{"id":1816144,"date":"2026-07-07T05:34:06","date_gmt":"2026-07-07T05:34:06","guid":{"rendered":"https:\/\/celebrity.land\/pt\/?p=1816144"},"modified":"2026-07-07T05:34:06","modified_gmt":"2026-07-07T05:34:06","slug":"clive-davis-21-singers-bands-he-signed-developed","status":"publish","type":"post","link":"https:\/\/celebrity.land\/pt\/clive-davis-21-singers-bands-he-signed-developed\/","title":{"rendered":"Clive Davis: 21 Singers &amp; Bands He Signed &amp; Developed"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<figure><\/figure>\n<\/p>\n<div id=\"post-1236278436\">\n<p class=\"article-excerpt \/\/ a-font-secondary-xl u-font-size-22 u-margin-t-0.875  u-word-spacing-0031 u-margin-b-17px lrv-u-text-align-center u-max-width-848 lrv-u-margin-lr-auto lrv-u-padding-lr-1@desktop-xl\">The late record executive impacted the careers of many stars, including Whitney Houston, Bruce Springsteen, Santana, Aerosmith, Chicago and more. <\/p>\n<p>\t6\/23\/2026\t<\/p>\n<div class=\"lrv-u-text-align-left lrv-u-margin-t-1\">\n<div class=\"featured-image \/\/ u-margin-lr-n10@mobile-max lrv-u-margin-b-1 a-become-display-width@mobile-max\">\n<div class=\"c-lazy-image  \">\n<div class=\"a-crop-6x4\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/clive-davis2-2026-billboard-1800.jpg?w=942&amp;h=628&amp;crop=1\" alt=\"Clive Davis\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/clive-davis2-2026-billboard-1800.jpg?w=942&amp;h=628&amp;crop=1 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/clive-davis2-2026-billboard-1800.jpg?w=942&amp;h=628&amp;crop=1&amp;resize=300%2C200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/clive-davis2-2026-billboard-1800.jpg?w=942&amp;h=628&amp;crop=1&amp;resize=681%2C454 681w\" height=\"\" width=\"\" \/><\/p>\n<\/div>\n<\/div>\n<p>\t\t\t\t\t<span class=\"\">Clive Davis attends the 68th GRAMMY Awards Pre-GRAMMY Gala &amp; GRAMMY Salute to Industry Icons Honoring Avery Lipman and Monte Lipman at The Beverly Hilton on Jan. 31, 2026, in Beverly Hills.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\tAxelle\/Bauer-Griffin\/FilmMagic<\/p>\n<p>\t<a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" class=\"c-button larva  lrv-a-unstyle-button lrv-u-cursor-pointer a-font-accent lrv-u-display-inline-flex lrv-u-color-white lrv-u-background-color-black lrv-u-text-transform-uppercase lrv-u-padding-a-075 u-font-size-13 u-letter-spacing-0112 u-align-self-start u-line-height-normal bb-esp-language-toggle lrv-u-margin-l-1@desktop lrv-u-margin-l-00@mobile-max lrv-u-margin-t-050@mobile-max\" href=\"https:\/\/www.billboard.com\/lists\/clive-davis-cantantes-y-bandas-que-firmo-y-desarrollo\/\"><\/p>\n<p>\t<span class=\"c-button__inner \"><br \/>\n\t\tEspa\u00f1ol\t<\/span><\/p>\n<p>\t<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"\n\t\t\t\ta-content lrv-a-floated-parent lrv-a-glue-parent a-font-body-m\n\t\t\t\tu-font-size-19 u-max-width-690 lrv-u-margin-lr-auto pmc_list pmc-paywall\n\t\t\t\"><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLegendary label executive<strong> Clive Davis<\/strong> was known in the music business as the man with the \u201cgolden ears.\u201d While some suits shy away from involvement in the creative side of music making, Davis, who <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/pro\/clive-davis-death-legendary-music-executive-dead-94\/\">passed away on Monday<\/a> (June 22) at the age of 94, relished the opportunity to help artists he signed achieve their biggest hits. Over the course of his decades-long career in the record business, beginning in the 1960s as an in-house lawyer for Columbia Records, Davis had a hand in developing the careers and songs of iconic talents like Janis Joplin, Whitney Houston, Jennifer Hudson and many more. He also took veteran acts like Santana and Aretha Franklin and helped them launch into extremely popular second acts in their careers.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPerhaps most famously, Davis\u2019 golden ears played a pivotal role in the production of Whitney Houston\u2019s \u201cI Will Always Love You\u201d for the soundtrack to her 1992 film The Bodyguard. Co-star Kevin Costner is said to have suggested that Houston record the first part of the song a cappella, and while the song\u2019s producer, David Foster, and others at the label pushed back on this idea, Davis insisted that those first 40 seconds remain a capella.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDavis\u2019 and Costner\u2019s plan worked \u2014 Houston\u2019s rendition of \u201cI Will Always Love You\u201d topped the Billboard Hot 100 for a then-record 14 weeks and remains her most iconic recording. In an interview with <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cbsnews.com\/news\/the-golden-ears-of-clive-davis-09-07-2004\/\">60 Minutes in 2004,<\/a> Davis argued that all along it was his gut that guided his success, not his ears or any specific proclivity for music. \u201cI did not have a background in music, period,\u201d Davis said. \u201cIt\u2019s your gut. It\u2019s the tingle up your spine. It\u2019s your ears. Whatever the anatomy part that it is, I found that it is a natural gift.