NEW YORK — “Heated Rivalry” is scoring big with hockey romance fans. Since its Thanksgiving weekend debut, the steamy television adaptation of Rachel Reid’s 2019 novel has dominated social media feeds and inspired a growing fanbase devoted to the queer romance at its center.
The story traces Canadian Shane Hollander and Russian Ilya Rozanov as they sustain a decade-long secret relationship, mixing slow-building yearning with explicit sexual scenes. Jacob Tierney, who developed, wrote and directed the series, said he was drawn to the project for its “pure queer joy.”
Audiences have met that joy with a passionate response, propelling “Heated Rivalry” to the No. 1 series on HBO Max. Along the way, it’s generated new interest in the “Game Changers” book series that it’s based on and drawn attention to sports romance fiction, especially stories with queer storylines.
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Originally developed for the Canadian streaming service Crave, the show scored a distribution deal with HBO and has already been renewed for a second season.
“Unashamedly, when pitching, it was just like, this is a Harlequin romance. This has a happy ending,” Tierney said. “This is about two boys in love and a lot of sex.”
A ‘Game Changer’ for hockey romance fans
Hockey romance books have grown in popularity within the broader sports romance genre, fueled by readers drawn to the intensity of sport as much as the relationships at its center. Mackenzie Walton, who edited the “Heated Rivalry” novel, said the genre’s staying power comes from how deeply the stories immerse readers in the sport itself.
“It’s much more common when I read a hockey romance that I get the sense that hockey is important at the heart of the book, and I think readers really respond to that sense of authenticity,” Walton said.
According to the book’s publisher Harlequin, Reid’s six-novel “Game Changers” series has sold 650,000 copies since the first was published in 2018.
This image released by Crave shows Hudson Williams, left, and Connor Storrie in a scene from “Heated Rivalry.”
Sabrina Lantos, Crave via Associated Press
“Anytime Hollywood pays attention to, and respects, romance fans, they notice and show their appreciation,” Leah Koch, co-owner of the romance bookstore The Ripped Bodice, wrote in an email. She added that producing a high-quality adaptation of a story queer readers might not have expected to reach television signals a growing recognition of both their cultural interests and their economic impact.
Content creator Josh Banfield has been making Instagram videos about the show since its November premiere. He believes part of the show’s popularity with queer fans is the slow-burning aspect of Shane and Ilya’s romance.
“There’s something nice about seeing the yearning and seeing that they do maintain contact with each other and still have this connection,” Banfield said.
Finding the perfect Shane and Ilya
Fans and the creators behind the book and TV show also credit the lead actors, Connor Storrie and Hudson Williams, for the show’s success. Tierney said he knew they were his Ilya and Shane almost instantly.
“The show was going to live and die based on this casting,” Tierney said. “I think once they did their chemistry read together, everybody was like, ‘OK, fine, done.'”
Rachel Reid, author of the books, said she was happy with the adaptation and with who was chosen to play the characters she wrote.
“If I built the perfect actors in a lab, I could not have built better people to play these characters,” Reid said.
It was also important to both Tierney and Reid to have Shane played by someone of Asian descent, as the character is in the books, to keep a sense of diversity in a genre that tends to have mostly white characters.
Beyond the typical ‘alpha-jock’ story
Hockey romances still tend to be dominantly white and heterosexual. According to Koch, readers who come to the Ripped Bodice’s locations are looking for more people like Shane — queer and diverse — to be in their stories.
Customers frequently seek out queer sports romances and those that “go beyond the typical alpha-jock trope,” she wrote. But she’s skeptical that the success of “Heated Rivalry” will lead to more mainstream books or shows with queer stories.
“A breakthrough title does sometimes allow other authors more access, but not always,” Koch wrote. “But hey, maybe they’ll prove me wrong, and wouldn’t that be nice?”
