ROSSY – BOUNCE
The trap queen — and Dancing Astronaut Artist to Watch alum — has returned. Those who follow ROSSY across socials are well aware that she’s currently sitting on a bevy of unreleased weapons. The first of those has finally arrived, with ROSSY delivering her second release of the year, “BOUNCE.” The track unequivocally reinforces why she’s hailed as the trap queen and likely signals the start of a new era, arriving on the heels of two newly announced headline shows in Los Angeles and Denver in the new year. – Ross Goldenberg
BRØMANCE – You Can Dance
In April 2024, the Size Records boss introduced a weekend two Sahara Tent crowd to an ID that would later be attributed to BRØMANCE. Fast forward to the final moments of 2025, and Steve Angello has officially welcomed his newest label signee, with BRØMANCE delivering “You Can Dance,” an instant-classic house record that adds to Size’s legendary discography. – Ross Goldenberg
Adriatique, Yubik & Vincent Vossen – Never Alone
After months of demand from fans across the melodic techno community, Adriatique, Yubik, and Vincent Vossen have officially released their long-anticipated collaboration on X Recordings, “Never Alone.” The track has already become a defining moment within Adriatique’s X-branded shows in Dubai, Buenos Aires, and Medellín, signaling a return to the duo’s melodic sound that originally propelled them into global acclaim. – Alex Lambeau
Fred again.. – USB [album]
After rolling out a series of individual tracks over the past 10 weeks as part of his 10-show USB002 run, Fred again.. has officially released the full version of USB, bringing the entire project together in one cohesive drop. The album collects songs that were previously shared as standalone releases and live IDs — many of which have been staples in his recent sets — now presented as a complete body of work. The release lands during another high-profile stretch for the UK producer, following the continued impact of Actual Life and a run of performances that have kept him at the center of electronic music conversation. – Danielle Carty
Seven Lions – Asleep in the Garden of Infernal Stars [album]
Seven Lions has done it again. Two years after the release of Beyond The Veil — his debut album and one of Dancing Astronaut’s top albums of 2022 — the Ophelia Records founder returns with his sophomore effort, Asleep in the Garden of Infernal Stars. As the follow-up to Beyond The Veil, expectations were understandably high, and Seven Lions delivers, crafting 11 diverse tracks that both channel his classic 2010s sound and push his artistry forward. – Ross Goldenberg
Amél – Birds of a Feather
In what’s yet another progressive house triumph in a year positively littered with them, Amél’s remix of Billie Eilish’s “Birds Of A Feather” has officially gotten its wings. “Birds Of A Feather” takes flight via Wall Recordings after months of play out not only from its founder (and Amél’s mentor) Afrojack, but also Martin Garrix. The twinkling hit of dopamine, administered over four minutes and 33 seconds, seems to wind the clock back to the genre’s golden age; still, Afrojack’s description of Amél (“Next generation right here”) reminds us that another one is unfolding right here, right now, with a glint all its own. While the instrumental is now available across digital streaming platforms, fans will still need to head to YouTube to hear the vocal version. — Rachel Narozniak
Solomun – Say Nothing (feat. Denis Sulta)
Dance music legend and Diynamic Records boss Solomun teams up with Scottish house artist Denis Sulta for “Say Nothing,” an immersive, atmospheric house single built on the former’s signature kick drum patterns, hypnotic echoes, and murmured vocals. The collaboration delivers a dark, intricate club record that showcases both artists’ precision and sonic craftsmanship. – Liana Stern
Fatboy Slim & The Rolling Stones – Satisfaction Skank
Fatboy Slim has been given the green light by The Rolling Stones to officially release “Satisfaction Skank,” a mashup that has lived in dance-music lore for more than two decades. Rebuilt from the original “Satisfaction” stems and first tested live in 1999, the track blends one of rock’s most iconic riffs with Fatboy Slim’s signature flair. After years of fan demand, it finally arrives as a rare crossover moment uniting two eras of British music in one historic release. – Alex Lambeau
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source dancingastronaut.com ’
