{"id":1830905,"date":"2026-07-18T06:13:17","date_gmt":"2026-07-18T06:13:17","guid":{"rendered":"https:\/\/celebrity.land\/pt\/?p=1830905"},"modified":"2026-07-18T06:13:17","modified_gmt":"2026-07-18T06:13:17","slug":"kiefer-sutherland-my-career-is-like-a-musical-rodeo","status":"publish","type":"post","link":"https:\/\/celebrity.land\/pt\/kiefer-sutherland-my-career-is-like-a-musical-rodeo\/","title":{"rendered":"Kiefer Sutherland: My career is like a Musical Rodeo"},"content":{"rendered":"


\n<\/p>\n

<\/figure>\n<\/p>\n
\n

\n Kiefer Sutherland is one of those actors who\u2019s always just been there. Not in a background way, but in that way where you don\u2019t quite realise how embedded he is in your film memory until you start pulling the threads together. He was chillingly feral in Stand by Me, then moved into darker, more cerebral territory in Flatliners, a film that leaned heavily on his intensity. In A Few Good Men he commanded attention amid heavyweight performances without ever breaking focus, and in Phone Booth his voice alone did the work. And now, it\u2019s that same voice that\u2019s brought him to Oxford, not for a film set, but to perform his music live on stage.\n<\/p>\n

\n And of course, before we even get to the music, there\u2019s something that has to come first, because you (I) can\u2019t really begin a conversation with Kiefer Sutherland without going back to The Lost Boys, a cult classic that didn\u2019t just define an era, but cemented a following that has endured, evolved, and only grown more devoted with time. There\u2019s no point pretending neutrality here. For me, The Lost Boys wasn\u2019t just a film, it was a mood, a world, a rite of passage. Alongside late-night encounters with Vincent Price, that unmistakable voice threading through gothic horror, it shaped the atmosphere of my teenage years; dark, dangerous, rebellious and romantic.\n<\/p>\n

\n So, when Kiefer Sutherland calls, not through a publicist, not via a carefully managed press window, but directly, from his own phone, it lands with surreal familiarity.\n<\/p>\n

\n There\u2019s no fanfare. Just a voice: \u2018Hi Sharon, how are you?\u2019 It\u2019s immediate, warm, unguarded. No entourage, no orchestration. Just a man ready to talk.\n<\/p>\n

\n I tell him I\u2019ve been a fan for years, that my daughter, now 15, has a The Lost Boys poster on her ceiling. That a film so rooted in the 1980s still pulses through another generation feels remarkable to me.\n<\/p>\n

\n He doesn\u2019t lean into nostalgia. \u2018You never know when you\u2019re making something what it\u2019s going to become,\u2019 he says. \u2018I\u2019ve made over 100 films in my life and I couldn\u2019t tell you why one is successful and the other is not.\n<\/p>\n

\n \"KieferKiefer Sutherland<\/span>\n<\/p>\n

\n \u2018You can put everything you have into something, and everyone does, but whether it finds people or not is something you don\u2019t really get to decide. You hope, but you don\u2019t know. And I think that\u2019s something I\u2019ve had to make peace with over time.\u2019\n<\/p>\n

\n It\u2019s striking, that lack of ownership over legacy. Especially for a film like The Lost Boys, which didn\u2019t just succeed, it embedded itself. It became aesthetic shorthand. Leather, shadows, rebellion. A kind of cinematic folklore. For me, it sat alongside Hammer Horror, those saturated reds, those theatrical shadows forming a kind of visual language for adolescence. Films you didn\u2019t just watch, but absorbed. And yet, for him, there\u2019s no mythology attached. Just work, done honestly, released into the world.\n<\/p>\n

\n Right now, his focus is music. He\u2019s calling from the road, somewhere between cities, living the life of a touring musician rather than a legendary Hollywood actor. I confess that until this interview, his music had largely passed me by. Knowing I was about to interview, I did my due diligence and spent time with Spotify listening, expecting competence rather than revelation. Instead, I found myself genuinely captivated. Rooted in Americana, with elements of country, blues and folk, the songs are atmospheric and have a storytelling edge, the kind that rewards close listening. Above all, it\u2019s his voice that truly anchors the work: rich and gravelly, weathered in a way that feels earned. It carries warmth, grit and emotional weight, lending the music a sense of authenticity that\u2019s increasingly rare.\n<\/p>\n