Romance blogger Laura Dusi-Showers said women in particular are responding to the male-on-male romance in a hockey book because of the fantasy aspect of seeing something different than their everyday lives. As for why it works, she said it was due to hockey being a “manly, aggressive sport” with no out NHL players. “I think it’s opening people’s eyes to what could be,” Dusi-Showers said.
This image released by Crave shows Hudson Williams, left, and Connor Storrie in a scene from “Heated Rivalry.”
Sabrina Lantos, Crave via Associated Press
This was the reason Reid wrote her books in the first place: wanting to tell a different story.
“The series just came from a love of hockey, but also my own conflicted feelings about all the bad things about the culture around the sport, especially the homophobia,” Reid said.
Reid’s debut book in her hockey series, “Game Changer,” is about Scott Hunter, the fictional first fictional hockey player to come out publicly, and his juice-bar barista boyfriend Kip Grady. Part of this story was told in “Heated Rivalry’s” third episode and featured as a climactic moment in the fifth episode.
As to why fans are responding so strongly to the show and the actors, Reid singled out the acting.
“They’re getting really, really emotional or excited about one little quiet part or one line delivery, and that has nothing to do with the sex on the show,” she said, pointing specifically to Williams’ performance as the more awkward and less self-assured Shane. “Maybe a choice that Hudson made as an actor is making everybody lose their minds, and I love to see that.”
– Director: Sally Aitken
– Metascore: 74
– IMDB user rating: 7.1
– Run time: 1 hour 33 minutes
A nature documentary at its core, “Every Little Thing” follows Terry Masear, a hummingbird rehabilitation specialist, as she goes about the day-to-day business of saving these delicate birds. Though it may sound light-hearted and fluffy (and it certainly does have those moments), the film is as much about overcoming trauma—whether inflicted by nature or by other humans—as it is about the birds.
While some critics called the film stretched thin and monotonous, most found it dazzling, with The Hollywood Reporter’s review gushing over how deftly the film manages to say something about humanity. After all, as Masear puts it, showing love and compassion when we aren’t required to is a marker of one’s greatness.
– Director: Kyle Hausmann-Stokes
– Metascore: 75
– IMDB user rating: 6.7
– Run time: 1 hour 43 minutes
“My Dead Friend Zoe” follows an Afghanistan vet whose dead comrade is a constant presence in her life as she faces conflict with her therapist and her ailing Vietnam vet grandfather. Based in part on director Kyle Hausmann-Stokes’ own military experiences, the film is an exploration of PTSD that includes appearances from real-life service members. But as the Willamette Week puts it, it isn’t “a love letter to the armed forces” so much as a movie that “emphasizes the need for community and a space to share trauma.”
– Director: Bruce David Klein
– Metascore: 76
– IMDB user rating: 7.8
– Run time: 1 hour 44 minutes
A behind-the-scenes look at the life of Liza Minnelli, this documentary showcases interviews with Minnelli and several members of her inner circle, giving an all-new perspective on the legendary performer. The film, broken into separate chapters looking at periods of her personal and professional life, feels intimate and affectionate, possessing what a RogerEbert.com critic calls a “lightness of style” that makes even the more difficult moments easy to watch.
Described as “scintillating” by Variety, the documentary makes no effort to dodge those difficult moments, choosing instead to reveal how Minnelli found joy through it all.
– Director: Steven Soderbergh
– Metascore: 77
– IMDB user rating: 6.1
– Run time: 1 hour 24 minutes
Lucy Liu, Chris Sullivan, and Callina Liang star in this supernatural thriller about a family who moves into a house haunted by a poltergeist. Though the movie is downright chilling, it’s more subdued than a typical ghost movie—there are no jump scares, for one thing. Instead, “Presence” makes the viewer wrestle with whether the spirit is evil or simply exposing the maliciousness inside us all.
Some reviewers weren’t keen on the film’s approach, with audiences seeing everything from the ghost’s perspective, but others have praised director Steven Soderbergh’s controlled style, noting that it makes the climax all the more effective.
