symphony Orchestra and the New England Conservatory Preparatory School. David Angus conducts. Tickets are free.<\/p>\n<p><span \/><span><\/p>\n<h3>First Church Congregational, Cambridge &amp; First Parish Church, Bedford | April 11 &amp; 13<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Known more familiarly as \u201cBen &amp; Brad,\u201d because Benjamin Sears and Bradford Conner are its co-founders and best-known performers, American Classics is unique in the Boston area \u2014 delighting audiences in the repertoire of Broadway musicals and other popular songs (sometimes giving us a chance to hear the whole score of a forgotten show). Their 2024-25 season \u2014 \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/americanclassics.benandbrad.com\/current-season.html\">Sun, Moon, and Stars<\/a>\u201d \u2014 has been devoted to songs referring to those astronomical phenomena. The final concert, \u201cWish Upon a Star,\u201d will include such standards as \u201cSwinging on a Star,\u201d \u201cYou Are My Lucky Star,\u201d \u201cStar-Dust\u201d and \u201cStars Fell on Alabama,\u201d along with songs like \u201cNice Work If You Can Get It,\u201d \u201cAll The Things You Are,\u201d \u201cHow Deep is the Ocean,\u201d \u201cBegin the Beguine\u201d and \u201cThe Man that Got Away\u201d with more secret stellar references. Joining Ben &amp; Brad in this delectable romp are Valerie Anastasio, Jean Danton, Michelle Deluise, Christina English, Brandan Milardo, Wes Hunter and John Manning with pianist Steve Sussman.<\/p>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"choral\" \/><span><\/p>\n<h2>CHORAL MUSIC<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>Emmanuel Church | March 23-May 11<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Emmanuel\u2019s weekly Bach cantatas are a kind of spiritual center of musical life in Boston. Though the cantatas are actually part of the 10 a.m. church service, the public is welcome to arrive at 11 a.m. just to hear the cantatas. Music director Ryan Turner leads most of them, and the illuminating notes on the cantatas by the late Craig Smith, Emmanuel Music\u2019s founding music director (with additions by Turner), are very much\u00a0<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.emmanuelmusic.org\/performance-info\/2024-2025-cantata-schedule\">worth reading<\/a>. On May 4, Elena Ruehr\u2019s \u201cSongs of the Earth\u201d will replace the Bach (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.emmanuelmusic.org\/performance-info\/2024-2025-cantata-schedule\">March 23-May 11<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-13\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/qtI8C0Dhe78\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Not choral music, the free Thursday afternoon <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.emmanuelmusic.org\/performance-info\/lindsey-chapel-series\">Lindsay Chapel series<\/a> continues its cycle of Bach\u2019s English Suites with harpsichordist Peter Sykes (March 27 and April 3) and Sylvia Berry (April 10).<\/p>\n<p class=\"\">The biggest Emmanuel event will be Ryan Turner leading Bach\u2019s monumental B-minor Mass. The 11 superb soloists are a shortlist of some of the best singers in Boston: sopranos Susan Consoli, Carley DeFranco, Sonja Tengblad and Janet Ross; altos Krista River, Carrie Cheron, Katherine Maysek and Deborah Rentz-Moore; tenors Jonas Budris and Charles Blandy; and basses Nathan Halbur and Will Prapestis (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.emmanuelmusic.org\/performance-info\/j-s-bach-b-minor-mass\">May 3<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>Multiple locations | March 30-May 2<\/h3>\n<p><\/span><\/p>\n<p class=\"\">The Cantata Singers\u2019 first spring concert will be a chamber program directed by Allison Voth, celebrating Boston composers past (Amy Beach, Arthur Foote and Leonard Bernstein), present (Peter Child, John Harbison, Marti Epstein and Elena Ruehr), and with the gifted young composer Omar Najmi, future (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cantatasingers.org\/chamber-series-2\">French Library, Boston, March 30<\/a>). Then music director Noah Horn will conduct Joby Talbot\u2019s \u201cPath of Miracles\u201d (2005), a 75-minute piece scored for crotales and a 17-part choir singing in seven different languages (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cantatasingers.org\/path-of-miracles\">Saint Cecilia Parish, Boston, May 2<\/a>).