Just as apparent for veterans of live TV or climbing documentaries, meanwhile, was the depth of the production expertise and specialized cinematography required to make Skyscraper Live such a smoothly vivid experience for viewers worldwide.
“To cover 1,700 vertical feet,” says James Smith, an executive producer at Plimsoll Productions, “this was the most impressive camera rig I’ve ever seen.”
That rig — 19 camera sources distributed across one of the world’s tallest buildings, supplemented by drones, a helicopter, robotic heads and a free-hanging cable dolly — was the product of months of planning by Netflix, Plimsoll and a small army of specialists accustomed to filming people doing very dangerous things in very inhospitable places.
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