“We were quite conscious that she manipulated a lot and that she removed some things (from her archives),” Veiel says. “Our gift, in a way, was that she made mistakes. She left a lot of things in her estate that charged her with being much more responsible regarding her guilt or her complicity.”
Riefenstahl, who died in 2003 at age 101, is known for her documentaries “Triumph of the Will” (1935) and “Olympiad” (1938), which were lauded for their masterful technical skill. The docs, which are defined by their fascist aesthetics, were funded by the Nazis. Riefenstahl’s friendship with Hitler and other Nazi…
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