<\/p>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"chamber\" \/><span><\/p>\n<h2>SOLO &amp; CHAMBER MUSIC<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>Isabella Stewart Gardner Museum | March 23-April 27<\/h3>\n<p><\/span><\/p>\n<p class=\"\">So far, the Gardner Museum Sunday afternoon concerts have been the best musical events I\u2019ve been to this year. The spring season begins with French harpsichordist Jean Rondeau and two of his colleagues from the period-instrument ensemble NEVERMIND, violinist Louis Creac\u2019h and viola da gambist Robin Pharo, in an afternoon devoted to French Baroque music, including works by Marin Marais and Couperin as well as some lesser-known composers (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.gardnermuseum.org\/calendar\/nevermind\">March 23<\/a>).<\/p>\n<p class=\"\">The Morgenstern Piano Trio, from Germany, is offering a program associated with Isabella Stewart Gardner herself in several ways: pieces by two of the leading women composers of her time, Germaine Tailleferre and Lili Boulanger, and pieces by composers Gardner actually met: Faur\u00e9 and Brahms (the heavenly Piano Trio in B flat, Op. 8). The press release informs us that Gardner actually possessed a cigarette hand-rolled by Brahms himself (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.gardnermuseum.org\/calendar\/morgenstern-piano-trio\">March 30<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-15\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/bDP2dHOeurM\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Stellar cellist Sterling Elliott returns to the Gardner to explore the \u201cAmerican sound,\u201d with works by 19th-century composer Amy Beach and a stylistic spectrum of works by 20th and 21st-century Black composers William Grant Still, George Walker, Jean Perrault and Kevin Day (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.gardnermuseum.org\/calendar\/sterling-elliott-cello\">April 27<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>Multiple locations | March 28-May 9<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Few groups have a more devoted following than this exciting conductorless chamber music collective, which has three subscription programs coming up, each curated by a member of the ensemble and each with a typically witty title. First, there\u2019s \u201cFor Seasons\u201d (not a typo!), a program dealing with climate change curated by Michael Unterman, which includes Vivaldi\u2019s fabulous foursome interspersed with \u201cseasoned\u201d works by Anna Thorvaldsdottir, Sufjan Stevens, Quinn Mason and Caroline Shaw (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.afarcry.org\/all\/grotonhill-feb-xf47b\">Groton Hill Music Center, March 28<\/a>; <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.afarcry.org\/all\/for-seasons-concert\">NEC\u2019s Jordan Hall, March 29<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-16\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/X4B2rokpqcw\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Next, in \u201cSibling Sounds,\u201d curator Sarah Darling gives us music by Vivaldi, Telemann, Bacewicz and Gubaidulina for the rare combination of either four violins or four cellos (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.afarcry.org\/all\/sibling-sound-concert\">St. John\u2019s Church, Jamaica Plain, April 12<\/a>; <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.afarcry.org\/all\/sibling-sound-cambridge\">First Church Cambridge, April 13<\/a>). And finally, curator Caitlin Lynch has invited Canadian pianist Stewart Goodyear (famous for performing all 32 Beethoven sonatas in a single day) to play pieces by Franz Schreker, Felix Mendelssohn, Teresa Carre\u00f1o and, in its U.S. premiere, his own \u201cEclipse\u201d for piano and string orchestra (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.afarcry.org\/all\/eclipse-concert\">NEC\u2019s Jordan Hall, May 9<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>First Church. Boston | March 28 &amp; May 2<\/h3>\n<p><\/span><\/p>\n<p class=\"\">In \u201cThe Lyrical Impulse,\u201d David Feltner\u2019s chamber orchestra gives us Schubert\u2019s profound last string quartet in an arrangement for string orchestra, George Walker\u2019s \u201cLyric for Strings\u201d (a tribute to his grandmother), and arrangements of Dvo\u0159\u00e1k songs and Shetland and Scottish folk songs. Feltner then closes the season with \u201cFlights of Fancy,\u201d a musical world tour including music from British composer Granville Bantock\u2019s \u201cScenes from the Scottish Highlands\u201d to American composer Derek Bermel\u2019s \u201cMurmurations\u201d (evoking the flight of starlings), Turkish composer Mehmet Ali Sanlikol\u2019s \u201cVecd,\u201d Berklee professor Jimmy Kachulis\u2019\u00a0\u201cAfrican Violet\u201d and traditional Danish songs.