\u201d<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Janis Joplin and Big Brother &amp; the Holding Company<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter seeing Janis Joplin perform as the lead singer of a then-little-known psychedelic rock band Big Brother &amp; the Holding Company at the Monterey International Pop Festival in 1967, Davis, newly appointed as Columbia Records\u2019s president, inked Joplin and her band as his first signing. \u201cI had never signed anybody before,\u201d <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/rock\/clive-davis-janis-joplin-big-brother-billboard-moment-8530079\/\">Davis told Billboard<\/a> in 2019. \u201cBut watching Janis at Monterey, I had this spine-tingling feeling that I was witnessing a musical, cultural and social revolution. I had nothing to do with causing the revolution whatsoever, but I was fortunate that I was there to act on it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe band\u2019s first album under their Columbia deal (Cheap Thrills) went on to top the Billboard 200: \u201cIt certainly relieves anxiety when the first record you release goes to No. 1 \u2014 you get respect, you create momentum for the artists and the label, and you influence other artists to say, \u2018I want to be with this company.\u2019 I have a very healthy respect for failure. I never assume that the next artist will be a hit. You\u2019ve got to prove yourself each time.\u201d \u2014 Kristin Robinson<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Chicago<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe then-called Chicago Transit Authority released its Columbia debut in 1969 and introduced the world to its signature horn-driven sound that quickly caught\u00a0fire with rock and pop audiences. While other executives were scared off by Chicago\u2019s multigenre sound, Davis embraced it and the group\u2019s songwriting chops, saying in a Chicago documentary, they combined \u201cjazz, pop and rock and clearly in a very, very special way.\u201d Chicago went on to become the most successful U.S. band on the charts in the U.S., <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/greatest-of-all-time-artists\/\">according to Billboard<\/a>. \u2014 Melinda Newman<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Santana<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGuitarist Carlos Santana and his band first signed with Clive Davis in the late 1960s when Davis was at Columbia Records, but their paths crossed again much later on, in 1998, when Davis signed Santana once again, leading to the biggest hit of Santana\u2019s career: \u201cSmooth,\u201d featuring Rob Thomas, which topped the Hot 100 for 12 weeks. <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/latin\/carlos-santana-africa-speaks-supernatural-woodstock-interview-8513192\/\">In an interview with Billboard<\/a> about the song in 2019, Santana noted that \u201cSmooth\u201d was actually the last song he finished for his record Supernatural, and undoubtedly one of the reasons the LP hit No. 1 on the Billboard 200 chart, saying \u201cI\u2019m very grateful to Clive Davis, Itaal Shur and of course Rob Thomas,\u201d Santana said. \u201cAll three were supremely successful in bringing this masterpiece that makes women very happy. It makes women go bananas.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Bruce Springsteen<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDavis and a young Bruce Springsteen began working together during Davis\u2019 tenure at Columbia Records after Springsteen auditioned for A&amp;R guru John Hammond. According to Springsteen\u2019s memoir, when Springsteen turned in his first album Greetings From Asbury Park, N.J., he recalls Davis did not hear a hit. \u201cClive\u2019s say was final,\u201d wrote Springsteen about the experience later. This led Springsteen to go back and write two more songs for the album, \u201cSpirit in the Night\u201d and \u201cBlinded by the Light.\u201d It turned out Davis\u2019 note was right \u2014 both of the songs became early successes for the nascent rock legend.\u00a0\u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2><strong>Billy Joel<\/strong><\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBilly Joel signed to Davis\u2019s Columbia Records in 1973. That same year, Joel recorded his now-iconic single and album Piano Man in Los Angeles, inspired by his six-month gig at The Executive Room on Wilshire Boulevard. Joel later said of his decision to sign with Davis: \u201cI didn\u2019t go to Columbia University, but I went to Columbia Records.