We’re told that AI was inescapable in pop music this year, but I escaped just fine. In July, when journalists revealed that the Velvet Sundown, a rising new rock quartet on Spotify, was, in fact, a fake band created with artificial intelligence, I chose not to listen to the songs. Months later, when an AI-generated act called Breaking Rust topped Billboard’s country digital song sales chart, I kept my fingers in my ears. Same whenever I encountered headlines about the emerging AI gospel entity Solomon Ray, or TaTa Taktumi, the new AI protégé of super-producer Timbaland. Considering the embarrassing amount of money and hype wasted on AI-generated music this year, resistance was easy.
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