When Steve Cropper heard the mixes of his final album, he knew exactly what he thought of it.
“I finished the mixes about a week and a half before Steve passed, and we brought a CD to him at the medical facility,” songwriter and producer Jon Tiven recalls. “He called me the night before he passed to tell me how much he loved it. He was playing it for everyone who came to visit him, telling them it was the best record he’d ever made.”
That album — Watching the Tide — will arrive later this year, serving as a poignant final statement from one of the most influential guitarists in soul and rock history.
The record was largely completed before Cropper’s death in December, with 10 of its 11 tracks finished beforehand. Recorded at Nashville’s RCA Studio C, the album again pairs him with Tiven and is being released under the banner Steve Cropper & the Midnight Hour.
Like its predecessor Friendlytown, the project brings in a notable roster of collaborators. Eric Clapton appears on the lead single “Ticket First,” released May 7, while Ronnie Wood contributes to “Until Now.” Other guests include Billy Gibbons and Brian May, with May joining Cropper on the aptly titled “My Angels Are Calling.”
“Making music was Steve’s greatest joy,” Tiven says. “Steve was so encouraged by Friendlytown. He was adamant he wanted to do another record.”
Cropper’s career stretched back more than six decades. As the guitarist for Booker T. & the M.G.’s — the house band for Stax Records — he helped define the sound of southern soul and co-wrote classics including “(Sittin’ On) the Dock of the Bay,” “Knock on Wood,” and “In the Midnight Hour.”
Beyond his work at Stax, Cropper built a formidable résumé as a session player and producer, working with artists such as Otis Redding, Wilson Pickett, Jeff Beck, Ringo Starr and Rod Stewart. He also appeared onscreen as a member of the Blues Brothers Band.
Along the way he earned multiple Grammys, including one for “(Sittin’ On) the Dock of the Bay” and another with Booker T. & the M.G.’s for the 1995 track “Cruisin’.”
Despite that legacy, Cropper kept his advice to young guitarists simple. In one of his final major interviews, with Total Guitar in 2024, he said, “Do not get into this business for money. Do it for fun — and if you’re good, somewhere along the way someone will pay you.”
He described his own approach to the instrument as practical. “I use it as a tool,” he said of the electric guitar. “I couldn’t afford to hire another guitarist on a lot of Stax records, so I learned to play rhythm and lead at the same time so when I was soloing the rhythm wouldn’t drop out.”
Watching the Tide is scheduled for release Aug. 28 via Provogue Records / Artone Label Group.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.guitarplayer.com ’
