“There’s this thing you learn as a documentary filmmaker,” explains director Marshall Curry, while sitting next to David Remnick, the editor of The New Yorker and one of the subjects of his new film . “You learn to sit quietly and just wait when you ask a question. And eventually the other person will fill that space.” Curry, the documentary filmmaker behind the Academy Award–winning The Neighbors’ Window and the Academy Award-nominated Street Fight, then gets specific about making this documentary with Remnick, who happens to have a Pulitzer Prize for journalism: “I was sitting with David. I asked a question. I sat. He sat. I sat. He sat.
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