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Blood, Sweat &amp; Tears<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn 1998, Clive Davis told <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/nymag.com\/nymetro\/news\/people\/features\/2435\/\">New York Magazine<\/a> about his earliest days signing acts to Columbia Records. After being blown away by the talent of Janis Joplin at the Monterey Pop Festival, whom he would go on to sign, he also went to Greenwich Village in New York to scout an unknown group called Blood, Sweat &amp; Tears. \u201cI was very involved with the signing,\u201d he said of the group who would top the Billboard 200 twice. \u201cWith their first releases, [these artists] became household names. It was a shock to me, but it gave me the confidence to start a company from scratch, which is what Arista Records is: a company that I founded in 1975, right here in New York.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Sly and the Family Stone<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDisappointed by the commercial impact (or lack thereof) of Sly and the Family Stone\u2019s debut album A Whole New Thing in 1967, Clive Davis went to work on the mercurial Sly Stone and urged him to write and record more pop-friendly songs. Stone agreed (albeit reluctantly) and delivered Dance to the Music in 1968, which did what it was intended to do: the title track propelled the band into the Hot 100\u2019s top 10, expanded their audience and solidified them as a force to be reckoned with on the radio and on the road. \u2013 Joe Lynch<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Earth, Wind &amp; Fire<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLike with Chicago, Davis instantly recognized the appeal of Earth, Wind &amp; Fire\u2019s sophisticated musical blend of funk, R&amp;B, jazz, pop and rock that set the Chicago-based band led by Maurice White apart from all others. After seeing them audition at Los Angeles\u2019 Sunset Sound Studios, Davis signed the collective, whose two previous albums on Warner Bros. had failed to ignite.\u00a0Shortly thereafter, EW&amp;F scored their first No. 1 on both the R&amp;B and Hot 100 charts with \u201cShining Star,\u201d becoming one of the preeminent acts of the \u201870s. Billboard editors <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/lists\/best-rb-groups-all-time\/2-the-temptations\/\">named EW&amp;F the best R&amp;B group<\/a> of all time in a recent editors\u2019 list. Without Davis\u2019 intervention, the world may have never heard \u201cSeptember,\u201d \u201cThat\u2019s the Way of the World\u201d and more classics. Davis remained close with the band: members Verdine White and Ralph Johnson regularly attended his annual Grammy party up through 2026.\u00a0\u2014 M.N.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Aerosmith<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHow many acts felt so indebted to Davis that they commemorated him in song? Boston rock band Aerosmith sure did. In 1979\u2019s \u201cNo Surprize,\u201d the group immortalized Davis seeing them at legendary New York City club Max\u2019s Kansas City in 1972, which led to his signing the quintet to CBS Records supposedly for $125,000: \u201cWe all shot the sh-t at the bar\/With Johnny O\u2019 Toole and his scar\/And then old Clive Davis said\/He\u2019s surely gonna make us a star.\u201d Their first Hot 100 top 40 hit, \u201cSweet Emotion,\u201d came in 1975, followed by such now classics as \u201cDream On\u201d and \u201cWalk This Way.\u201d\u00a0\u2014 M.N.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Barry Manilow<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe song that launched Arista [Records] was \u2018Mandy,\u2019\u201d Davis told <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/nymag.com\/nymetro\/news\/people\/features\/2435\/\">New York Magazine<\/a> in 1998. Manilow\u2019s hit song is one of the instances when Davis\u2019 golden ears helped him develop an artist into a bonafide superstar. At the time, Davis had recently been fired from his post at Columbia and decided to launch his own label, Artista Records, in 1974. \u201cI had found the song and given it to Barry Manilow,\u201d Davis recalled. \u201cHe does write \u2013 over the years, he has written \u2018Copacabana\u2019 and \u2018This One\u2019s for You.\u2019 But the reason I signed him was that he is a showman. So I gave him \u2018Mandy,\u2019 and our first record went to No. 1.