– Director: Questlove
– Metascore: 77
– IMDB user rating: 7.7
– Run time: 1 hour 52 minutes
“Sly Lives! (aka the Burden of Black Genius)” looks at the life and legacy of funk musician Sly Stone. The documentary, filled with rich archival footage and interviews, has been described as “dazzling and definitive” by Variety and praised by NPR for its honesty in depicting the alienating aspects of Black excellence.
Even for folks who know little about Sly and the Family Stone—or who have minimal appreciation for funk music—the film is an excellent primer on the ups and downs of the entertainment industry.
“Riefenstahl” looks at the life of famed German director Leni Riefenstahl, focusing specifically on the way her artistic legacy has been tainted by her connections to Nazis. As one of Adolf Hitler’s favorite filmmakers, Riefenstahl was considered a trailblazer on the wrong side of history.
Director Andres Veiel is in no way an apologist for Riefenstahl, taking pains to point out just how complicit and destructive she was, as a review in The Guardian notes. Still, the documentary prompts viewers to think about a question that’s been at the forefront of many minds lately—can an artist’s life and beliefs be separated from their work or not?
– Director: James Griffiths
– Metascore: 78
– IMDB user rating: 7.8
– Run time: 1 hour 39 minutes
In “The Ballad of Wallis Island,” a reclusive lottery winner invites his favorite folk band to play a private concert for him on the remote island he calls home. It’s a simple enough ask, but the fact that the band consists of two exes—including one who brings her new partner along for the ride—makes things much more complicated.
Starring Tim Key, Tom Basden, and Carey Mulligan, the quiet film is loosely based on a short film Basden and Key made with director James Griffiths nearly two decades ago. The Chicago Sun-Times called it “a gentle ode to moving on,” and the kind of movie that won’t “dominate any cultural conversations … but [will] touch your soul if you let it.”
– Director: Ye Lou
– Metascore: 78
– IMDB user rating: 7.2
– Run time: 1 hour 45 minutes
“An Unfinished Film” is referred to as “docufiction,” meaning it’s a fictional movie inspired by real events and incorporating documentary elements. Set in January 2020, the movie follows a film crew reuniting near Wuhan, China, to finish a project they were forced to abandon a decade earlier. Their plans are, of course, foiled by the outbreak of the COVID-19 pandemic, and they are forced into lockdown.
Interspersed with real smartphone footage from Wuhan at the beginning of the pandemic, the movie perfectly encapsulates what it was like to live during that time, particularly at the epicenter. Variety writes, “Few films have so skillfully captured the way COVID caused such traumatic temporal disruptions in its early days, wherein sudden changes in physical and emotional routine caused time to both stretch and collapse.”
– Director: Miguel Gomes
– Metascore: 80
– IMDB user rating: 6.6
– Run time: 2 hours 8 minutes
A historical drama set in 1918, “Grand Tour” is about a young man who abandons his fiancée on the eve of their wedding, only to have her set out in search of him. As they each traipse across East and Southeast Asia, fictional scenes of their story are interspersed with real documentary footage (some from the turn of the century, some more modern).
Director Miguel Gomes told Vulture the film was meant to evoke “the spectacle of the world,” prompting audiences to look more closely at their own worlds. The visually intoxicating movie resists the audience’s need to understand what’s going on, choosing instead to inspire wonder and the sense that “reality is often magical and inscrutable.”
– Directors: Sam Crane, Pinny Grylls
– Metascore: 82
– IMDB user rating: 6.9
– Run time: 1 hour 29 minutes
One of the quirkiest movies to make this list, “Grand Theft Hamlet” follows two out-of-work actors who attempt to stage a full-blown production of “Hamlet” in Grand Theft Auto Online. Shot entirely in the video game, with all of the subjects portrayed by their digital avatars, the film won the Grand Jury Award for Best Documentary Feature at the 2024 SXSW festival. NPR called it “constantly surprising, breathtakingly imaginative, and a great introduction to Shakespeare.”
