His latest feature, I Love Boosters, is set in a version of the Bay Area where the floors of an office are tilted at a 45-degree angle, where a demon sucks the souls out of people by going down on them, where a teleportation device shows great promise as a way for retailers to cut down shipping costs. But watching it feels less like being transported into a different universe than putting on X-ray goggles to look at our own — and finding, buried under all the frustration and despair, a joyful and unruly sense of hope.
As usual with Riley’s work, the plot of I Love Boosters swerves and somersaults in unpredictable directions,…
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