Speaking at the festival where his 1993 film “He Ain’t Heavy, He’s My Father” and 1994’s “He’s a Woman, She’s a Man” once drew overflow crowds to Shibuya venues, Chan traced his journey from independent-minded Hong Kong filmmaker to major Chinese productions, explaining how economic realities have dictated every creative turn.
“Those were the best days of my life. No matter what I went on to do in the future, I remember those days where they were the best days,” Chan said of his UFO period, when he received a gift of videotaped footage from the 1994 festival…
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.imdb.com ’














