UNCSA has named bassoonist and educator Saxton Rose as its new dean of the School of Music, effective immediately. Rose has served as interim dean of music since July 2020,
including leading the school through the COVID-19 pandemic with an entire academic
year of in-person instruction and performance. He has been on the faculty since 2008,
having chaired the woodwind department since 2009 and been named associate professor
of bassoon in 2015.
Rose is an active leader within the School of Music and the university at large, holding
leadership positions within the music school’s strategic planning and curriculum revision
task forces, with a particular focus on technology development; innovative approaches
to ensemble training; and equity, diversity, inclusion and belonging (EDIB) initiatives.
He has chaired the university’s faculty welfare committee and served as a member of
the faculty council.
As dean, Rose will serve as executive of all programs, operations and personnel in
the School of Music, including all graduate, undergraduate and high school academic offerings. He will lead and supervise 47 faculty and 11 staff. As the artistic
director of the School of Music, he will lead the production of more than 200 performances
and events, will engage guest artists and will curate all concert series. He will
also oversee the A.J. Fletcher Opera and Chrysalis Chamber Music institutes that are part of the school.
An accomplished soloist and chamber musician, he is principal bassoonist with the
Winston-Salem Symphony and a member of the acclaimed New York-based wind quintet Zéphyros
Winds. He is also director of the nu ensemble, the School of Music’s contemporary
music group, and a co-founder of Dark in the Song, a bassoon “super-group” dedicated
to commissioning and performing contemporary music. Past professional positions have
included principal bassoonist of the Puerto Rico Symphony Orchestra, bassoon professor
and chair of the woodwind department at the Puerto Rico Conservatory of Music and
concerto soloist with orchestras throughout the world such as the national symphonies
of Colombia and Panama.
Rose succeeds Brian Cole who was appointed chancellor of UNCSA in 2020, having served as dean of the School
of Music for four years.
“Saxton Rose has a keen understanding of where the music industry is going alongside
an appreciation of the conservatory model and a focus on excellence in preparing students
for careers,” said Chancellor Cole. “We are so pleased to have him continue to lead
in this expanded role, building on years of experience bringing value to the School
of Music and helping push it to new heights. Saxton is also a collaborator with great
ideas for how to fully leverage our institution’s arts ecosystem, as well as forge
new partnerships to connect the school to the state and world. Most of all, Saxton
is prepared to play a leadership role in helping influence the music world for the
better through a focus on issues of diversity and inclusivity that will create a broad
pipeline of talent and much-needed change to the industry.”
Saxton is prepared to play a leadership role in helping influence the music world
for the better through a focus on issues of diversity and inclusivity that will create
a broad pipeline of talent and much-needed change to the industry.
Chancellor Brian Cole
Rose said he looks forward to continuing the work he began as interim dean, especially
with regard to helping students prepare for post-conservatory careers.
“Preparing young musicians for successful futures obliges us to think beyond the present,”
he said. “A conservatory should reflect the needs of the professional landscape not
just now, but for the future. This includes embedding inclusivity into our programs
as well as ensuring the health and wellness of our students. I believe we can evolve
while maintaining the culture and DNA of our institution through creative offerings
and partnerships and by letting the industry and our alumni help and guide us while
maintaining the highest artistic standards.”
In addition to the School of Music, UNCSA is home to schools of Dance, Design & Production, Drama, and Filmmaking, offering a rare opportunity for students and faculty from the various disciplines
to interact. Rose is one of three new deans to be appointed this year with the schools
of Dance and Filmmaking also announcing new leadership. All will be charged with finding ways to expand the
University of North Carolina School of the Arts’ curriculum by developing collaborative
Rose gained experience in this collaborative approach during the COVID-19 pandemic
when all of the schools had to pivot from live performances to digital as well as keep students safe. During this period, Rose oversaw the acquisition and
creation of music-related PPE and barriers, developing music performance safety protocols
necessary to enable students to rehearse and perform on campus. He also directed the
transition of approximately 200 School of Music performance offerings from traditional
presentations to livestream productions, a transition that saw the schools of Music,
Filmmaking, and Design & Production work closely together, including a “reimagined”
filmed version of “The Nutcracker” that was released in December 2020.
Rose says the digital capabilities developed during the pandemic will continue, enabling
the school to extend its reach into the greater North Carolina community, part of
its mandate as a state-supported institution.
“An ideal way to reach more people across our state is through the use of technology,”
he said. “By cultivating synchronous online engagement events, increasing our livestreaming
capabilities and creating instructional video programming, we can connect with students
and school directors like never before. I envision establishing statewide connections
that will empower UNCSA to enrich the lives of people throughout our region and beyond.”
Programming, performing and recording contemporary music has also been a key component
of Rose’s professional career and his academic life. As interim dean, he expanded
this focus to encompass the university’s evolving EDIB objectives, creating the school’s
first EDIB progress report that outlined the ways in which the School of Music community
is addressing the historical disregard of contributions by non-white, female-identifying
and LGBTQ+ musicians. He launched a fellowship program with the Winston-Salem Symphony
to support graduate musicians of color, and led a schoolwide project to record works
by Reena Esmail, Jessie Montgomery and Valerie Coleman.
