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I’m New to Jazz. Where Do I Start?

Story Center by Story Center
January 6, 2026
Reading Time: 5 mins read
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I’m New to Jazz. Where Do I Start?

Q: As a member of Gen Z who’s completely new to jazz, who should I listen to? What are some famous recordings, albums, artists or compilations?

Glad you asked! I’m an editor on the New York Times Culture desk who listens to (and sometimes writes about) a wide range of music, and I edit the “5 Minutes That Will Make You Love” series covering jazz. Even so, I consider myself more of a jazz enthusiast than an expert, especially compared with the “5 Minutes” writers and contributors, and I totally get how a genre with more than a century of history can be intimidating. With so much variety, though, I think jazz can be a rewarding listen for almost anyone — so let’s talk about how you can find some that you’ll love.

Don’t be afraid of giants

Let’s say you’ve only heard of one jazz musician, and it’s Miles Davis. Perfect — he had a decades-long career that included tons of stylistic shifts, from bebop (1940s) to cool jazz (1950s) to electric fusion (the late 1960s and beyond). If you’re hearing jazz playing in a restaurant or bar, it’s a decent bet that it’s “Kind of Blue,” Davis’s 1959 masterpiece with a sextet that included John Coltrane and Cannonball Adderley. (Hedge bet: Coltrane’s “Blue Train.”) Simply exploring Davis’s large catalog would be a jazz education, covering multiple milestones like “Birth of the Cool” (1957) and the fusion landmark “Bitches Brew” (1970). The first jazz album I ever bought, somewhat at random, was Davis’s “’Round About Midnight” (1957), and I still love it, especially its brisk take on the Charlie Parker composition “Ah-Leu-Cha.”

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So my (not very deep) advice is, start with the canon — but it sounds like you’re looking for guidance on who’s in it. Any list is going to provoke debate, but the soundtrack to Ken Burns’s 10-part documentary “Jazz” seems like as good a place as any to encounter most of the Mount Rushmore names — Louis Armstrong, Billie Holiday, Duke Ellington, Coltrane, Parker — even if plenty of critics took issue with the series. The former Times critic Ben Ratliff wrote a 2002 book, “The New York Times Essential Library: Jazz,” that attempts to list the 100 most important jazz recordings, and the website for Jazz at Lincoln Center offers a more concise 10, leading with the Dave Brubeck Quartet’s “Time Out.” (That album’s “Take Five” is on the shortlist of jazz songs that even non-fans recognize.) You can also — plug! — take a spin through the “5 Minutes” archive to find playlists for topics that might interest you.

‘ The preceding article may include information circulated by third parties ’

‘ Some details of this article were extracted from the following source www.nytimes.com ’

Tags: CherryColtraneContent Type: ServicedavisDon (Trumpeter)Generation ZjazzJazz at Lincoln CenterjohnKamasiKind of Blue (Album)Mileswashington
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