<\/p>\n<p><span \/><span><\/p>\n<h3>Slosberg Music Center, Brandeis | March 29 &amp; April 26<\/h3>\n<p><\/span><\/p>\n<p class=\"\">The extraordinary Lydian String Quartet has been in residence at Brandeis University for more than four decades, though <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.wbur.org\/news\/2024\/10\/29\/brandeis-cuts-lydian-quartet\">alarming news reports<\/a> indicate that we don\u2019t know for how much longer. In a program called \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.lydianquartet.com\/schedule-source\/2025\/3\/29\/waltham-ma-slosberg-music-center\">Time\u2019s Echo Live<\/a>,\u201d the Lydians will be joined by Jeremy Eichler, the author of the extraordinary \u201cTime\u2019s Echo: The Second World War, the Holocaust, and the Music of Remembrance.\u201d Eichler, the former Boston Globe chief classical music critic, who is now teaching at Tufts, is an eloquent speaker as well as an eloquent writer. His talk about Shostakovich\u2019s response to the war will be followed by the Lydians performing Shostakovich\u2019s String Quartet No. 3. This promises to be an unforgettable and moving event (March 29).<\/p>\n<p class=\"\">The Lydians will be back with a super-contemporary concert featuring Indian American composer Reena Esmail\u2019s \u201cThis is It\u201d (2023) and the world premiere of Mexican American composer Ricardo Zohn-Muldoon\u2019s \u201cBarbaverde en Mineralis,\u201d the winner of the Lydian String Quartet Commission Prize. Soprano Leah Brzyski and guitar player Dieter Hennings are the guest performers (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.lydianquartet.com\/schedule-source\/2025\/3\/29\/waltham-ma-slosberg-music-center-jkyhe\">April 26<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>West Parish Church, Andover &amp; St. Paul\u2019s Church, Brookline | April 5-6<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Flutist Julie Scolnik ends the season of her group Mistral with \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/mistralmusic.org\/series\/reflections-from-the-seine\/\">Reflections from the Seine<\/a>\u201d \u2014 which, as you might guess, is a program of French hidden gems and masterpieces for various combinations of flute (Scolnik), harp (Jessica Zhou, whom Scolnik calls the BSO\u2019s \u201cprincipal harp goddess\u201d), and strings (guest violinists Siwoo Kim and Maureen Nelson join Mistral violist Stephanie Fong, French cellist Jean-Michel Fonteneau and clarinetist Catherine Hudgins). The major works will be Debussy\u2019s only String Quartet and Ravel\u2019s gorgeous Introduction and Allegro for harp, string quartet, flute and clarinet. (If you miss this, it reappears on the April 11 <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/winsormusic.org\/concerts\/2025\/4\/11\/harp-charles-overton\">Winsor Music concert<\/a>, with another outstanding harp player, Charles Overton.) I\u2019m also curious about the Quintet for flute, string trio, and harp by a French composer I don\u2019t know at all, Jean Cras.<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-17\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/-hAvGWvUgKA\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p><span \/><span><\/p>\n<h3>Newton\u2019s Second Church &amp; The Allen Center | April 6 &amp; May 4<\/h3>\n<p><\/span><\/p>\n<p class=\"indent-medium\">\u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.proarte.org\/concerts\/the-passionate-viola\">The Passionate Viola<\/a>,\u201d the Pro Arte gets its title primarily from Jennifer Higdon\u2019s Viola Concerto (described as \u201cintense\u201d), with Pro Arte\u2019s principal violist Anne Black, one of Boston\u2019s most esteemed freelancers, under the direction of the Boston Ballet\u2019s Assistant Conductor Alyssa Wang. But it\u2019s the other pieces on the program that I find especially alluring: Haydn\u2019s Symphony No. 95 in C minor (we never seem to get enough Haydn) and Stravinsky\u2019s most exuberant and tuneful score, based on melodies by an array of 18th-century composers (Second Church in Newton, April 6). In its Salon Series, the Pro Arte offers a smaller-scale and more intimate chamber music concert titled \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.proarte.org\/concerts\/new-winds-and-friends\">New Winds and Friends<\/a>.\u201d This one features two Mozart pieces: the charming \u201cKegelstatt Trio\u201d for clarinet, viola and piano, and the great E-flat Piano Quintet (Newton\u2019s The Allen Center, May 4).<\/p>\n<p><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall | April 6<\/h3>\n<p><\/span><\/p>\n<p class=\"\">BSO Assistant Conductor Anna Handler will be leading the chamber players \u2014 stellar members of the Boston Symphony Orchestra \u2014 in Elena Langer\u2019s \u201cFive Reflections on Water.\u201d Then the players are on their own, with guest pianist Gilbert Kalish,\u00a0in Sofia Gubaidulina\u2019s Sonata for double bass and piano and one of the great chamber works of the 20th century, the Shostakovich Piano Quintet in G minor.