“How you feeling, Sabrinawood?” Sabrina Carpenter asked as she gazed out at the tens of thousands of fans she’d gathered into a makeshift city Friday night. “I can’t believe I’m headlining Coachella.
“I mean, I can a little bit.”
Indeed, when Carpenter made her Coachella debut in 2024, the Disney kid turned pop icon vowed that the next time she played the desert festival, her name would be atop the bill.
She returned as promised this weekend as one of music’s biggest acts, with two No. 1 singles and a pair of Grammy-nominated albums under her belt and a story to tell about her rise to stardom.
Heading into Coachella, I’d wondered whether Carpenter, 26, would simply play the same show she’d already brought several times to L.A. (as recently as November) on tour behind 2025’s “Short n’ Sweet” and last year’s “Man’s Best Friend.”
To her credit, though, she created a whole new production, which began with a video in which Carpenter is pulled over by a police offer played by the actor Sam Elliott as she drives toward a new life in Hollywood. In the video, Elliott lets her go, after which she turned up in the flesh at Coachella to strut down a Walk of Fame situation and end up onstage in a detailed simulacrum of the Hollywood Hills.
The first half of the show featured a bunch of songs from the singer’s last two LPs — she sang “Please Please Please” in a mock-up of a recording-studio vocal booth, while “When Did You Get Hot?” sounded like En Vogue’s “My Lovin’ (You’re Never Gonna Get It)” — as well as an oldie in “Because I Liked a Boy.”
Sabrina Carpenter performs.
(Kayla Bartkowski / Los Angeles Times)
Then came a very long appearance by Susan Sarandon, who delivered a monologue about … the trauma of childhood celebrity? Honestly, it was hard to tell — a bit of a miscalculation on Carpenter’s part, as though she’d assumed that everyone at Coachella wanted to hear her deepest (if vaguest) thoughts about the pain of growing up in the Mouse House.
“She better come out in an amazing outfit,” one woman next to me said of Carpenter as Sarandon continued to extend the singer’s costume change.
Once Carpenter was back — wearing leggings and a blue sweater — she did “Go Go Juice” and “Sugar Talking” in a sort of dance-studio setting then interpolated a bit of Barry Manilow’s “Copacabana (At the Copa)” into “Feather” before Will Ferrell appeared as an irritated stage tech moaning and groaning about the demands of Carpenter’s show. (Again: kind of a fail.)
Yet she finished strong with speedy versions of “Juno,” “Espresso” and “Goodbye” into “Tears,” which got an elaborate water show that proved Carpenter can provide the right amount of razzle-dazzle when she wants to.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.latimes.com ’