In “Wallace & Gromit: Vengeance Most Fowl,” an old nemesis—Feathers McGraw, the penguin who first made his debut in the 1993 short “The Wrong Trousers”—returns to challenge the title pair with an assist from some AI-infused gnomes. While delightfully entertaining for younger audiences, with chase scenes and laugh-out-loud jokes galore, the film will keep older viewers engaged with its insightful criticisms of technology and its place in our consumer society.
Available to stream on Netflix, the movie nailed the “nostalgia sequel,” according to Forbes, “keeping the spirit of the animated series alive while paying tribute to the claymation duo’s best moments.” “Vengeance Most Fowl” was nominated for Best Animated Feature at the 2025 Academy Awards.
– Directors: Aws Al-Banna, Ahmed Al-Danf, Basil Al-Maqousi, and others
– Metascore: 83
– IMDB user rating: 7.9
– Run time: 1 hour 52 minutes
One of the most urgent watches on this list, “From Ground Zero,” is a collection of 22 different short films, ranging in style from documentary to animation, shot by nearly two dozen Palestinian directors over the past year in Gaza. Through true stories, the movie does a powerful job of humanizing the people of Gaza as they witness the destruction of their homes and the killing of their loved ones by the Israeli military.
“From Ground Zero” was shortlisted for Best International Feature at the Academy Awards, though it didn’t make the final cut. A RogerEbert.com critic called it “a rare work for which superlatives are not only inadequate but useless,” writing that the film “shows that, after a catastrophe, art is not only still possible but necessary—and that digital technology makes it possible for people to continue to preserve and share their stories even after they’ve lost almost everything else.”
– Director: Morissa Maltz
– Metascore: 83
– IMDB user rating: 6.1
– Run time: 1 hour 26 minutes
Set in the same universe as director Morrisa Maltz’s debut film “The Unknown Country,” “Jazzy” is a coming-of-age drama that follows a young Oglala Lakota girl. The movie is based on the real-life experiences of Maltz’s goddaughter, Jasmine Bearkiller Shangreaux, with the narrative following Jazzy and her best friend over six years as they navigate crushes, life’s twists and turns, and the challenges of friendship. Called “scrappy,” “loose-limbed,” and “meditative” by Variety, the film beautifully encapsulates those messy adolescent years.
– Director: Alain Guiraudie
– Metascore: 83
– IMDB user rating: 6.9
– Run time: 1 hour 44 minutes
At the start of “Misericordia,” a man arrives at a village in rural France to attend the funeral of his former boss. The widow, vaguely aware of the man’s affair with her late husband, invites him to stay, only to see tensions arise between her new houseguest and her son.
RogerEbert.comdescribed the thriller as “a morbid comedy of errors” and “a metaphysical, character-driven drama about the mysteries and absurdities of human attraction.” It’s exactly the Hitchcockian sort of movie for which writer/director Alain Guiraudie, who made 2013’s “Stranger by the Lake,” has become known.
– Director: Carson Lund
– Metascore: 83
– IMDB user rating: 7.2
– Run time: 1 hour 39 minutes
Set in the ’90s, “Eephus” centers on two amateur baseball teams playing one last game in their home stadium before it gets demolished. Subtle, slow-moving, and without the overtly emotional arc that’s central to most sports films, the movie still manages to be a touching and funny tribute to the country’s national pastime. WBUR called it “the best baseball movie since ‘Bull Durham’—or maybe ‘Bad Lieutenant’—because it explores this sport’s peculiar ability to bend and distort time.”
“Universal Language” is an absurdist comedy set in a reimagined Canada where Persian and French are the official languages. The film contains three separate narratives that are seemingly unconnected. Reminiscent of the Iranian New Wave cinematic movement, the movie may be too bizarre for some—the action is interspersed with asides, like a faux ’80s-style commercial selling turkeys. But for those willing to get on its wavelength, the film delivers a story that is “familiar and strange to us, welcoming but odd, funny, and tender,” per RogerEbert.com.