<\/p>\n<p><span \/><span><\/p>\n<h3>St. Paul\u2019s Church, Brookline | April 11<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Winsor\u2019s <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/winsormusic.org\/concerts\/2025\/4\/11\/harp-charles-overton\">final concert<\/a> of the season has a special guest: classical and jazz superstar harpist Charles Overton, who\u2019ll be collaborating with Winsor\u2019s own star players \u2014 Rane Moore, clarinet;\u00a0Sarah Brady, flute;\u00a0Peggy Pearson, oboe;\u00a0Gabriela D\u00edaz and Katherine Winterstein, violins;\u00a0Cara Pogossian, viola;\u00a0and David Russell, cello. The extremely varied program will include works by Henriette Renie, Claude Debussy, Erik Satie, Gilad Cohen and Maurice Ravel\u2019s super-saturated Introduction and Allegro, along with Overton\u2019s own compositions, including his arrangements of Richard Rogers\u00a0(\u201cMy Favorite Things\u201d) and Morgan Lewis\u00a0(\u201cHow High the Moon\u201d), and the world premiere of Kevin Harris\u2019 \u201cSong for the Spirit.\u201d<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-18\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/pcZ2TF3n3bo\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p><span \/><span><\/p>\n<h3>NEC Williams Hall | April 13<\/h3>\n<p><\/span><\/p>\n<p class=\"\">This spring\u2019s Music for Food concert is in collaboration with Putney, Vermont\u2019s Yellow Barn series. The program will include three vocal works: \u201csilences\/larmes\u201d by Helena Tulve, Arnold Schoenberg\u2019s \u201cThe Book of the Hanging Gardens\u201d and Francis Poulenc\u2019s melodramatic musical monologue \u201cLa voix humaine.\u201d Donations, including free admission, will go to support the Women\u2019s Lunch Place.<\/p>\n<p><span \/><span><\/p>\n<h3>Concord Academy Performing Arts Center | April 13<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Perhaps in honor of its final season under the aegis of its brilliant founding director, BSO violinist Wendy Putnam, the legendary Juilliard String Quartet will close this CCMS season with one of the <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.concordchambermusic.org\/juilliard-string-quartet\">most alluring programs<\/a> of any season. The concert opens with Haydn\u2019s String Quartet in G-minor, Op. 20, No. 3. (If Haydn was \u201cthe father of the string quartet,\u201d might this be the first great string quartet in a minor key?) It continues with one of the string quartets Mozart dedicated to Haydn, K. 458 in B-flat, \u201cThe Hunt,\u201d with one of the most sublime slow movements ever written. Do we want this concert ever to end? But if it must, why not with Smetana\u2019s moving autobiographical String Quartet No. 1 in E-minor, \u201cFrom My Life.\u201d The current membership of the Juilliard Quartet consists of Areta Zhulla and Ronald Copes, violins; Molly Carr, viola; and Astrid Schween, cello \u2014 none of whom are old enough to have been in the original Juilliard.<\/p>\n<p><span \/><span><\/p>\n<h3>Sanders Theatre | April 13 &amp; May 11<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Under the direction of the beloved violist Marcus Thompson, BCMS includes some of Boston\u2019s most esteemed chamber music players. The highlight of its remaining two spring concerts might be Boston composer Peter Child\u2019s \u201cFour Movements after Kandinsky\u201d for Oboe, Viola, and Piano (a 2024 BCMS commission), with one of my favorite configurations of players: Peggy Pearson, oboe; Marcus Thompson, viola;\u00a0and Max Levinson, piano. A Beethoven string trio and Mendelssohn\u2019s D-minor Piano Trio are also on the program (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bostonchambermusic.org\/event\/beethoven-child-mendelssohn\/\">April 13<\/a>). Pearson, one of Boston\u2019s true treasures, returns in the final BCMS concert playing \u2014 with Levinson again \u2014 Clara Schumann\u2019s \u201cThree Romances\u201d and \u2014 with Romie de Guise-Langlois, clarinet; Isabelle Ai Durrenberger, violin; Jennifer Frautschi and Marcus Thompson, violas; and Raman Ramakrishnan, cello \u2014 American composer, teacher and critic Marion Bauer\u2019s\u00a0Concertino for Oboe, Clarinet, and Strings, Op. 32 (1939\u201344). This strong program also features Brahms\u2019s C-minor Piano Quartet and Amy Beach\u2019s Piano Quintet in F-sharp minor, both with Levinson at the keyboard (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bostonchambermusic.org\/event\/schumann-brahms-bauer-beach\/\">May 11<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall | May 3<\/h3>\n<p><\/span><\/p>\n<p class=\"\">This distinguished concert series has only <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.chineseperformingarts.net\/contents\/season\/20250503\/index.html\">one concert<\/a> coming up this spring: a tribute to Beethoven. The program includes three consecutive works, Opus 95, 96 and 97, respectively for four, two and three players. Violinist Joseph Lin will perform in each. His partners are fellow violinist Claire Bourg, violist Hsin-Yun Huang, cellist Raman Ramakrishnan and pianist Helen Huang.