Enter Jane (Byrne, who is also fresh off an Oscar nom) and a “will they, won’t they” plotline that is riddled with bon mots as she and Julia debate the pros and cons of welcoming Maurice back into their lives and, gasp, committing adultery.
This is the presise that allows the pair’s chemistry to take center stage. Together, Byrne and O’Hara don’t miss a beat as they trade back-handed compliments, anxieties and reflections on past versions of themselves. (Also, hilarity as they subtly peer pressure each other to drink.) To watch their stylish elegance unravel at the mere thought of Maurice, but also the naughty nostalgia they embrace simply by reminiscing about the sexual freedom they enjoyed before getting hitched? It’s a credit to their performance and the pace of the production that leaves audience members hanging on their every line. (Byrne’s appearance in particular by the end of the show is so jarring and hilarious, I laughed out loud.)
Bottom line: It’s been a minute since I’ve seen a show where you are so carried away by the characters that the conclusion feels like the ultimate reward. No spoilers here, but this is a show that more than sticks the landing. And, once again, emphasizes the silliness—and modernity—of its heroines. IMO, this is a top pick.
Fallen Angels is playing now through June 7 at the Todd Haimes Theatre.
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