– Director: Walter Salles
– Metascore: 85
– IMDB user rating: 8.3
– Run time: 2 hours 17 minutes
Based on journalist Marcelo Rubens Paiva’s memoir of the same name, “I’m Still Here” tells the story of a mother and activist trying to cope with the forced disappearance of her husband amid Brazil’s military dictatorship. Starring Oscar nominee Fernanda Torres, the movie was also nominated for Best Picture and won the Academy Award for Best International Film. The urgency of the story, as well as the quietly emotional performances, are among the driving factors behind the film’s acclaim.
– Director: Steven Soderbergh
– Metascore: 85
– IMDB user rating: 7.2
– Run time: 1 hour 33 minutes
Cate Blanchett, Michael Fassbender, and Pierce Brosnan lead the cast of this spy thriller that follows a British intelligence officer who is tasked with investigating a list of possible traitors. One of the names on that list? The wife he’s deeply devoted to.
“Black Bag” has tonal similarities to a James Bond movie, but with a subtler and more darkly comedic approach. RogerEbert.com called the Steven Soderbergh effort “absolutely delicious, a svelte piece of entertainment that feels like a vintage yarn yet very much represents our own current anxieties, questions of sustaining trust in relationships and high-stake careers.”
– Director: Minh Quy Truong
– Metascore: 85
– IMDB user rating: 6.4
– Run time: 2 hours 9 minutes
Two coal miners dream of a better future in this LGBTQ+ romantic drama. Banned in its home country of Vietnam for its “gloomy, deadlocked and negative” views of the nation and its people, the movie wrestles with the effects of the Vietnam War, the difficulties of immigration, and the realities of being in a same-sex relationship in a country where that is still widely regarded as taboo. The expressionist movie has been described by critics as “abstract” and “dreamlike.”
– Director: Rungano Nyoni
– Metascore: 87
– IMDB user rating: 7.2
– Run time: 1 hour 39 minutes
“On Becoming a Guinea Fowl” opens with the main character stumbling across the body of her dead uncle, lying on the road in the middle of the night. As her extended Zambian family prepares for Uncle Fred’s funeral, long-held family secrets begin to come to light and force a reckoning. A mix of dark comedy and serious drama, the movie has plenty to say about the challenges of processing complex emotions and the temptation to live in denial.
Data reporting by Wade Zhou. Story editing by Louis Peitzman. Copy editing by Tim Bruns and Kristen Wegrzyn.
Michael B. Jordan attends the European premiere of “Sinners”.
Zhou You, Jia Zhangke and Zhao Tao attend the “Caught By The Tides” Photocall at Cannes.
Zhou You, Jia Zhangke and Zhao Tao attend the “Caught By The Tides” Photocall at Cannes.
Leonardo DiCaprio at Warner Bros. Pictures “One Battle After Another” World Premiere.
Kathleen Chalfant and Sarah Friedland pose with awards at the 81st Venice Film Festival.
– Director: Sally Aitken
– Metascore: 74
– IMDB user rating: 7.1
– Run time: 1 hour 33 minutes
A nature documentary at its core, “Every Little Thing” follows Terry Masear, a hummingbird rehabilitation specialist, as she goes about the day-to-day business of saving these delicate birds. Though it may sound light-hearted and fluffy (and it certainly does have those moments), the film is as much about overcoming trauma—whether inflicted by nature or by other humans—as it is about the birds.
While some critics called the film stretched thin and monotonous, most found it dazzling, with The Hollywood Reporter’s review gushing over how deftly the film manages to say something about humanity. After all, as Masear puts it, showing love and compassion when we aren’t required to is a marker of one’s greatness.
– Director: Kyle Hausmann-Stokes
– Metascore: 75
– IMDB user rating: 6.7
– Run time: 1 hour 43 minutes
“My Dead Friend Zoe” follows an Afghanistan vet whose dead comrade is a constant presence in her life as she faces conflict with her therapist and her ailing Vietnam vet grandfather. Based in part on director Kyle Hausmann-Stokes’ own military experiences, the film is an exploration of PTSD that includes appearances from real-life service members. But as the Willamette Week puts it, it isn’t “a love letter to the armed forces” so much as a movie that “emphasizes the need for community and a space to share trauma.”
