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Few projects have been as highly anticipated and long awaited as Rosalía’s fourth studio album, LUX. The follow up to her Grammy-winning Motomami, yesterday’s release was met with widespread acclaim from the music industry and fans alike—proving it was certainly well worth the three year wait. Exploring ideas of the feminine divine, transcendence, love, and religion, it was recorded with the London Symphony Orchestra and featured lyrics in fourteen different languages. And, with the music video for her lead single “Berghain,” Rosalía built out a whole visual world for the album—one that’s been reflected in her recent fashion moments.
For her first appearance post-album release, the Spanish singer graced the stage at the LOS40 Music Awards in a Victorian deconstructed gown from Dilara Findikoglu. More specifically, it was pulled from the label’s Autumn/Winter 2024 collection, an offering that just so happened to have echoed the very themes LUX discussed. Located at a London church, the show served as a mass ritual to end toxic masculinity, a “manifesto for a world order born of an unrelenting vortex of femme energy.” Just like Rosalía, Findikoglu explored religion, femininity, and divine power.
Constructed with layers and layers of tulle, ruffles, and lace, the artist’s piece was designed to mimic a stage of undress. Evoking a feeling of shedding skin or letting go of the old, pink and black corsets hung from the waist, stripped from the body to reveal the undermost layer of transparent boning. Angelic and daring all at once, it was the perfect companion to Rosalía as she stepped out to celebrate LUX.
Earlier, the artist walked the red carpet in Balenciaga, pairing a low-rise skirt with a feathery crop top, crystal-embellished sunglasses, and her freshly bleached halo ring of hair. And, to celebrate the release on Instagram, she pulled out a blue gown by Andreas Kronthaler for Vivienne Westwood, adorned with chains and chains of keys.
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