Offering prizes to Almodóvar lead and rapidly-risen star Milena Smit (“Parallel Mothers”) and evergreen Spanish comedy icon Fernando Tejero (“Aquí no hay quien viva”), notable as the ethically spineless priest in Alejandro Amenábar’s “The Captive,” the resilient Huelva Ibero-American Film Festival bows on Nov. 14 with an powerfully enticing line-up of Latin American titles in main competition, a reminder of Spanish cinema’s current power in section Acento and five doc-features in Talento Andaluz.
10 takes on why Huelva, a festival in an Andalusian seaport, remains an essential part of the international film circuit:
Huelva’s Vital Role
Huelva’s 51st edition has one innovation: Latidos (see below). Apart from that, it will continue to do what it does best: Throwing further light on titles – Latin American or Spanish and sometimes Andalusian – which have bowed to critical acclaim, but merit far more international attention. That now is a pressing need. In…
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