As interim dean, Saxton has successfully addressed areas of growth within the School
of Music that are essential for the next leader, including new programmatic possibilities,
cross-school collaborations and a focus on preparing students for careers in an evolving
Exective Vice Chancellor and Provost Patrick Sims.
Executive Vice Chancellor and Provost Patrick J. Sims said, “As interim dean, Saxton has successfully addressed areas of growth within
the School of Music that are essential for the next leader, including new programmatic
possibilities, cross-school collaborations and a focus on preparing students for careers
in an evolving industry. Saxton also has strong ideas for how to pedagogically and
philosophically position the school to be responsive to the institution’s work in
equity, diversity, inclusion and belonging as well as contemporary musical genres
that embrace a more diverse repertoire, balanced with the classical canon.”
About the School of Music
The School of Music at UNCSA combines intensive individual study under artist-faculty with a variety
of performance opportunities, presenting more than 200 recitals, concerts and opera
productions each year, including collaborations with other UNCSA arts schools and
a guest artist series. In addition to its undergraduate and graduate programs, it
houses one of the nation’s only four-year residential arts high school programs. The
school enrolls 91 high school students, 116 undergraduate (Bachelor of Music) students
and 55 graduate students (Master of Music and Professional Artist Certificate). The
School of Music is also home to the renowned A.J. Fletcher Opera Institute, a tuition-free,
graduate-level professional training ground for exceptional young vocalists, and the
Chrysalis Chamber Music Institute, which is dedicated to the development of outstanding
UNCSA School of Music alumni have gone on to perform with the Budapest Symphony Orchestra,
Berlin Philharmonic, New York Philharmonic, San Francisco Symphony, Nero String Quartet,
Giannini Brass, Camel City Jazz Orchestra, and Metropolitan and Chicago Lyric operas,
among others. They have pursued graduate and postgraduate studies at Juilliard, the
Manhattan School of Music, Eastman School of Music, The Colburn School and more. Prominent
alumni of the School of Music include: violist Richard O’Neill (high school ’97) who won the 2021 Grammy Award for Best Classical Instrumental Solo
and is a member of the renowned Takács Quartet; acclaimed tenor René Barbera; Broadway veteran T. Oliver Reid (B.M. ’93); Lachezar Kostov (M.M. ’06), associate principal cello in the Baltimore Symphony Orchestra; Broadway
music director Mary-Mitchell Campbell (B.M.’96); New York Philharmonic violinist Lisa Kim (high school ’88); violinist
and Beyoncé collaborator Jessica McJunkins (B.M. ’09); Elizabeth Sobol (B.M.’81), president & CEO of Saratoga Performing Arts Center; jazz vocalist and
composer Becca Stevens (high school ’02); saxophonist Eddie Barbash (high school ’07) who performed in the house band for “The Late Show with Stephen
Colbert”; and the Dan River Girls ̶ Fiona Burdette, cello (high school ’17); Ellie Burdette, double bass and voice
(high school ’19); and Jessie Burdette, viola (high school ’21).
About Saxton Rose
Saxton Rose is one of America’s most recognized bassoonists with a varied career as a soloist
and orchestral and chamber musician. As an orchestra musician, Rose has been principal
bassoonist of the Winston-Salem Symphony since 2008, and held the same position with
the Puerto Rico Symphony from 2003 to 2008. Additionally, he has performed as principal
bassoonist with the Mahler Chamber Orchestra and Orchestra of St. Luke’s.
Rose performs frequently as a soloist including concerto engagements with orchestras
such as the National Symphony of Colombia in Bogotá; National Symphony of Panama;
Philharmonic Orchestra of Boca del Río in Veracruz, Mexico; Puerto Rico Symphony Orchestra;
the West Point Band at the Skirball Center in New York City; and in North Carolina
with Fayetteville Symphony Orchestra and Winston-Salem Symphony.
A committed teacher, Rose has been invited to give master classes and presentations
throughout Europe, Latin America, Asia, and in the U.S. at the finest music schools
and conservatories including the Central Conservatory of Music of China in Beijing;
Conservatory of Music in Valencia, Spain; and Conservatory of Music in Córdoba, Argentina.
In 2017 he served as bassoon faculty for YOA Orchestra of the Americas in Chile and
each summer he performs and teaches at the Ameropa Music Festival in Prague. As director
of the new music ensemble at UNCSA, Rose leads outstanding students as the group’s
conductor in intensive rehearsals and performances of the music of our time by today’s
most significant composers, by emerging composers, and by UNCSA composition students.
Rose trained with some of Europe’s most distinguished bassoonists while a student
at the Conservatorio “Agostino Steffani” in Castelfranco-Veneto, Italy, graduating
with highest honors. Rose also holds a Master of Music from the University of Illinois
at Urbana-Champaign and a Bachelor of Music from the University of Colorado.
Get the best news, performance and alumni stories from UNCSA.
SUBSCRIBE TO OUR NEWSLETTERS
‘ Este Articulo puede contener información publicada por terceros, algunos detalles de este articulo fueron extraídos de la siguiente fuente: www.uncsa.edu ’