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Kenny G<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of the greatest and perhaps least predictable of Davis\u2019 success stories was tenor saxophonist Kenny G \u2014 who not only became big for an \u201880s smooth\u00a0jazz musician after signing with Arista in 1982, but actually outsold and out-charted most of the biggest pop stars of the era, even being certified diamond by the RIAA for 1992\u2019s Breathless. \u201cHe took a big chance on me, because back in the \u201880s, there was no radio or any outlet for instrumental music really \u2014\u00a0and for some reason he just saw something in me that just struck a chord with him,\u201d the artist <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.facebook.com\/KennyG\/videos\/i-wouldnt-be-here-without-clive-davis-taking-a-chance-on-a-little-saxophone-play\/1946562340065406\/\">recalled to celebrity.land <\/a>after Davis\u2019 death. \u201cI wouldn\u2019t be standing here if it wasn\u2019t for him taking chances on me and going out of his way for me. He really treated me like a family member that he really cared about.\u201d \u2013 Andrew Unterberger<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Alicia Keys<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe artist who proved Davis\u2019 near-immediate redemption upon his ousting from Arista at the turn of the century, Alicia Keys followed Davis to his new J Records and became a superstar upon the 2001 release of her debut album Songs in A Minor. After a tumultuous start to her industry career as a teen singer-songwriter who label execs expected to be able to mold in a TRL-friendlier image, Keys credited Davis\u2019 trust in her own vision for allowing her to grow into the unique superstar she became. \u201cTo Clive Davis, the visionary who transformed dreams into reality,\u201d she posted to her IG stories on Monday, \u201cleaving an indelible mark on music and lives worldwide.\u201d \u2013 A.U.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Whitney Houston<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe legendary Whitney Houston was as inextricably associated with Davis as any other performer of his lifetime. The exec signed the prodigious vocal talent after seeing her perform in 1983, then allowed her to develop over the next couple of years before releasing her 1985 debut album on Arista. That self-titled album turned her into one of the most explosive phenomena in pop music history \u2014 and she somehow became even bigger in the early \u201890s, thanks to blockbuster cross-platform success with The Bodyguard. Houston topped the Hot 100 11 times and won six Grammys. Sadly, the tragic end to Houston\u2019s life was also intertwined with Davis\u2019 story, as her hotel bathtub drowning at age 48 came the night of his annual pre-Grammys party, which she\u2019d been expected to attend. \u2013 A.U.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Donovan<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of Davis\u2019 earliest signings upon becoming president of the Columbia-CBS Group was British folkie Donovan, whose music was released in the U.S. through the Epic subsidiary. On Epic, Donovan became a stateside pop hitmaker whose stardom matched and at times eclipsed his domestic popularity, with psychedelic rock-flavored smashes like \u201cMellow Yellow\u201d and the Hot 100-topping \u201cSunshine Superman\u201d turning him into both a household name and a peer of then-leading groups like The Beatles and The Beach Boys. \u2013 A.U.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Tony Orlando<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThough Don Kirshner hired a teenage Tony Orlando to write (and eventually record) songs, Davis was part of Orlando\u2019s music industry evolution, too. As the president of Columbia, Davis appointed Orlando to head April-Blackwood Music, the publishing arm of Columbia\u2019s parent company CBS. In 1970, Orlando sang on \u201cCandida,\u201d which was credited to Dawn and released on Bell Records (owned by Columbia at the time, the label that evolved into Arista). With Davis supporting the career pivot, the song propelled him to the spotlight as part of Tony Orlando and Dawn, who topped the Hot 100 three times, first with \u201cKnock Three Times\u201d in 1971. \u2014 J.L.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Patti Smith<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019m not getting any younger,\u201d Patti Smith <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/1975\/12\/21\/archives\/gonna-be-so-big-gonna-be.html\">told<\/a> Clive Davis when he was courting the then-29-year-old CBGB performer to sign with him at Arista. \u201cI have to be in a rush \u2014 I don\u2019t have\u2010the strength to take too long becoming a star.