Peacemaker Season 2 is only three episodes in, and it already balances brutal fights with laugh-out-loud comedy. Episode 3, “Another Rick Up My Sleeve,” moves the story more into Chris Smith’s alternate dimension adventures, but it’s the post-credits scene that grabs attention this week. Instead of another wild improv or crude gag, the stinger delivers the cutest and funniest moment of the season so far.
What happens in Peacemaker Season 2 Episode 3’s post-credits scene?
Peacemaker Season 2 Episode 3’s post-credits scene delivers a moment of pure cuteness. After a tense and action-packed episode, the tag cuts to Adrian Chase, aka Vigilante, hovering over John Economos, who has passed out drunk in a bathtub. With the kind of misplaced sincerity only Adrian can bring, he gently pulls down Economos’ pants and plants a sweet kiss on his forehead before whispering, “Sleep well.” It’s bizarre, uncomfortable, and yet undeniably cute—perfectly encapsulating the offbeat tone that has defined Peacemaker since Season 1.
This scene stands out because it follows the tradition of irreverent post-credit moments in the show, but with an added layer of awkward intimacy. While previous tags leaned heavily on banter and improvisational dialogue, Episode 3 leans into more intimate affection that catches viewers completely off guard.
So far, Peacemaker Season 2’s post-credit stingers have leaned into James Gunn’s signature style of humor, aka extended riffs, crude dialogue, and improvised chaos. Episode 1 turned a throwaway joke about music into a Jared Leto jab. Meanwhile, Episode 2 let Tim Meadows improvise an NSFW “Peppermint Twins” story that pushed his character Fleury into unpredictable territory.
But Episode 3 flips the formula. Instead of outrageous banter, the gag is small, wordless, and quietly hilarious. Adrian’s sweet but strange gesture shows just how much he values Economos, even if his way of expressing it is unconventional. It’s both the funniest and most wholesome stinger so far, and it deepens Vigilante’s quirky personality in a way dialogue-heavy bits simply can’t.
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