– Director: Bruce David Klein
– Metascore: 76
– IMDB user rating: 7.8
– Run time: 1 hour 44 minutes
A behind-the-scenes look at the life of Liza Minnelli, this documentary showcases interviews with Minnelli and several members of her inner circle, giving an all-new perspective on the legendary performer. The film, broken into separate chapters looking at periods of her personal and professional life, feels intimate and affectionate, possessing what a RogerEbert.com critic calls a “lightness of style” that makes even the more difficult moments easy to watch.
Described as “scintillating” by Variety, the documentary makes no effort to dodge those difficult moments, choosing instead to reveal how Minnelli found joy through it all.
– Director: Steven Soderbergh
– Metascore: 77
– IMDB user rating: 6.1
– Run time: 1 hour 24 minutes
Lucy Liu, Chris Sullivan, and Callina Liang star in this supernatural thriller about a family who moves into a house haunted by a poltergeist. Though the movie is downright chilling, it’s more subdued than a typical ghost movie—there are no jump scares, for one thing. Instead, “Presence” makes the viewer wrestle with whether the spirit is evil or simply exposing the maliciousness inside us all.
Some reviewers weren’t keen on the film’s approach, with audiences seeing everything from the ghost’s perspective, but others have praised director Steven Soderbergh’s controlled style, noting that it makes the climax all the more effective.
– Director: Questlove
– Metascore: 77
– IMDB user rating: 7.7
– Run time: 1 hour 52 minutes
“Sly Lives! (aka the Burden of Black Genius)” looks at the life and legacy of funk musician Sly Stone. The documentary, filled with rich archival footage and interviews, has been described as “dazzling and definitive” by Variety and praised by NPR for its honesty in depicting the alienating aspects of Black excellence.
Even for folks who know little about Sly and the Family Stone—or who have minimal appreciation for funk music—the film is an excellent primer on the ups and downs of the entertainment industry.
“Riefenstahl” looks at the life of famed German director Leni Riefenstahl, focusing specifically on the way her artistic legacy has been tainted by her connections to Nazis. As one of Adolf Hitler’s favorite filmmakers, Riefenstahl was considered a trailblazer on the wrong side of history.
Director Andres Veiel is in no way an apologist for Riefenstahl, taking pains to point out just how complicit and destructive she was, as a review in The Guardian notes. Still, the documentary prompts viewers to think about a question that’s been at the forefront of many minds lately—can an artist’s life and beliefs be separated from their work or not?
– Director: James Griffiths
– Metascore: 78
– IMDB user rating: 7.8
– Run time: 1 hour 39 minutes
In “The Ballad of Wallis Island,” a reclusive lottery winner invites his favorite folk band to play a private concert for him on the remote island he calls home. It’s a simple enough ask, but the fact that the band consists of two exes—including one who brings her new partner along for the ride—makes things much more complicated.
Starring Tim Key, Tom Basden, and Carey Mulligan, the quiet film is loosely based on a short film Basden and Key made with director James Griffiths nearly two decades ago. The Chicago Sun-Times called it “a gentle ode to moving on,” and the kind of movie that won’t “dominate any cultural conversations … but [will] touch your soul if you let it.”
– Director: Ye Lou
– Metascore: 78
– IMDB user rating: 7.2
– Run time: 1 hour 45 minutes
“An Unfinished Film” is referred to as “docufiction,” meaning it’s a fictional movie inspired by real events and incorporating documentary elements. Set in January 2020, the movie follows a film crew reuniting near Wuhan, China, to finish a project they were forced to abandon a decade earlier. Their plans are, of course, foiled by the outbreak of the COVID-19 pandemic, and they are forced into lockdown.
