Operated by the title character, “Steve” — into whom lead actor Cillian Murphy channels all sorts of irreconcilable conflict — this is the reform school of last resort. It’s the place “very disturbed young men” (as novelist Max Porter described them) are sent at great expense to the English taxpayers in the hope that the embattled institution’s small but dedicated staff of teachers and therapists can help the lads to manage their aggression and make something of themselves.
In theory, a film this strong should have premiered at Venice or Telluride, where it might have been noticed. Instead, “Steve” bows in the Toronto Film Festival’s Platform competition, where it’s apt to be overlooked amid more than 200 other movies — which could happen on Netflix, too. Instead of letting that happen, it must be said:…
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