\u201d Mission accomplished: Smith\u2019s 1975 Arista debut with her eponymous group, Horses, made her an immediate New York legend, critics\u2019 darling and godmother to the soon-burgeoning punk movement, while three years later, the Bruce Springsteen-penned \u201cBecause the Night\u201d also made her a crossover hitmaker.\u00a0 \u201cThis is thanking Clive Davis for transforming music,\u201d Smith posted on IG following Davis\u2019 passing, \u201cand on a very personal note, for believing in me, shepherding my efforts and a half century of your love and support.\u201d \u2014\u00a0A.U.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Bay City Rollers<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBay City Rollers were well on their way to becoming a force in the U.K. prior to Davis and Arista\u2019s interest, but Davis was key in making the Scottish band a major Stateside success and catapulting them to teen-idol status in the U.S. Repackaging songs from the band\u2019s first few U.K. albums and releasing them in America as a self-titled compilation, Davis helped propel Bay City Rollers to the top of the Billboard Hot 100 with the shout-along smash \u201cSaturday Night\u201d in early 1976. \u2014 J.L.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Pink Floyd<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBefore The Dark Side of the Moon came out on Harvest Records through Capitol and catapulted Pink Floyd to global success, the band and their management, unhappy with Capitol, had been shopping around for another deal. Davis saw Floyd\u2019s potential to explode and signed them to Columbia; though he would be ousted from Columbia before they released their first LP on the label (1975\u2019s Wish You Were Here), he was part of bringing them to the label they would call home up through their swan song in 2014, earning four Billboard 200 No. 1 studio albums for the label well after his exit. \u2014 J.L.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Miles Davis<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJazz trumpeter and bandleader Miles Davis had already enjoyed massive success when he began working with Clive Davis at Columbia Records in the late 1960s, but when Clive came in, the label boss helped Miles reach a different audience. In late 1969, Clive contacted Bill Graham, the legendary rock concert promoter, saying that Miles was \u201cbreaking out of his jazz bag,\u201d adding \u201cthe \u2018underground&#8217;\u201d rock scene \u201cis ready for Miles.\u201d From there, the trio worked together to put together Miles Davis at Fillmore, a live album recorded at the iconic theater in San Francisco. Carlos Santana later described the record as \u201cthe sound of the Black Panthers. It was the sound of Vietnam. It was the sound of the protesting and the beatings and the shootings.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Aretha Franklin<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAretha Franklin first recorded for Columbia Records \u2014 but it was before Clive Davis came to run the label. \u201cBut that was not hit material. There was no personal connection between us then,\u201d <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/music\/features\/clive-davis-aretha-franklin-interview-7285336\/\">Davis told Billboard in 2016<\/a>. Franklin\u2019s career really hit its stride under her next contract with Atlantic. \u201cEach incredible hit that she had with Jerry\u00a0Wexler\u00a0and Atlantic was very meaningful because I was aware \u2026 Columbia had her [first],\u201d Davis said. Then, in the late 1970s, Davis bonded with Franklin again over dinner in Los Angeles. \u201cThe first time I met her [was when] she called after I had founded\u00a0Arista,\u201d Davis told Billboard in 2016. \u201cShe was working with producers who didn\u2019t quite have the right handle on the material.\u201d So Davis stepped in to help. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter signing to Arista in the 1980s, Franklin\u2019s career made a comeback with \u201cFreeway of Love,\u201d \u201cSisters Are Doin\u2019 It for Themselves,\u201d a collab with Eurythmics, and \u201cI Knew You Were Waiting (for Me),\u201d a duet with George Michael. In 2018, after her passing, Davis explained to <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.theguardian.com\/music\/2018\/dec\/16\/observer-obituaries-of-2018-aretha-franklin-remembered-by-clive-davis\">The Guardian<\/a> why he signed Franklin in the \u201980s, saying: \u201cI liked the idea of working with someone as formidable as Aretha, and as a singer, I knew no one could beat her. I also knew absolutely that she should still be relevant.\u201d \u2014 K.R.