<\/p>\n<p><span \/><span><\/p>\n<h3>Longy\u2019s Pickman Hall | May 8<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Jennifer Montbach\u2019s Radius Ensemble ends its spring season with (what else?) \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/radiusensemble.org\/products\/bloom\">Bloom<\/a>,\u201d which includes a brand new trio for flute, viola and cello by the student winner of the Pappalardo Composition Award, New Zealand composer Salina Fisher\u2019s \u201cUnfinished Portrait\u201d for flute, oboe, bassoon and piano, and an all-too-rare performance of Schubert\u2019s irresistible Octet.<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-19\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/rvTkyEJNGWc\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p><span \/><span><\/p>\n<h3>First Church Boston | May 9<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Glissando, the chamber music series founded by the extraordinary pianist\u00a0<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/schepkin.com\/glissando\/\">Sergey Schepkin<\/a> closes its 2024-25 season with Schepkin on his own in a program of Debussy and Schumann called \u201cMasques et Bergamasques,\u201d which loosely translates to music for Commedia del\u2019Arte masquerades and music for country dances. The Debussy selections include both: \u201cMasques,\u201d an ironically named piece less festive than melancholy, even tragic; \u201cD\u2019un cahier d\u2019esquisses\u201d (from a sketchbook); and \u201cL&#8217;isle Joyeuse\u201d (the legendary island of romantic escape). These are followed by one of Schumann\u2019s keyboard masterpieces, the wonderful \u201cCarnaval,\u201d in which he uses the language of rollicking festivity to explore the complex sides of his own nature and his love for his wife Clara. Schepkin has come up with an irresistible \u2014 and profound \u2014 program.<\/p>\n<p><span \/><span><\/p>\n<h3>Multiple locations | May 16-18<\/h3>\n<p><\/span><\/p>\n<p class=\"indent-medium\">\u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.sarasamusic.org\/muse\">The Muse<\/a>\u201d \u2014 muses, really\u00a0\u2014 for Sarasa\u2019s last concert of the season are Anna Akhmatova and Yukio Mishima. We are promised \u201ca grand voyage of wonderfully contrasting soundscapes,\u201d including works by Florence Price, John Tavener, Philip Glass and Emilie Mayer. The ensemble performs twice in Massachusetts, at Cambridge\u2019s Friends Meeting House (May 17) and the Follen Community Church in Lexington (May 18), and once in Vermont at the Brattleboro Music Center (May 16).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-20\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/9ek_6d3Bbls\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"early\" \/><span><\/p>\n<h2>EARLY MUSIC<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall &amp; Sanders Theatre | March 28 &amp; 30, May 2 &amp; 4<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Handel + Haydn Society started when Handel, Haydn and Mozart were still \u201cnew\u201d music, and Beethoven was still alive. Current Music Director Jonathan Cohen and the H+H chorus and period-instrument orchestra celebrate the arrival of spring with the enchanting \u201cSpring\u201d section of Haydn\u2019s late oratorio \u201cThe Seasons,\u201d followed by a rare performance (at least rarer than the Ninth Symphony) of Beethoven\u2019s masterly C-major Mass, with some impressive vocal soloists: soprano Em\u0151ke Bar\u00e1th,\u00a0mezzo-soprano Jennifer Johnson Cano,\u00a0tenor Andrew Haji\u00a0and baritone Thomas Bauer (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/handelandhaydn.org\/concerts\/2024-25\/haydn-beethoven\/\">March 28 and 30<\/a>).