For nearly a decade, Taylor Sheridan has all but revived the Western genre, restoring it to its former popularity through a steady output of content that shows no signs of slowing. Television series like “Yellowstone,” “Landman,” and “Tulsa King” offer modern spins on classic tropes — the rugged cowboy, land disputes, violent outlaws, and themes of justice and power — and feel like echoes of a bygone era, clamoring to remain relevant in an increasingly complex world.
Still, some viewers may yearn for something outside of Sheridan‘s wheelhouse. Praise aside, much of his work feels oddly similar, steeped in familiar Western archetypes borrowed from better shows.
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