Vincent Neil Emerson’s mind is always racing, with one big exception. If he’s creating new music, the East Texas native is at ease. “Songwriting is a great form of therapy for someone who has trouble dealing with things, and I’ve had that problem in the past,” Emerson says. Now, in a career that’s pushing a decade, he’s finding his words are coming easier than they ever have.
On Friday, he illustrates what he’s talking about with the release of Blue Stars, his fourth studio album and first since 2023’s The Golden Crystal Kingdom, via the independent label La Honda Records.
“I wrote pretty much all these songs within the span of a couple of weeks. I write once in a while, but maybe once a year, I’ll sit down and have a creative spurt and write hard for a few weeks.”
The 12-track Blue Stars represents Emerson’s most complete project to date. It’s the first of his four LPs that features his touring outfit, the Red Horse Band. Recorded in Nashville at Gnome Studios and produced by Patrick Lyons, the record is heavy on the swinging twang that has become a signature in Emerson’s live shows. Across the record, he laments love, his upbringing in East Texas and Louisiana, and his Native roots in the Choctaw-Apache tribe.
He also pushes his melodies and music across the record. He and Lyons brought in horns for “Louisiana Wind.” Over swampy percussion and keys, Emerson sings about partying in New Orleans, “dancing with my two left feet,” and how “the devil always needs another friend.” He explains that the title of the song is referencing being overserved. If you’re drunk in the French Quarter, and you’re swaying, he says, it looks like you are being blown around in the breeze.
“I’ve been going to New Orleans since I was a kid,” Emerson says, “to go party or hang out or kind of see all there is to see. Louisiana, for me, those are my ancestral lands. That’s where my tribe is from, and I wanted to write a song about the state, but also about struggling with addiction and the whole party thing.”
Emerson saw firsthand how far he has come as a songwriter in March, when Steve Earle asked him to play a song swap at New York’s Beacon Theatre, opening for Tedeschi Trucks Band. Despite, at 33, being nearly 40 years younger than Earle, the two played off each other throughout the set. The show happened against the backdrop of the immigration crackdowns in Minneapolis and across the U.S., and at one point, Emerson told the crowd, “You can’t be an immigrant on stolen land,” which resulted in a standing ovation.
It also endeared him further to Earle. The first time he played a new song for Earle, the venerable songwriter name-dropped one of his late friends in response.
“He said that Guy Clark told him he only had two critiques when you showed him a new song,” Emerson says. “He either said, ‘Needs work,’ or ‘Good work.’ Steve says that, and then he turns to me and goes, ‘Good work.’ My heart just kind of fucking sunk. This is one of my heroes telling me that. It meant a lot to me.”
Such interactions have become common for Emerson as he geared up for the Blue Stars release, which he’ll officially celebrate by making his Grand Ole Opry debut on Friday. His invitation to play the Opry for the first time came courtesy of William Prince, the Canadian folk singer who joined Emerson earlier this year as an opener on a tour of the southeast. During a stop in Tampa, Prince surprised Emerson with the news that the Opry wanted him to make his debut. “The first thing I thought about was that I’m probably the first person from my tribe to play the Opry,” Emerson says of his initial reaction.
He’ll follow that show with a two-month headlining tour of clubs across Texas and the West, hitting historic venues like Gruene Hall in New Braunfels, Texas, and the El Rey Theatre in Los Angeles, along with two nights at the Tractor Tavern, a live-music mainstay in Seattle’s art-heavy Ballard neighborhood.
“I try not to think about what the audience will think of it, but I do think about people that are from my situation, and from a similar background as me,” he says, “and I just hope that somebody gets something good out of what I’m writing.”
Josh Crutchmer is a journalist and author whose book (Almost) Almost Famous is available now via Back Lounge Publishing.
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‘ Some details of this article were extracted from the following source www.rollingstone.com ’
