SEOUL, South Korea — Ahn Sung-ki, one of South Korean cinema’s biggest stars whose prolific 60-year career and positive, gentle public image earned him the nickname “the Nation’s Actor,” died Monday. He was 74.
Ahn, who had blood cancer for years, died at Seoul’s Soonchunhyang University Hospital, his agency, the Artist Company, and hospital officials said.
“We feel deep sorrow at the sudden, sad news, pray for the eternal rest of the deceased and offer our heartfelt condolences to his bereaved family members,” the Artist Company said in a statement.
President Lee Jae Myung issued a condolence message, saying Ahn provided many people with comfort, joy and time for reflection. “I already miss his warm smile and gentle voice,” Lee wrote on Facebook.
Born to a filmmaker in the southeastern city of Daegu in 1952, Ahn made his debut as a child actor in the movie “The Twilight Train” in 1957. He subsequently appeared in about 70 movies as a child actor before he left the film industry to live an ordinary life.
In 1970, Ahn entered Seoul’s Hankuk University of Foreign Studies as a Vietnamese major. Ahn said he graduated with top honors, but failed to land jobs at big companies, who likely saw his Vietnamese major as largely useless after a communist victory in the Vietnam War in 1975.
Ahn returned to the film industry in 1977 believing he could still excel in acting. In 1980, he rose to fame for his lead role in Lee Jang-ho’s “Good Windy Days,” a hit coming-of-age movie about the struggle of working-class men from rural areas during the country’s rapid rise and transition. Ahn won the best new actor award in the prestigious Grand Bell Awards, the Korean version of the Academy Awards.
He later starred in a series of highly successful and critically acclaimed movies, sweeping best actor awards and becoming arguably the country’s most popular actor in much of the 1980s and ’90s.
Some of his memorable roles included a Buddhist monk in 1981’s “Mandara,” a beggar in 1984’s “Whale Hunting,” a Vietnam War veteran-turned-novelist in 1992’s “White Badge,” a corrupt police officer in 1993’s “Two Cops,” a murderer in 1999’s “Nowhere to Hide,” a special forces trainer in 2003’s “Silmido” and a devoted celebrity manager in 2006’s “Radio Star.”
Ahn had collected dozens of trophies in major movie awards in South Korea, including winning the Grand Bell Awards for best actor five times, an achievement no other South Korean actor has matched.
Ahn built up an image as a humble, trustworthy and family-oriented celebrity who avoided major scandals and maintained a quiet, stable personal life. Past public surveys chose Ahn as South Korea’s most beloved actor and deserving of the nickname “the Nation’s Actor.”
Ahn said he earlier felt confined by the label, but eventually thought that it led him down the right path. “I felt I should do something that could match that title. But I think that has eventually guided me in a good direction,” Ahn said in an interview with Yonhap news agency in 2023.
In media interviews, Ahn couldn’t choose what his favorite movie was, but said that his role in “Radio Star” as a dedicated, hardworking manger for a washed-up rock singer played by Park Jung-hoon resembled himself in real life the most.
Ahn was also known for his reluctance to do love scenes. He said said he was too shy to act romantic scenes and sometimes asked directors to skip steamy scenes if they were only meant to add spice to movies.
“I don’t do well on acting like looking at someone who I don’t love with loving eyes and kissing really romantically. I feel shy and can’t express such emotions well,” Ahn said in an interview with Shindonga magazine in 2007. “Simply, I’m clumsy on that. So I couldn’t star in such movies a lot. But ultimately, that was a right choice for me.”
Ahn is survived by his wife and their two sons. A mourning station at a Seoul hospital was to run until Friday.
Kim writes for the Associated Press.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.latimes.com ’
