I will readily admit that among the dozens of Broadway and Off-Broadway musicals that I saw during my years of living in New York, “The Music Man” was never one of my favorites. But, I only ever saw the hit 1962 movie starring Robert Preston as the conniving Prof. Harold Hill and Shirley Jones as the lovely librarian/music teacher Marian Paroo — although I was in the show’s (barbershop) “Quartet” in my high school’s performance of the classic Tony Award-winning hit.
I thought the story of Hill, the traveling salesman/con man, and his duping of a town full of weird and often stupid characters, created by Meredith Willson and Franklin Lacey, was just too dated and not as much fun as some others.
But honestly, to me, the New Tampa Players’ (NTP) production of “The Music Man” at the New Tampa Performing Arts Center was better than the movie. And apparently, I wasn’t alone. All of the people sitting around Jannah and me raved about the talented cast and their beautiful singing voices, the sets, the costumes and the 15-piece orchestra — the largest ever for an NTP production — under the musical direction of the great G. Frank Meekins. I hope director Angel Borths, choreographer Tatiana Eriksen, costume designers Shelley Giles, Heather Cleveland, Travy Stemm and Dave Giles and production manager (and NTP producing artistic director) Nora Paine and the entire cast and crew are proud. This also was the first NTP show I’ve seen with sign language interpreters (photo below)!
The amazing Melanie Bierweiler was correctly sassy as Marian (and did a fantastic job singing “Goodnight My Someone” and “Till There Was You”) and David Groomes didn’t disappoint in the demanding role of Prof. Hill on “Ya Got Trouble,” “76 Trombones” and with Melanie on “Till There Was You.” The “Quartet” of Chase Reeder, Michael Bonassar, Jacey Squires and James Cass hit every note of every song, including on “Lida Rose.”
Neil Bleiweiss provided great comic relief as Mayor Shinn and Becky Groomes correctly “overacted” as his zany wife Eulalie. Talented youngsters Nora Duffy as Amaryllis (who sang like a songbird in duet with Melanie on “Goodnight My Someone”) and Luke Adams as Marian’s lisping brother Winthrop (who sang to the back of the theater on “Gary, Indiana”) showed that NTP has a bright future ahead. And, Debbie Scourtes brought a lot of verve to the role of Marian’s widowed mother Mrs. Paroo, who is trying to keep her daughter from becoming an old spinster.
You could just hear the audience hissing at the show’s one villain, Charlie Cowell (played to perfection by Stephon Mikell), and Jaden Figueroa and Chloe Tort were great as the young “troublemaker” Tommy Djilas and Zaneeta Shinn (“Ye Gawd!”), respectively.
The largest cast I’ve ever seen in an NTP production also included the super-fun and funny Pick-A-Little Ladies (Lena Wigfall, Suzann Humara, Christy Adams and Chelsea Keith), plus nearly 20 “ensemble” players young and old (including the super adorable extra-young’ns Mars Wolfe Bonassar and Elliott LeFloch).
But, I wouldn’t be telling the truth if I didn’t say that Gabriel Martin White as Hill’s buddy and fellow con man Marcellus Washburn was this show’s scene stealer. He got laughs — calling Hill by his real first name (“Greg”) throughout — and he brought to mind the young Dick Van Dyke in “Mary Poppins” with his expressive face and high-flying, elastic-legged dancing. My pics did him no justice!
Great job, one & all!
Up next for NTP are another classic musical — “Oklahoma” — in October, and “The Sponge Bob Musical” (yes, really) in January. Auditions for both shows have already been held (although volunteers to help with both productions are still needed), so look for announcements about when tickets go on sale in these pages and at NewTampaPlayers.org. — GN
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source neighborhoodnewsonline.net ’