\n \u2018We played Gothenburg last night. Stockholm tomorrow night. Then Denmark and Hamburg,\u2019 he says. \u2018We do three shows, a night off, then three more, so about six shows a week.\u2019\n<\/p>\n

\n It\u2019s relentless. But what animates him isn\u2019t the schedule, it\u2019s the people who come to see him and his band.\n<\/p>\n

\n \u2018The thing I\u2019ve loved about touring more than anything is that whatever preconceived notions an audience might have about me, and whatever preconceived notions I might have about them, when we actually start playing music and telling stories, we start to realise we actually have a lot more in common than maybe we thought. And anytime you get to have that kind of experience with other people, that\u2019s really special.\u2019\n<\/p>\n

\n He comes back to that idea repeatedly; the dissolving of expectation.\n<\/p>\n

\n \u2018You\u2019re just in a room together,\u2019 he says. \u2018And that\u2019s actually a very nice place to be.\u2019\n<\/p>\n

\n Music, for him, isn\u2019t performance in the traditional sense, it\u2019s exposure. \u2018The songs that I write are either experiences that are mine personally or things that I\u2019ve observed,\u2019 he explains. \u2018I write them from the standpoint of me as a human being. With acting, you stand behind a character. I\u2019m clearly not Jack Bauer. But with a song, that\u2019s me, exposed. There\u2019s nothing to stand behind. It is what it is. And therefore, it becomes very personal, if that makes sense?\u2019\n<\/p>\n

\n It does. Completely.\n<\/p>\n

\n \"KieferKiefer Sutherland<\/span>\n<\/p>\n

\n That rawness, that lack of a filter, is exactly what you hear. It\u2019s what gives his voice that lived-in authenticity. Not polished, not performative. Real.\n<\/p>\n

\n His new album, Grey, wasn\u2019t conceived as a concept, it emerged organically from place. \u2018We were recording most of the record in the UK, and it just happened to be the beginning of winter and everything was just really grey. A friend took a photograph of a tree that became the album cover. The songs I was writing were quite melancholic, so it all just made sense.\u2019\n<\/p>\n

\n There\u2019s no attempt to intellectualise it.\n<\/p>\n

\n \u2018When things line up like that, you don\u2019t really fight it.\u2019\n<\/p>\n

\n When I ask about music and film, whether he\u2019d ever want his songs to soundtrack a movie, he lights up.\n<\/p>\n

\n \u2018I would be thrilled, I\u2019d be honoured if someone chose one of my songs for a film,\u2019 he says. \u2018One of my favourite memories is from Young Guns II. Emilio Estevez was friends with Jon Bon Jovi, and he came out to dinner with us because he wanted to be in a western, there was a good chance we thought it might be the last one made.\u2019\n<\/p>\n

\n Then comes the moment he clearly still marvels at\u2026 \u2018Later that night, Jon (Bon Jovi) said he wanted to do the music for the film, and he wrote the lyrics to Blaze of Glory on three napkins in about 15 minutes.\n<\/p>\n

\n \u2018Fifteen minutes. I remember thinking that was the coolest thing I\u2019d ever seen. But I never expected him to actually follow through and record it, and then he did. And it was incredible.\u2019\n<\/p>\n

\n He laughs, still slightly in awe.\n<\/p>\n

\n \"Colorful\n<\/p>\n

\n \u2018It might take me 20 minutes, or an hour, to get the shape of a song, but then it takes weeks or months to refine it. I envy people who can write that fast, that\u2019s not me. I have to sit with things, come back to them, and keep adjusting until they feel right. It can take months.\u2019\n<\/p>\n

\n It\u2019s admiration, not comparison. A respect for different kinds of creativity.\n<\/p>\n

\n His life has never followed a straight line. After Young Guns II, he visited Montana, and what followed wasn\u2019t a celebrity retreat. It was immersion into a new way of living.\n<\/p>\n

\n \u2018I went to visit Emilio Estevez in Montana and I never left, I stayed for almost 10 years.\u2019\n<\/p>\n

\n Life in Montana moves to a different rhythm, Kiefer explains, shaped by horses, cattle and the practical demands of ranching. \u2018That\u2019s what people did there,\u2019 he says.\n<\/p>\n

\n \u2018You either watch it, or you join in. I joined in. I started working with horses, learning horsemanship, learning roping, and eventually \u2013 because that\u2019s what everybody was doing \u2013 I got into rodeo.\u2019\n<\/p>\n