<\/p>\n<p class=\"\">Cohen ends the season with no less than the internationally celebrated fortepianist Kristian Bezuidenhout in the Beethoven Piano Concerto No. 4. We\u2019ll also get some unusual but memorable Mozart, his stirring incidental music for a play called \u201cThamos, King of Egypt\u201d by Tobias Philipp von Gebler, performed with the H+H Youth Choruses. And the H+H season winds up with Haydn\u2019s \u201cThe Bear,\u201d the symphony with the exuberant finale inspired by dancing bears (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/handelandhaydn.org\/concerts\/2024-25\/beethoven-mozart-the-bear\/\">May 2 and 4<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall &amp; GBH Calderwood Studio | March 21-22 &amp; April 24-27<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Martin Pearlman leads \u201cNorth America\u2019s first permanent Baroque orchestra\u201d in\u00a0two appealing staples\u00a0of the classical repertoire, Mozart\u2019s energetic \u201cHaffner\u201d Symphony and Beethoven\u2019s inventive Symphony No. 2. But the real star of the show is sure to be Metropolitan Opera\u2019s delightful coloratura soprano Erin Morley singing several as yet unlisted Mozart concert arias \u2014 important vocal works that don\u2019t get performed as often as they should (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/baroque.boston\/beethoven-mozart\">March 21-22<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-22\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/Ng8oe1botog\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Pearlman ends his final season as Boston Baroque\u2019s founding director with one of the greatest of all Baroque operas, Handel\u2019s magnificent \u201cAriodante.\u201d The stellar cast includes Megan Moore in the title role of a medieval Scottish prince who thinks he has been betrayed by his beloved Ginevra, daughter of the King of Scotland (Boston favorite Amanda Forsythe), and Ann McMahon Quintero as Polinesso, the plotting Duke of Albany. One of Handel\u2019s most unforgettable arias, Ariodante\u2019s unforgettable and tragic \u201cScherza infida\u201d (laughing betrayer), is alone worth the price of admission. Spoiler alert: there\u2019s a happy ending (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/baroque.boston\/ariodante\">April 24-27<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>Various locations | March 28-June 15<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Because we\u2019re in an odd-numbered year, it means that early music enthusiasts, musicians and scholars from all over the world will be gathering in Boston for a week in June. The high point is usually the spectacular full-scale, all-stops-pulled-out production of what is usually an opera little known to a general or even a knowledgeable audience. To appreciate BEMF at its most literally marvelous, here\u2019s a link to an aria, \u201cSfere amiche\u201d (friendly spheres), from its 2011 production of Agostino Steffani\u2019s \u201cNiobe,\u201d with the great countertenor Philippe Jaroussky as the king who would rather listen to the music of the spheres than run his country:<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-23\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/_pbb5S19V1g\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">This year, the over-arching theme of the festival is \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/2025-festival\/\">Power &amp; Love<\/a>,\u201d and the centerpiece opera is German composer Reinhard Keiser\u2019s \u201cOctavia,\u201d which had its first performance in Hamburg in 1705. Hungarian soprano Em\u0151ke Bar\u00e1th sings the title role, with Douglas Williams as Nero, along with such Boston stalwarts as Amanda Forsyth, Aaron Sheehan and Jason McStoots. As always, the music is under the consistently fine direction of Paul O\u2019Dette and Stephen Stubbs, with stage direction by the sometimes less consistent Gilbert Blin (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/2025-festival\/festival-operas\/centerpiece-opera\/\">Emerson Cutler Majestic Theatre, June 8-15<\/a>).<\/p>\n<p class=\"\">Besides the opera, the festival week will include <a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/2025-festival\/festival-concerts\/\">18 concerts<\/a> as well as an organ and keyboard \u201cmini-festival.\u201d The first day alone will include concerts by ACRONYM, The Tallis Scholars with the English Cornett &amp; Sackbut Ensemble, and tenor Aaron Sheehan with Paul O\u2019Dette on lute and theorbo (all on June 9). And there\u2019s a seductive program called \u201cStarry, Starry Night: Music of Monteverdi, Luigi Rossi, Carissimi, and Steffani\u201d (and I\u2019ll bet anything it will include that extraordinary music-of-the-spheres aria from \u201cNiobe\u201d) with the BEMF Chamber Orchestra and most of the principal singers from the opera (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/2025-festival\/festival-concerts\/bemf-chamber-ensemble\/\">NEC\u2019s Jordan Hall, June 14<\/a>).