Interspersed with real smartphone footage from Wuhan at the beginning of the pandemic, the movie perfectly encapsulates what it was like to live during that time, particularly at the epicenter. Variety writes, “Few films have so skillfully captured the way COVID caused such traumatic temporal disruptions in its early days, wherein sudden changes in physical and emotional routine caused time to both stretch and collapse.”
– Director: Miguel Gomes
– Metascore: 80
– IMDB user rating: 6.6
– Run time: 2 hours 8 minutes
A historical drama set in 1918, “Grand Tour” is about a young man who abandons his fiancée on the eve of their wedding, only to have her set out in search of him. As they each traipse across East and Southeast Asia, fictional scenes of their story are interspersed with real documentary footage (some from the turn of the century, some more modern).
Director Miguel Gomes told Vulture the film was meant to evoke “the spectacle of the world,” prompting audiences to look more closely at their own worlds. The visually intoxicating movie resists the audience’s need to understand what’s going on, choosing instead to inspire wonder and the sense that “reality is often magical and inscrutable.”
– Directors: Sam Crane, Pinny Grylls
– Metascore: 82
– IMDB user rating: 6.9
– Run time: 1 hour 29 minutes
One of the quirkiest movies to make this list, “Grand Theft Hamlet” follows two out-of-work actors who attempt to stage a full-blown production of “Hamlet” in Grand Theft Auto Online. Shot entirely in the video game, with all of the subjects portrayed by their digital avatars, the film won the Grand Jury Award for Best Documentary Feature at the 2024 SXSW festival. NPR called it “constantly surprising, breathtakingly imaginative, and a great introduction to Shakespeare.”
In “Wallace & Gromit: Vengeance Most Fowl,” an old nemesis—Feathers McGraw, the penguin who first made his debut in the 1993 short “The Wrong Trousers”—returns to challenge the title pair with an assist from some AI-infused gnomes. While delightfully entertaining for younger audiences, with chase scenes and laugh-out-loud jokes galore, the film will keep older viewers engaged with its insightful criticisms of technology and its place in our consumer society.
Available to stream on Netflix, the movie nailed the “nostalgia sequel,” according to Forbes, “keeping the spirit of the animated series alive while paying tribute to the claymation duo’s best moments.” “Vengeance Most Fowl” was nominated for Best Animated Feature at the 2025 Academy Awards.
– Directors: Aws Al-Banna, Ahmed Al-Danf, Basil Al-Maqousi, and others
– Metascore: 83
– IMDB user rating: 7.9
– Run time: 1 hour 52 minutes
One of the most urgent watches on this list, “From Ground Zero,” is a collection of 22 different short films, ranging in style from documentary to animation, shot by nearly two dozen Palestinian directors over the past year in Gaza. Through true stories, the movie does a powerful job of humanizing the people of Gaza as they witness the destruction of their homes and the killing of their loved ones by the Israeli military.
“From Ground Zero” was shortlisted for Best International Feature at the Academy Awards, though it didn’t make the final cut. A RogerEbert.com critic called it “a rare work for which superlatives are not only inadequate but useless,” writing that the film “shows that, after a catastrophe, art is not only still possible but necessary—and that digital technology makes it possible for people to continue to preserve and share their stories even after they’ve lost almost everything else.”
– Director: Morissa Maltz
– Metascore: 83
– IMDB user rating: 6.1
– Run time: 1 hour 26 minutes
Set in the same universe as director Morrisa Maltz’s debut film “The Unknown Country,” “Jazzy” is a coming-of-age drama that follows a young Oglala Lakota girl. The movie is based on the real-life experiences of Maltz’s goddaughter, Jasmine Bearkiller Shangreaux, with the narrative following Jazzy and her best friend over six years as they navigate crushes, life’s twists and turns, and the challenges of friendship. Called “scrappy,” “loose-limbed,” and “meditative” by Variety, the film beautifully encapsulates those messy adolescent years.