\n He trained with intent. \u2018I met a guy named John English and trained with him for about a year. And then [because I asked] yeah, I became a champion for a little bit.\u2019\n<\/p>\n

\n There\u2019s no emphasis on the achievement. It sits exactly where it belongs, as a by-product of commitment rather than something to be claimed.\n<\/p>\n

\n Mention the Cotswolds and the conversation shifts naturally to horses again, this time polo. \u2018No\u2019 he says when I ask if he\u2019s played. \u2018But a friend of mine who\u2019s a polo player, and also a cowboy, borrowed a few of my Quarter Horses, they\u2019re strong, built for work and rodeo. Polo horses are on another level. The horsemanship that\u2019s required to play polo is something I find really fascinating and exciting.\u2019\n<\/p>\n

\n \u2018I would like to go to a polo match in the Cotswolds,\u2019 he says.\n<\/p>\n

\n Then, with a kind of easy acceptance,\n<\/p>\n

\n \u2018To spectate, I\u2019m not young anymore. But I\u2019m young at heart. I\u2019ll always be that.\u2019\n<\/p>\n

\n \"KieferKiefer Sutherland<\/span>\n<\/p>\n

\n There\u2019s no ego, no need to prove anything.\n<\/p>\n

\n England clearly holds its own pull. \u2018I was born in London and have spent a great deal of time in England and I\u2019ve always felt really welcomed, people have gone out of their way to make me feel that way. It\u2019s always going to be a very special place to me.\u2019\n<\/p>\n

\n Then, almost casually,\n<\/p>\n

\n \u2018I\u2019m always looking at real estate there, I\u2019ve always left that open.\u2019\n<\/p>\n

\n When filming the Netflix sensation 24, in London, something shifted.\n<\/p>\n

\n \u2018It was the only time in my life where I didn\u2019t want to go home. I just wanted to stay in England,\u2019 he says.\n<\/p>\n

\n It\u2019s easy, in a conversation like this, to forget the scale of what sits behind it. A career spanning more than four decades. An Emmy Award, a Golden Globe Award, multiple Screen Actors Guild Award recognitions. Work that has defined generations.\n<\/p>\n

\n He doesn\u2019t lead with any of it.\n<\/p>\n

\n \"KieferKiefer Sutherland<\/span>\n<\/p>\n

\n When the Netflix sensation 24 comes up, he reframes it simply.\n<\/p>\n

\n \u2018The show might have been political, but the character wasn\u2019t. Jack Bauer was apolitical, his job was to protect the president. To me, it was about someone facing insurmountable odds and still trying to deal with them instead of running away. I think most people are capable of that.\u2019\n<\/p>\n

\n It would be prudent not to mention his father \u2013 the late and great, Donald Sutherland \u2013 who offered just one piece of advice that stayed.\n<\/p>\n

\n \u2018He wasn\u2019t big on giving advice but one thing he did say was: \u201cIf a script says the character cries and you don\u2019t feel it, don\u2019t force it. Do something else\u201d.\n<\/p>\n

\n \u2018Of course, like any other son, I didn\u2019t listen, and I learned the hard way that he was right.\u2019\n<\/p>\n

\n Before the call ends, I ask one final question: if his life were a song, what would it be?\n<\/p>\n

\n He doesn\u2019t hesitate.\n<\/p>\n

\n \u2018A happy one. I\u2019m honestly the luckiest person I know. I\u2019ve been able to do what I dreamed of doing and I\u2019ve had incredible support from people around the world. I\u2019ll be grateful for that forever.\u2019\n<\/p>\n

\n When the line goes quiet, it isn\u2019t the legacy that lingers. Not the films, not the mythology, not even The Lost Boys, despite everything it meant. It\u2019s the ease. The lack of artifice. The sense of someone who, despite extraordinary success, remains entirely present in the moment he\u2019s in.\n<\/p>\n

\n Warm, open, grounded, instinctive, and generous with his time. A man who has lived many lives \u2013 actor, musician, cowboy, storyteller \u2013 and yet still approaches each one not as something to master (despite having mastered them all) but something to experience. And somehow, that feels cooler than any cult classic ever could..\n<\/p>\n

\n

\n The Love Will Bring You Home tour will support the release of his fourth studio album, Grey.\n<\/p>\n

\n Fans can expect a powerful evening of music and storytelling filled with personal reflections from his remarkable life and career, and the real-world experiences that shape the narratives of his songs.\n<\/p>\n