<\/p>\n<p class=\"\">But the Boston Early Music Festival takes place more than just the big week, and some major early-music stars will be in Boston before the official \u201cfestival\u201d actually begins: Stile Antiche performing the ensemble\u2019s favorite selections (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/concert-season\/stile-antico\/\">St. Paul Church in Cambridge, March 28<\/a>); the extraordinary Les Arts Florissants, with violinist Th\u00e9otime Langlois de Swarte, playing Vivaldi\u2019s \u201cFour Seasons\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/concert-season\/les-arts-florissants\/\">NEC\u2019s Jordan Hall, April 4<\/a>); and most celebrated of all, gambist Jordi Savall &amp; Hesp\u00e8rion XXI in \u201cMusic of Fire and Love: an eclectic program of fol\u00edas, variations, and improvisations\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bemf.org\/concert-season\/jordi-savall\/\">NEC\u2019s Jordan Hall, April 13<\/a>).<\/p>\n<p><span \/><span><\/p>\n<h3>First Church, Cambridge | April 5<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Scott Metcalfe\u2019s deeply admired vocal ensemble is joined by two actors for \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.blueheron.org\/concerts\/season26\/song-of-songs-2\/\">Song of Songs\/Songs of love<\/a>,\u201d a program revived from when the group last performed it in 2012. The music includes 16th-century settings of the biblical \u201cSong of Songs\u201d along with Spanish love songs and poems recited in Spanish and Hebrew.<\/p>\n<p><span \/><span><\/p>\n<h3>Multiple locations | April 27 &amp; June 10<\/h3>\n<p><\/span><\/p>\n<p class=\"\">For its 70th season, Boston Camerata, under the direction of Anne Az\u00e9ma, will be performing two of its signature endeavors: not only early European music but early American music, in which it remains a major pioneer. \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bostoncamerata.org\/programs-repertoire\/?program_id=50\">Trav\u2019ling Home<\/a>\u201d is a program of American spirituals from 1770-1870 and will include vocal music from the Puritan, Shaker, Amish, Mennonite and the newly freed African American religious communities (Old West Church, Boston, April 27)<\/p>\n<p class=\"\">Boston Camerata will also be a special guest at the Boston Early Music Festival, in a program called \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bostoncamerata.org\/performances\/?program_id=48\">A Gallery of Kings: Uses and Abuses of Power ca. 1300<\/a>.\u201d The Camerata\u2019s description tells us that \u201csongs and stories of powerful Kings, both good and bad, abound in the Middle Ages\u201d and that these songs remind us that \u201ca monarch&#8217;s power is limited: by his fallible judgement, his formidable adversaries, his love of power, and his own, precarious mortality.\u201d Sung in Latin, German, Galician, Old English and French, these songs, we\u2019re reminded, \u201cresonate strongly down the centuries, into our own, turbulent time\u201d (NEC\u2019s Jordan Hall, June 10).<\/p>\n<p><span \/><span><\/p>\n<h3>Worcester Historical Museum &amp; Old South Church, Boston | May 3-4<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Glass armonica virtuoso Dennis James joins the Musicians of the Old Post Road in what promises to be a delightful program, titled \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/oldpostroad.org\/project\/through-listening-glass\">Through the Listening Glass<\/a>,\u201d of works composed for glass armonica (sometimes known as glass harmonica), an instrument of delicate color and flute-like affect invented by Benjamin Franklin. Featured will be what is probably the greatest work composed for that instrument, Mozart\u2019s late \u201cAdagio and Rondo,\u201d along with more obscure works by J. F. Reichardt and J. G. Naumann, and early American composers John Antes and John Christopher Moller.<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-24\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/-k9GyJM_Pa4\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p><span \/><span><\/p>\n<h3>Multiple locations | May 13-14 &amp; June 1<\/h3>\n<p><\/span><\/p>\n<p class=\"\">This most convivial of early-music groups draws the spring season to a close with concerts involving songs sung at taverns \u2014 bawdy and naughty, tender and rousing. One of these will be held in a church (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.seventimessalt.com\/concerts\/a-health-to-the-company-1\">Church of the Good Shepherd in Watertown, May 13<\/a>) and one in an actual tavern (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.seventimessalt.com\/concerts\/pub-night\">Medford Brewing Company, May 14<\/a>). Seven Times Salt will then present \u201cFrom Plimouth to Yorktown: Music of Early America\u201d \u2014 18th-century songs and dance music to celebrate the 250th anniversary of \u201cthe shot heard round the world\u201d (<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.seventimessalt.com\/concerts\/from-plimoth-to-yorktown\">Church of St. Andrew in Marblehead, June 1<\/a>).