“People don’t necessarily appreciate when something is broken or dirty, it isn’t only that; it speaks to a history as it seems to carry, locked inside of itself, memories of another time,” Szczerbowski tells THR about recycling street waste to bring texture and authenticity to a tiny real-world set, where in reality, everything is fake.
“There are no real, found locations. The light is not coming from the sun. Everything is a facsimile. So the more real material you stick into the image, the more it subconsciously works on an audience to make you forget about that illusion and buy it as reality,…
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