\n kiefersutherland.com\n<\/p>\n<\/div>\n

\n( function () {
\n window._sp_ = {
\n config: {
\n baseEndpoint: ‘https:\/\/a02342.cotswoldjournal.co.uk’,
\n accountId: 52,
\n targetingParams:{
\n subscribed: false,
\n privacy: false
\n },
\n gdpr: { },
\n events: {
\n onMessageReady: function (message_type) {
\n trackSPEvents(‘event76’);
\n },
\n onMessageChoiceSelect: function (message_type, choice_id, choice_type_id) {
\n console.log(‘message_type: ‘, message_type);
\n console.log(‘choice_id: ‘, choice_id);
\n console.log(‘choice_type_id: ‘, choice_type_id);
\n if (‘yes’ === ‘yes’) {
\n if (choice_type_id === 12) {
\n trackSPEvents(‘event83’); \/\/Consent Banner Reject All
\n trackSPEvents(‘event82’); \/\/Journalism Message Shown
\n }
\n if (choice_type_id === 11) {
\n trackSPEvents(‘event78’);
\n }
\n if (choice_type_id === 9) {
\n trackSPEvents(‘event77’);
\n }
\n } else {
\n \/\/ these are the second argument in non-gate
\n if (choice_type_id === 12) {
\n trackSPEvents(‘event77’);
\n }
\n if (choice_type_id === 11) {
\n trackSPEvents(‘event78’);
\n }
\n if (choice_type_id === 13) {
\n\t\t trackSPEvents(‘event83’);
\n }
\n }
\n },
\n onPrivacyManagerActionStatus: function(message_type, status, actionType) {
\n console.log(‘message_type: ‘ + message_type);
\n console.log(‘status: ‘ + status);
\n console.log(‘actionType: ‘ + actionType);
\n if (‘yes’ === ‘yes’) {
\n if (actionType === 11) {
\n trackSPEvents(‘event79’); \/\/Privacy Manager Accept
\n }
\n if (actionType === 9) {
\n trackSPEvents(‘event68’); \/\/Privacy Manager Redirect
\n }
\n if (actionType === 1) {
\n trackSPEvents(‘event75’); \/\/Forced tcf String Change
\n }
\n } else {
\n \/\/ these are the second argument in non-gate
\n if (actionType === 13) {
\n trackSPEvents(‘event81’); \/\/Privacy Manager Reject
\n }
\n if (actionType === 11) {
\n trackSPEvents(‘event79’); \/\/Privacy Manager Accept
\n }
\n if (actionType === 1) {
\n trackSPEvents(‘event80’); \/\/Privacy Manager Save & Exit
\n }
\n }
\n },
\n onPMCancel: function (message_type) {
\n console.log(‘onPMCancel’, message_type);
\n trackSPEvents(‘event84’); \/\/Privacy Manager Back
\n },
\n }
\n }
\n }
\n __tcfapi(‘addEventListener’, 2, function (tcData, success) {
\n console.log(‘SP: Event Listen:’, tcData, success);
\n if (success && tcData.eventStatus === ‘useractioncomplete’) {
\n setTcfCookie(tcData.purpose.consents, tcData.purpose.legitimateInterests);
\n var csnt=”none”;
\n if ($.cookie(‘_sp_enable_dfp_personalized_ads’) === ‘true’) {
\n csnt=”yes”;
\n } else if ($.cookie(‘_sp_enable_dfp_personalized_ads’) === ‘false’) {
\n csnt=”no”;
\n }
\n googletag.cmd.push(function() {
\n \/\/ console.log(‘DFP: Cookie check – setting dfpcsnt to ‘, csnt);
\n googletag.pubads().setTargeting(‘dfpcsnt’, csnt);
\n });
\n \/\/ ready to start DFP
\n \/\/ console.log(‘PIANO: setting unrestricted via useractioncomplete’);
\n \/\/ runPiano(‘unrestricted’);
\n startAdvertising(tcData.listenerId);
\n var e = new Event(‘launch:cmp:choice-made’);
\n window.dispatchEvent(e);
\n } else if (success && tcData.eventStatus === ‘tcloaded’) {
\n \/\/ tcloaded means a valid TCF v2.0 string is available
\n \/\/ console.log(‘PIANO: setting unrestricted via tcloaded’);
\n \/\/ runPiano(‘unrestricted’);
\n if (tcData.gdprApplies === false) {
\n $.cookie(‘_sp_enable_dfp_personalized_ads’, ‘true’, {domain: ‘.cotswoldjournal.co.uk’, path: “https:\/\/www.cotswoldjournal.co.uk\/”, expires: 100});
\n }
\n startAdvertising(tcData.listenerId);
\n } else if (success && tcData.eventStatus === ‘useractionnotcomplete’) {
\n \/\/ do nothing – this means the user has not made a choice yet
\n } else if (success && tcData.eventStatus === ‘cmpuishown’) {
\n \/\/ do nothing – this means the CMP UI has been shown