<\/p>\n<\/div>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<h2>Laura Nyro<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter her manager David Geffen set up an audition for her with Davis, Laura Nyro signed to Columbia and released the influential Eli and the Thirteenth Confession album in 1968. A groundbreaking singer-songwriter who inspired others but didn\u2019t catch on at radio, Nyro would see her songs find chart success when performed by other artists, such as The 5<sup>th<\/sup> Dimension, Blood, Sweat &amp; Tears and Barbra Streisand. \u2013 J.L.<\/p>\n<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"newsletter-cta \/\/ lrv-u-margin-tb-125 lrv-u-margin-tb-150@desktop-xl lrv-u-margin-t-00@mobile-max u-margin-b-275@mobile-max lrv-u-padding-tb-050 lrv-u-padding-tb-1@mobile-max lrv-u-flex u-border-tb-1 lrv-u-border-color-grey lrv-u-align-items-center lrv-u-justify-content-space-between lrv-u-flex-direction-column@mobile-max u-gap-0625@mobile-max\">\n<p>\t<a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" class=\"c-logo lrv-a-unstyle-link u-display-inline-flex lrv-u-width-100p  u-max-width-100 u-height-26 u-max-width-130px@mobile-max u-margin-t-040@mobile-max\" href=\"https:\/\/www.billboard.com\/\" title=\"Billboard\"><br \/>\n\t\t\t\t<span class=\"lrv-a-screen-reader-only\" \/><br \/>\n\t<\/a><\/p>\n<p class=\"c-tagline  a-font-accent-l@desktop u-font-size-1205 a-font-accent-xs@mobile-max u-font-size-15@mobile-max u-line-height-22px@mobile-max lrv-u-text-align-center@mobile-max u-letter-spacing-0030@mobile-max lrv-u-padding-t-025 lrv-u-margin-a-00 u-padding-t-0125@mobile-max u-padding-b-0063@mobile-max\">Get weekly rundowns straight to your inbox<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" class=\"c-link  lrv-a-unstyle-button lrv-u-cursor-pointer lrv-u-display-inline-flex lrv-u-background-color-brand-primary lrv-u-background-color-black:hover lrv-u-color-black lrv-u-color-brand-primary:hover u-padding-lr-0.875 u-padding-tb-10 lrv-u-flex-shrink-0 u-align-items-center a-font-basic-fancy-xs u-margin-t-0.188 u-margin-b-0188 u-margin-b-040@mobile-max\" href=\"https:\/\/preferences.mail.billboard.com\/preferences\"><br \/>\n\tSign Up<\/a>\n<\/div>\n<div class=\"newsletter \/\/  lrv-u-text-align-center u-border-style-dashed lrv-u-border-a-1\">\n<h3 id=\"title-of-a-story\" class=\"c-title   a-font-primary-fancy-xl lrv-u-text-transform-uppercase lrv-u-padding-t-150 lrv-u-padding-b-050\">\n<p>\t\t\t\t\tThe Daily\t\t<\/p>\n<\/h3>\n<div class=\"lrv-u-padding-lr-150 lrv-u-padding-b-150\">\n<p class=\"c-tagline   lrv-u-margin-t-00 lrv-u-margin-b-1 a-font-accent-xl\">A daily briefing on what matters in the music industry<\/p>\n<div class=\"c-tagline  lrv-u-margin-t-1 lrv-u-text-align-left a-font-secondary-xs a-children-link-color-black\">\n\t\tBy providing your information, you agree to our <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/pmc.com\/terms-of-use\">Terms of Use<\/a> and our <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/pmc.com\/privacy-policy\">Privacy Policy<\/a>.<br \/>\n\t\t\t\tWe use vendors that may also process your information to help provide our services. \/\/ This site is protected by reCAPTCHA Enterprise and the Google <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/policies.google.com\/privacy\">Privacy Policy<\/a> and <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/policies.google.com\/terms\">Terms of Service<\/a> apply.\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.billboard.com \u2019 <\/em><\/p>\n<p><br \/>\n<em> \u2018O artigo anterior pode incluir informa\u00e7\u00f5es divulgadas por terceiros\u2019<br \/>\n<\/em><\/p>\n<p><em> \u2018 Alguns detalhes deste artigo foram extra\u00eddos da seguinte fonte celebrity.land \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The late record executive impacted the careers of many stars, including Whitney Houston, Bruce Springsteen, Santana, Aerosmith, Chicago and more. 6\/23\/2026 Clive Davis attends the 68th GRAMMY Awards Pre-GRAMMY Gala &amp; GRAMMY Salute to Industry Icons Honoring Avery Lipman and Monte Lipman at The Beverly Hilton on Jan. 31, 2026, in Beverly Hills. Axelle\/Bauer-Griffin\/FilmMagic Espa\u00f1ol [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1816145,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1816144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estrelas"],"_links":{"self":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1816144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/comments?post=1816144"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1816144\/revisions"}],"predecessor-version":[{"id":1816146,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1816144\/revisions\/1816146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media\/1816145"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media?parent=1816144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/categories?post=1816144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/tags?post=1816144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}