<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-25\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/QXo0YMiPbNg\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<hr class=\"enhanced\" \/><span class=\"anchor\" id=\"contemporary\" \/><span><\/p>\n<h2>CONTEMPORARY MUSIC<\/h2>\n<p><\/span><span \/><span><\/p>\n<h3>NEC&#8217;s Jordan Hall | May 4<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Gil Rose\u2019s Boston Modern Orchestra Project is the rare orchestra devoted entirely to modern and contemporary music. I especially admire Rose\u2019s performances of operas and musicals, but his orchestral concerts are worth our serious attention. This spring, in \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/bmop.org\/performances\/bmop-presents-turning-point\/\">Turning Point<\/a>,\u201d BMOP is featuring two works by Christopher Theofanidis from just around the turn of the millennium (one with the catchy title \u201cAs Dancing is to Architecture\u201d), and two world premieres, Jeremy Gill\u2019s \u201cFour Legends from the Silmarillion\u201d (2023) and Han Lash\u2019s \u201cZero Turning Radius\u201d\u00a0Concerto for Orchestra (2024).<\/p>\n<p><span \/><span><\/p>\n<h3>Longy\u2019s Pickman Hall | May 4<\/h3>\n<p><\/span><\/p>\n<p class=\"\">Founded by BSO percussionist Frank Epstein in 1972, Collage New Music has been one of the groundbreaking organizations in bringing contemporary music to Boston. For more than 30 years, Collage was led by David Hoose, who is now, as of this season, music director emeritus. And it\u2019s in that new position that he\u2019ll be leading this season\u2019s final Collage concert. Called \u201c<a target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.collagenewmusic.org\/2024-concert-iv\">We Carry Our Homes Within Us<\/a>,\u201d it\u2019s a spectacular program that looks both backward and forward to milestone Collage commissions. We\u2019ll be treated to Yehudi Wyner\u2019s \u201cPassage\u201d with its piquant and poignant ensemble including flute, clarinet and trumpet, a Collage 10th-anniversary commission.<\/p>\n<div class=\"Youtube_yt__c8hyI \">\n<div class=\"article-section--youtube article-section--embed widescreen\">\n<div class=\"Youtube_youtube__xF9Du\" id=\"yt-embed-27\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/img.youtube.com\/vi\/041bbZHejvw\/hqdefault.jpg\" width=\"480\" height=\"360\" \/><button class=\"Youtube_playButton__Z8hdD\" \/><\/div>\n<\/div>\n<\/div>\n<p class=\"\">Another treat is sure to be the world premiere of Michael Gandolfi\u2019s newly commissioned \u201cLowell Songs,\u201d with Collage\u2019s celebrated artistic partner, soprano Tony Arnold. And the Boston premiere of \u201cHappened,\u201d Yaz Lancaster\u2019s commission to mark the conclusion of Eric Nathan\u2019s first season as Collage\u2019s new artistic director. The program also includes Reinaldo Moya\u2019s 2018 \u201cThe Earth Outlived the Hands that Held It,\u201d Marcos Balter\u2019s 2015 \u201cWe Carry Our Homes Within Us Which Enables Us to Fly,\u201d and John Heiss\u2019 \u201cSoliloquy\u201d for flute and piano, performed in memory of the late composer and flutist who was so dear to the Boston musical community. And to conclude, a special tribute to Frank Epstein on his retirement from Collage with John Harbison\u2019s \u201cPrelude \u2013 Variations\u201d (2024) \u2014 a Collage commission, of course.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.wbur.org \u2019 <\/em><\/p>\n<p><em> \u2018 O artigo anterior foi obtido e traduzido do site internacional da celebrity.land   \u2019 Source Link <\/em><\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>\u201cHarken to the tidings that will bring the spring!\u201d That\u2019s what we sang in the third grade to the tune of \u201cSpring Song,\u201d Mendelssohn\u2019s most famous \u201cSong without Words.\u201d We all hope this hard winter is now over, and that spring will suddenly fill the air. Here\u2019s a catalogue of upcoming spring concerts, many of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1232186,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[42],"tags":[],"class_list":["post-1232185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica"],"_links":{"self":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1232185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/comments?post=1232185"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1232185\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media\/1232186"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media?parent=1232185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/categories?post=1232185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/tags?post=1232185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}