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Taylor Swift’s “Opalite” Music Video Outfits Trade ‘Showgirl’ Sequins for ’80s Trends

Story Center by Story Center
February 6, 2026
Reading Time: 13 mins read
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Taylor Swift wears a pink tank top and choker necklace in the opalite music video

Forget the towering feather headdresses, the bejeweled, glittering dresses, and all that vintage Bob Mackie. Taylor Swift‘s “Opalite” music video outfits, the start of her Life of a Showgirl style era‘s second chapter, are playfully, meaningfully anti-2026 fashion trends and runway designers. Think less pop star “in her glittering prime,” more everyday girl circa 1994.

On February 6, Taylor Swift returned in her first music video since October’s smash-hit “The Fate of Ophelia” with an ode to being your authentic self—and finding someone who’s equally on-board—with a dash of nostalgic ’90s trends. Stylist Joseph Cassell Falconer appeared to do more vintage sourcing than shopping Swift’s favorite luxury labels for this one. In the five-minute video, Swift plays a “Lonely Woman” (per the credits), whose best friend is a rock until a spritz of “Opalite” spray makes her over, and introduces her to a perfect match in Domhnall Gleeson. (Before he’s magically connected with Swift, his companion is a cactus.) She moves through her isolated days in ribbed tank tops, choker necklaces, and light-wash jeans—and in a nod to the Eras Tour, she beads a friendship bracelet for her non-sentient friend.

Taylor Swift plays a “Lonely Woman” in the “Opalite” music video, dressed in ’90s staples like chokers, ribbed tanks, and acid-wash jeans.

(Image credit: Taylor Swift)

Taylor Swift on a swingset in the Opalite music video

Here, Swift styles a vintage sweater with buckled Colate ankle boots.

(Image credit: Taylor Swift)

The throwback fashions continue once Swift and Gleeson meet, abandoning their former companions for something more…animated. They lace up Reebok Club C sneakers. They take mall photos in coordinating patterned sweaters and high-waist denim. Swift even accessorizes in tune with the decade, topping her hair with oversize scrunchies and slinging a fanny pack around her waist. (Credits for the looks are slim at press time, but Marie Claire will add them as they are identified.)


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Throughout the video, a group of celebrities make cameos in equally nostalgic outfits. Jodie Turner-Smith plays an aerobics instructor in a bright pink leotard and sneakers. Greta Lee gets into character as an indie musician in a flowing white dress. Lewis Capaldi plays the mall photographer in his own wallpaper-esque sweater and jeans.

Taylor Swift Domnhall Gleeson and Lewis Capaldi in the Opalite music video

Mall photoshoots are a ’90s staple, so Swift and Gleeson laced up their Reeboks for their close-ups with Lewis Capaldi.

(Image credit: Taylor Swift)

Taylor Swift wearing a cat sweater and fanny pack in the opalite music video

Swift hits the mall with Gleeson in a vintage cat sweatshirt and fanny pack.

(Image credit: Taylor Swift)

The video’s grand finale takes place at a dance competition where Swift and Gleeson prance in intentionally dorky, glittery sweatsuits. (The color palette, baby blue and orange, plays off the color scheme of Swift’s official Showgirl album art.) They earn scores of straight zeros from the judging panel, but they don’t care. Their matching outfits and goofy grins say they’re both on the exact same page.

Swift had teased the single’s release with a look more attuned to her previous Showgirl era style. In promotional images for “Opalite,” she wears a light blue sequin bodysuit by Zuhair Murad Couture with Zydo Italy chandelier earrings. Like her late-night interview dresses by David Koma and Wiederhoeft on the press circuit, and her outfits throughout the “Fate of Ophelia” music video, this early look had suggested a video full of iridescent sequins and over-the-top designer credits. In reality, the video was about the sort of company that makes you feel like you’re coated in sparkles—even if your wardrobe is more lackluster, and your life looks nothing like a couture runway.

Taylor Swift in the Opalite music video with Domnhall Gleeson wearing sequin jumpsuits

Swift ends the music video in a custom sweatsuit—cut from Showgirl-coded orange and baby blue glittering fabric.

(Image credit: Taylor Swift)

In hindsight, viewers now know that Taylor Swift had hinted at the “Opalite” music video and its ’90s-inspired looks in plain sight. Joining Gleeson, Lee, Turner-Smith, Cillian Murphy, and Lewis Capaldi on The Graham Norton Show in October (where she wore a glittery David Koma dress) led to the pop star casting them in her music video.

Get exclusive access to fashion and beauty trends, hot-off-the-press celebrity news, and more.

“I had this thought that it would be wild if all of our fellow guests on the Graham Norton Show that night, including Graham himself, could be a part of it too,” Swift explained on Instagram. “Like a school group project but for adults and it isn’t mandatory. To my delight, everyone from the show made the effort to time travel back to the 90’s with us and help with this video.”

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She also alluded to the left-turn styling by Joseph Cassell Falconer in her caption. “I had more fun than I ever imagined – Made new friends, metaphors, and fashion choices,” she said.

taylor swift wearing her engagement ring on the graham norton show

Taylor Swift joined her “Opalite” music video co-stars on the Graham Norton Show in October—but no one in the audience knew it was coming.

(Image credit: Alamy)

So what’s the grand takeaway from the “Opalite” music video outfits? It seems you don’t have to dress up to dance through the lightning strikes.

Editor’s note: This is a developing story. Outfit credits will be added as they become available.

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‘ The preceding article may include information circulated by third parties ’

‘ Some details of this article were extracted from the following source www.marieclaire.com ’

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From left, Taylor Swift, Cillian Murphy, Greta Lee, Jodie Turner-Smith, Domhnall Gleeson and Lewis Capaldi with host Graham Norton during filming in October 2025 (Matt Crossick/PA Media Assignments/PA)

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