\n } else if (!success) {
\n \/\/ $.cookie(‘_sp_enable_dfp_personalized_ads’, ‘true’, {domain: ‘.cotswoldjournal.co.uk’, path: “https:\/\/www.cotswoldjournal.co.uk\/”, expires: 100});
\n \/\/ startAdvertising();
\n } else {
\n \/\/ console.log(‘PIANO: setting restricted’);
\n \/\/ runPiano(‘restricted’);
\n }
\n });
\n $(document).on(‘click’, ‘.gdpr-option-v2’, function (e) {
\n e.preventDefault();
\n sendEvent76 = false;
\n var id = $(this).data(‘v2-id’);
\n if ($(this).data(‘is-gate’) === ‘yes’) {
\n trackSPEvents(‘event87’);
\n _sp_.gdpr.loadPrivacyManagerModal(id);
\n } else {
\n trackSPEvents(‘event77’);
\n _sp_.gdpr.loadPrivacyManagerModal(id);
\n }
\n });
\n function getTcfData() {
\n __tcfapi(‘addEventListener’, 2, function(data, success) {
\n if (!data.purpose || !data.purpose.consents || !data.purpose.legitimateInterests) {
\n \/\/ console.log(‘DFP: No TCF data found, not setting cookies’);
\n return;
\n }
\n setTcfCookie(data.purpose.consents, data.purpose.legitimateInterests);
\n }, [755]);
\n }
\n getTcfData();
\n function setTcfCookie(data, legitimateInterests) {
\n var consents = [];
\n $.each(data, function(id, consent) {
\n var c = (consent === true) ? ‘yes’ : ‘no’;
\n consents.push(c)
\n });
\n \/\/ console.log(‘DFP: consents length: ‘, consents.length);
\n if (consents.length !== 10) {
\n \/\/ consents = consents.fill(‘no’, consents.length, 10);
\n for (var i = consents.length; i 800) {
\n $(‘.article-hero’).attr(‘style’, ‘order: 1’);
\n }
\n window.hide_overlay_for_exco = true;
\n });
\n };
\n fjs.parentNode.insertBefore(js, fjs);
\n }(document, ‘script’, ‘exco-player’));
\n }
\n function loadSocials()
\n {
\n const socials = [
\n ‘https:\/\/platform.twitter.com\/widgets.js’,
\n ‘https:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1’,
\n ‘https:\/\/www.tiktok.com\/embed.js’,
\n ];
\n socials.forEach((social) => {
\n var script = document.createElement(‘script’);
\n script.src = social;
\n script.async = true;
\n document.getElementsByTagName(‘head’)[0].appendChild(script);
\n });
\n }
\n})();\n<\/p>\n

\u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n

\u2018 Some details of this article were extracted from the following source www.cotswoldjournal.co.uk \u2019 <\/em><\/p>\n


\n \u2018O artigo anterior pode incluir informa\u00e7\u00f5es divulgadas por terceiros\u2019
\n<\/em><\/p>\n

\u2018 Alguns detalhes deste artigo foram extra\u00eddos da seguinte fonte celebrity.land \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kiefer Sutherland is one of those actors who\u2019s always just been there. Not in a background way, but in that way where you don\u2019t quite realise how embedded he is in your film memory until you start pulling the threads together. He was chillingly feral in Stand by Me, then moved into darker, more cerebral […]<\/p>\n","protected":false},"author":2,"featured_media":1830906,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1830905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estrelas"],"_links":{"self":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1830905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/comments?post=1830905"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1830905\/revisions"}],"predecessor-version":[{"id":1830907,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/posts\/1830905\/revisions\/1830907"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media\/1830906"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/media?parent=1830905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/categories?post=1830905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/pt\/wp-json\/wp\/v2\/tags?post=1830905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}