There’s no more perfect illustration of the cinematic crossroads of the mid-1960s than the year Julie Christie had in 1965. First, she starred as an amoral model in John Schlesinger’s Darling, a snapshot of Swinging London that reflected the trendy, flashy, forward-thinking culture that had seduced young adults. Then she starred as an elusive Russian beauty in Doctor Zhivago, a three-hour-plus historical epic from David Lean that was as stodgy and old-fashioned as Darling was suggestive of the future. There was an appetite for both that year – credit…
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.imdb.com ’