– Director: Alain Guiraudie
– Metascore: 83
– IMDB user rating: 6.9
– Run time: 1 hour 44 minutes
At the start of “Misericordia,” a man arrives at a village in rural France to attend the funeral of his former boss. The widow, vaguely aware of the man’s affair with her late husband, invites him to stay, only to see tensions arise between her new houseguest and her son.
RogerEbert.comdescribed the thriller as “a morbid comedy of errors” and “a metaphysical, character-driven drama about the mysteries and absurdities of human attraction.” It’s exactly the Hitchcockian sort of movie for which writer/director Alain Guiraudie, who made 2013’s “Stranger by the Lake,” has become known.
– Director: Carson Lund
– Metascore: 83
– IMDB user rating: 7.2
– Run time: 1 hour 39 minutes
Set in the ’90s, “Eephus” centers on two amateur baseball teams playing one last game in their home stadium before it gets demolished. Subtle, slow-moving, and without the overtly emotional arc that’s central to most sports films, the movie still manages to be a touching and funny tribute to the country’s national pastime. WBUR called it “the best baseball movie since ‘Bull Durham’—or maybe ‘Bad Lieutenant’—because it explores this sport’s peculiar ability to bend and distort time.”
“Universal Language” is an absurdist comedy set in a reimagined Canada where Persian and French are the official languages. The film contains three separate narratives that are seemingly unconnected. Reminiscent of the Iranian New Wave cinematic movement, the movie may be too bizarre for some—the action is interspersed with asides, like a faux ’80s-style commercial selling turkeys. But for those willing to get on its wavelength, the film delivers a story that is “familiar and strange to us, welcoming but odd, funny, and tender,” per RogerEbert.com.
– Director: Walter Salles
– Metascore: 85
– IMDB user rating: 8.3
– Run time: 2 hours 17 minutes
Based on journalist Marcelo Rubens Paiva’s memoir of the same name, “I’m Still Here” tells the story of a mother and activist trying to cope with the forced disappearance of her husband amid Brazil’s military dictatorship. Starring Oscar nominee Fernanda Torres, the movie was also nominated for Best Picture and won the Academy Award for Best International Film. The urgency of the story, as well as the quietly emotional performances, are among the driving factors behind the film’s acclaim.
– Director: Steven Soderbergh
– Metascore: 85
– IMDB user rating: 7.2
– Run time: 1 hour 33 minutes
Cate Blanchett, Michael Fassbender, and Pierce Brosnan lead the cast of this spy thriller that follows a British intelligence officer who is tasked with investigating a list of possible traitors. One of the names on that list? The wife he’s deeply devoted to.
“Black Bag” has tonal similarities to a James Bond movie, but with a subtler and more darkly comedic approach. RogerEbert.com called the Steven Soderbergh effort “absolutely delicious, a svelte piece of entertainment that feels like a vintage yarn yet very much represents our own current anxieties, questions of sustaining trust in relationships and high-stake careers.”
– Director: Minh Quy Truong
– Metascore: 85
– IMDB user rating: 6.4
– Run time: 2 hours 9 minutes
Two coal miners dream of a better future in this LGBTQ+ romantic drama. Banned in its home country of Vietnam for its “gloomy, deadlocked and negative” views of the nation and its people, the movie wrestles with the effects of the Vietnam War, the difficulties of immigration, and the realities of being in a same-sex relationship in a country where that is still widely regarded as taboo. The expressionist movie has been described by critics as “abstract” and “dreamlike.”
– Director: Rungano Nyoni
– Metascore: 87
– IMDB user rating: 7.2
– Run time: 1 hour 39 minutes
“On Becoming a Guinea Fowl” opens with the main character stumbling across the body of her dead uncle, lying on the road in the middle of the night. As her extended Zambian family prepares for Uncle Fred’s funeral, long-held family secrets begin to come to light and force a reckoning. A mix of dark comedy and serious drama, the movie has plenty to say about the challenges of processing complex emotions and the temptation to live in denial.
Data reporting by Wade Zhou. Story editing by Louis Peitzman. Copy editing by Tim Bruns and Kristen Wegrzyn.