pH-1 has announced new North American tour dates – see the full list of dates below.
The South Korean singer-songwriter and his label H1GHR Music have announced the North American leg of the ‘What Have We Done’ tour, in support of his latest album of the same name.
The North American trek is due to kick off in early November and will consist of 14 dates, with more to come. The current slate of dates includes stops in Chicago, Toronto, New York, Silver Spring, Atlanta, Houston, Dallas, Tempe, Anaheim, Los Angeles, San Francisco, Portland, Seattle and Vancouver.
pH-1’s 2025 ‘What Have We Done’ North American tour dates are:
NOVEMBER
02 – Chicago, IL – The Riviera Theatre
03 – Toronto, ON – Queen Elizabeth Theatre
04 – New York, NY – Terminal 5
07 – Silver Spring, MD – The Fillmore Silver Spring
09 – Atlanta, GA – Coca-Cola Roxy
11 – Houston, TX – Bayou Music Center
13 – Dallas, TX – The Bomb Factory
16 – Tempe, AZ – Marquee Theatre
18 – Anaheim, CA – House Of Blues Anaheim
20 – Los Angeles, CA – The Novo
22 – San Francisco, CA – The Warfield
24 – Portland, OR – McMenamins Crystal Ballroom
25 – Seattle, WA – Showbox SoDo
26 – Vancouver, BC – Vogue Theatre
pH-1 WHWD 2025 WORLD TOUR in North America
📢 TICKET OPEN ANNOUNCEMENT
GENERAL TICKET SALES: 2025.09.05 (FRI) 10AM LOCAL TIME✔ Ticket Linkhttps://t.co/CXyWFFNjeU
📌 More information regarding ticketing will be provided by individual promoters in… pic.twitter.com/d2Z7sKR6B7
— H1GHR MUSIC (@H1GHRMUSIC) September 2, 2025
Tickets are on sale now – you can get yours here.
Additionally, H1GHR Music has confirmed that additional dates across Asia, Europe and beyond are due to be announced “soon”.
pH-1 released his latest album ‘What Have We Done’ on August 13. It consists 15 songs, including the title track, ‘PARTY PPL’, ‘SUMMER FEVER’ and more. Features on the record include Min Jiwoon, IIIBOI, CHANMINA, CAMO, Karencici, NMIXX’s Haewon, Thama and aiai.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.nme.com ’
